Author: Emma Langdon Roche
Publisher:
ISBN:
Category : Slave-trade
Languages : en
Pages : 190
Book Description
Historic Sketches of the South
Author: Emma Langdon Roche
Publisher:
ISBN:
Category : Slave-trade
Languages : en
Pages : 190
Book Description
Publisher:
ISBN:
Category : Slave-trade
Languages : en
Pages : 190
Book Description
HISTORIC SKETCHES OF THE SOUTH
Author: EMMA LANGDON. ROCHE
Publisher:
ISBN: 9781033112939
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781033112939
Category :
Languages : en
Pages : 0
Book Description
Historic Sketches of the South (1914)
Author: Emma Langdon Roche
Publisher: Literary Licensing, LLC
ISBN: 9781498147330
Category :
Languages : en
Pages : 176
Book Description
This Is A New Release Of The Original 1914 Edition.
Publisher: Literary Licensing, LLC
ISBN: 9781498147330
Category :
Languages : en
Pages : 176
Book Description
This Is A New Release Of The Original 1914 Edition.
Historic Sketches of the South (Classic Reprint)
Author: Emma Langdon Roche
Publisher: Forgotten Books
ISBN: 9780331543452
Category : History
Languages : en
Pages : 180
Book Description
Excerpt from Historic Sketches of the South The early settlers who have left their impress on American life and character were of the same country and traditions, but their manners and ideals had been developed by the Opposing forces which began to stir England during the Renais sance - a hundred and fifty years before the Refor mation - forces of which our own Civil War seems as direct a sequence as were the religio-political feuds of the 16th and 17th century England. In the New World the exponents of these contrasting forces were divided for the first century and a half by what afterwards became known as Mason's and Dixon's Line and by vast areas of uninhabited wilderness. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780331543452
Category : History
Languages : en
Pages : 180
Book Description
Excerpt from Historic Sketches of the South The early settlers who have left their impress on American life and character were of the same country and traditions, but their manners and ideals had been developed by the Opposing forces which began to stir England during the Renais sance - a hundred and fifty years before the Refor mation - forces of which our own Civil War seems as direct a sequence as were the religio-political feuds of the 16th and 17th century England. In the New World the exponents of these contrasting forces were divided for the first century and a half by what afterwards became known as Mason's and Dixon's Line and by vast areas of uninhabited wilderness. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Historic Sketches of the South
Author: Emma Langdon Roche
Publisher:
ISBN:
Category : Slave trade
Languages : en
Pages : 148
Book Description
Publisher:
ISBN:
Category : Slave trade
Languages : en
Pages : 148
Book Description
Historic Real Estate
Author: Whitney Martinko
Publisher: University of Pennsylvania Press
ISBN: 0812252098
Category : History
Languages : en
Pages : 304
Book Description
A detailed study of early historical preservation efforts between the 1780s and the 1850s In Historic Real Estate, Whitney Martinko shows how Americans in the fledgling United States pointed to evidence of the past in the world around them and debated whether, and how, to preserve historic structures as permanent features of the new nation's landscape. From Indigenous mounds in the Ohio Valley to Independence Hall in Philadelphia; from Benjamin Franklin's childhood home in Boston to St. Philip's Episcopal Church in Charleston, South Carolina; from Dutch colonial manors of the Hudson Valley to Henry Clay's Kentucky estate, early advocates of preservation strove not only to place boundaries on competitive real estate markets but also to determine what should not be for sale, how consumers should behave, and how certain types of labor should be valued. Before historic preservation existed as we know it today, many Americans articulated eclectic and sometimes contradictory definitions of architectural preservation to work out practical strategies for defining the relationship between public good and private profit. In arguing for the preservation of houses of worship and Indigenous earthworks, for example, some invoked the "public interest" of their stewards to strengthen corporate control of these collective spaces. Meanwhile, businessmen and political partisans adopted preservation of commercial sites to create opportunities for, and limits on, individual profit in a growing marketplace of goods. And owners of old houses and ancestral estates developed methods of preservation to reconcile competing demands for the seclusion of, and access to, American homes to shape the ways that capitalism affected family economies. In these ways, individuals harnessed preservation to garner political, economic, and social profit from the performance of public service. Ultimately, Martinko argues, by portraying the problems of the real estate market as social rather than economic, advocates of preservation affirmed a capitalist system of land development by promising to make it moral.
Publisher: University of Pennsylvania Press
ISBN: 0812252098
Category : History
Languages : en
Pages : 304
Book Description
A detailed study of early historical preservation efforts between the 1780s and the 1850s In Historic Real Estate, Whitney Martinko shows how Americans in the fledgling United States pointed to evidence of the past in the world around them and debated whether, and how, to preserve historic structures as permanent features of the new nation's landscape. From Indigenous mounds in the Ohio Valley to Independence Hall in Philadelphia; from Benjamin Franklin's childhood home in Boston to St. Philip's Episcopal Church in Charleston, South Carolina; from Dutch colonial manors of the Hudson Valley to Henry Clay's Kentucky estate, early advocates of preservation strove not only to place boundaries on competitive real estate markets but also to determine what should not be for sale, how consumers should behave, and how certain types of labor should be valued. Before historic preservation existed as we know it today, many Americans articulated eclectic and sometimes contradictory definitions of architectural preservation to work out practical strategies for defining the relationship between public good and private profit. In arguing for the preservation of houses of worship and Indigenous earthworks, for example, some invoked the "public interest" of their stewards to strengthen corporate control of these collective spaces. Meanwhile, businessmen and political partisans adopted preservation of commercial sites to create opportunities for, and limits on, individual profit in a growing marketplace of goods. And owners of old houses and ancestral estates developed methods of preservation to reconcile competing demands for the seclusion of, and access to, American homes to shape the ways that capitalism affected family economies. In these ways, individuals harnessed preservation to garner political, economic, and social profit from the performance of public service. Ultimately, Martinko argues, by portraying the problems of the real estate market as social rather than economic, advocates of preservation affirmed a capitalist system of land development by promising to make it moral.
Historical Sketches of North Carolina
Author: John Hill Wheeler
Publisher:
ISBN:
Category : North Carolina
Languages : en
Pages : 668
Book Description
Publisher:
ISBN:
Category : North Carolina
Languages : en
Pages : 668
Book Description
The Last Voyage of the Clotilda, the True Story of the Last Slave Ship Voyage (1914)
Author: Emma Langdon Roche
Publisher:
ISBN: 9781387870080
Category :
Languages : en
Pages : 38
Book Description
"Roche published the first account of the last slave ship to enter the United States....She was the artist/writer daughter of a prominent white family here. She spent a great deal of time interviewing the people who had been illegally brought into South Alabama to be the slaves of several local men." -Michael Thomason, PhD, Lagniappe Weekly In 1914 Emma Langdon Roche (1878-1945) published the book "Historic Sketches of the South," which book included several chapters on the last voyage of the schooner Clotilda which was the last known U.S. slave ship to bring captives from Africa to the United States. It is these chapters on the Clotilda, comprising about 25 pages, which have been republished here for the convenience of the interested reader. In July 1860, the schooner Clotilda, under the command of Captain William Foster and carrying a cargo of 110 enslaved Africans, arrived in Mobile Bay. Captain Foster was working for Timothy Meaher, a wealthy Mobile shipyard owner and steamboat captain, who had built Clotilda in 1856 for the lumber trade. Meaher was said to have wagered some "Northern gentlemen" from New England, who likely provided the financing for the illegal venture, that he could successfully smuggle slaves into the US despite the 1807 Act Prohibiting Importation of Slaves. Regarding the slaves comprising the cargo, Roche notes: "THE slaves who constituted the Clotilde's cargo and who have become historic by being the last brought into the United States were captured by Dahomey's warriors and Amazons on one of their cruel excursions. For many years the tribe of Dahomey had been a scourge to the weaker and more peaceable tribes whose domains lay near the Gold Coast or in the interior away from the coast of Guinea."
Publisher:
ISBN: 9781387870080
Category :
Languages : en
Pages : 38
Book Description
"Roche published the first account of the last slave ship to enter the United States....She was the artist/writer daughter of a prominent white family here. She spent a great deal of time interviewing the people who had been illegally brought into South Alabama to be the slaves of several local men." -Michael Thomason, PhD, Lagniappe Weekly In 1914 Emma Langdon Roche (1878-1945) published the book "Historic Sketches of the South," which book included several chapters on the last voyage of the schooner Clotilda which was the last known U.S. slave ship to bring captives from Africa to the United States. It is these chapters on the Clotilda, comprising about 25 pages, which have been republished here for the convenience of the interested reader. In July 1860, the schooner Clotilda, under the command of Captain William Foster and carrying a cargo of 110 enslaved Africans, arrived in Mobile Bay. Captain Foster was working for Timothy Meaher, a wealthy Mobile shipyard owner and steamboat captain, who had built Clotilda in 1856 for the lumber trade. Meaher was said to have wagered some "Northern gentlemen" from New England, who likely provided the financing for the illegal venture, that he could successfully smuggle slaves into the US despite the 1807 Act Prohibiting Importation of Slaves. Regarding the slaves comprising the cargo, Roche notes: "THE slaves who constituted the Clotilde's cargo and who have become historic by being the last brought into the United States were captured by Dahomey's warriors and Amazons on one of their cruel excursions. For many years the tribe of Dahomey had been a scourge to the weaker and more peaceable tribes whose domains lay near the Gold Coast or in the interior away from the coast of Guinea."
HISTORIC SKETCHES OF THE SOUTH
Author: Emma Langdon 1878 Roche
Publisher: Wentworth Press
ISBN: 9781363266395
Category : History
Languages : en
Pages : 190
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Wentworth Press
ISBN: 9781363266395
Category : History
Languages : en
Pages : 190
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Sketching Guantanamo
Author: Janet Hamlin
Publisher: Fantagraphics Books
ISBN: 1606996916
Category : Art
Languages : en
Pages : 173
Book Description
Camp X-Ray in the U.S. military base in Guantanamo, Cuba, opened in January, 2002 in the wake of the 9-11 attacks to house alleged terrorists ― off the American mainland, unaccountable to the U.S. judiciary ― in “indefinite detention.” Newer and more permanent prisons were later built miles away, and continue to house terrorist suspects today. The United States government does not allow photographs of the military trials at Guantanamo, but beginning in 2006, Janet Hamlin went to Guantanamo as a courtroom sketch artist to serve as a visual witness to the courtroom prceedings and provide worldwide media with artwork drawn during them. She has been the only sketch artist covering these trials from 2006 to the present time. Sketching Guantanamo is both a collection of her most potent and revealing sketches drawn during this period, as well a chronicle of her experience at Guantanamo. Before entering the viewing booth behind multi-paneled soundproof glass in the back of the court, Hamlin is daily subjected to thorough searches, wanding, and metal detecting in three separate checkpoints. The U.S. government and even detainees can demand that certain details be ”smudged” or even changed. When one detainee who had just pled guilty demanded that sketches of him not be released, Hamlin staged a four-hour sit-in until the authorities relented. Hamlin’s drawings and her accompanying text provide rare insight into the military courts of Guantanamo. The trials are considered notorious and historic, among the most carefully censored trials in recent U.S. history, and sketches are the only visuals the world is allowed to see. Sketching Guantanamo features nearly 150 drawings, as well as photographs of the surrounding facilities that enhance the artist’s illustrations and her running commentary.
Publisher: Fantagraphics Books
ISBN: 1606996916
Category : Art
Languages : en
Pages : 173
Book Description
Camp X-Ray in the U.S. military base in Guantanamo, Cuba, opened in January, 2002 in the wake of the 9-11 attacks to house alleged terrorists ― off the American mainland, unaccountable to the U.S. judiciary ― in “indefinite detention.” Newer and more permanent prisons were later built miles away, and continue to house terrorist suspects today. The United States government does not allow photographs of the military trials at Guantanamo, but beginning in 2006, Janet Hamlin went to Guantanamo as a courtroom sketch artist to serve as a visual witness to the courtroom prceedings and provide worldwide media with artwork drawn during them. She has been the only sketch artist covering these trials from 2006 to the present time. Sketching Guantanamo is both a collection of her most potent and revealing sketches drawn during this period, as well a chronicle of her experience at Guantanamo. Before entering the viewing booth behind multi-paneled soundproof glass in the back of the court, Hamlin is daily subjected to thorough searches, wanding, and metal detecting in three separate checkpoints. The U.S. government and even detainees can demand that certain details be ”smudged” or even changed. When one detainee who had just pled guilty demanded that sketches of him not be released, Hamlin staged a four-hour sit-in until the authorities relented. Hamlin’s drawings and her accompanying text provide rare insight into the military courts of Guantanamo. The trials are considered notorious and historic, among the most carefully censored trials in recent U.S. history, and sketches are the only visuals the world is allowed to see. Sketching Guantanamo features nearly 150 drawings, as well as photographs of the surrounding facilities that enhance the artist’s illustrations and her running commentary.