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Author: Nicolás Kanellos
Publisher: University of Texas Press
ISBN: 0292730500
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
Hispanic theatre flourished in the United States from the mid-nineteenth century until the beginning of the Second World War—a fact that few theatre historians know. A History of Hispanic Theatre in the United States: Origins to 1940 is the very first study of this rich tradition, filled with details about plays, authors, artists, companies, houses, directors, and theatrical circuits. Sixteen years of research in public and private archives in the United States, Mexico, Spain, and Puerto Rico inform this study. In addition, Kanellos located former performers and playwrights, forgotten scripts, and old photographs to bring the life and vitality of live theatre to his text. He organizes the book around the cities where Hispanic theatre was particularly active, including Los Angeles, San Antonio, New York, and Tampa, as well as cities on the touring circuit, such as Laredo, El Paso, Tucson, and San Francisco. Kanellos charts the major achievements of Hispanic theatre in each city—playwriting in Los Angeles, vaudeville and tent theatre in San Antonio, Cuban/Spanish theatre in Tampa, and pan-Hispanism in New York—as well as the individual careers of several actors, writers, and directors. And he uncovers many gaps in the record—reminders that despite its popularity, Hispanic theatre was often undervalued and unrecorded.
Author: Nicolás Kanellos
Publisher: University of Texas Press
ISBN: 0292730500
Category : Performing Arts
Languages : en
Pages : 289
Get Book Here
Book Description
Hispanic theatre flourished in the United States from the mid-nineteenth century until the beginning of the Second World War—a fact that few theatre historians know. A History of Hispanic Theatre in the United States: Origins to 1940 is the very first study of this rich tradition, filled with details about plays, authors, artists, companies, houses, directors, and theatrical circuits. Sixteen years of research in public and private archives in the United States, Mexico, Spain, and Puerto Rico inform this study. In addition, Kanellos located former performers and playwrights, forgotten scripts, and old photographs to bring the life and vitality of live theatre to his text. He organizes the book around the cities where Hispanic theatre was particularly active, including Los Angeles, San Antonio, New York, and Tampa, as well as cities on the touring circuit, such as Laredo, El Paso, Tucson, and San Francisco. Kanellos charts the major achievements of Hispanic theatre in each city—playwriting in Los Angeles, vaudeville and tent theatre in San Antonio, Cuban/Spanish theatre in Tampa, and pan-Hispanism in New York—as well as the individual careers of several actors, writers, and directors. And he uncovers many gaps in the record—reminders that despite its popularity, Hispanic theatre was often undervalued and unrecorded.
Author: Nicolás Kanellos
Publisher: University of Texas Press
ISBN: 0292761562
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
Hispanic theatre flourished in the United States from the mid-nineteenth century until the beginning of the Second World War—a fact that few theatre historians know. A History of Hispanic Theatre in the United States: Origins to 1940 is the very first study of this rich tradition, filled with details about plays, authors, artists, companies, houses, directors, and theatrical circuits. Sixteen years of research in public and private archives in the United States, Mexico, Spain, and Puerto Rico inform this study. In addition, Kanellos located former performers and playwrights, forgotten scripts, and old photographs to bring the life and vitality of live theatre to his text. He organizes the book around the cities where Hispanic theatre was particularly active, including Los Angeles, San Antonio, New York, and Tampa, as well as cities on the touring circuit, such as Laredo, El Paso, Tucson, and San Francisco. Kanellos charts the major achievements of Hispanic theatre in each city—playwriting in Los Angeles, vaudeville and tent theatre in San Antonio, Cuban/Spanish theatre in Tampa, and pan-Hispanism in New York—as well as the individual careers of several actors, writers, and directors. And he uncovers many gaps in the record—reminders that despite its popularity, Hispanic theatre was often undervalued and unrecorded.
Author: Caridad Svich
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 504
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Book Description
Major new collection of Latina/o contemporary work for the stage.
Author: Alberto Sandoval-Sánchez
Publisher: Univ of Wisconsin Press
ISBN: 9780299162047
Category : Art
Languages : en
Pages : 294
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Book Description
"Alberto Sandoval-Sanchez is among the most interesting and original minds at work in performance studies and American studies. José, Can You See? is a landmark achievement, an important contribution to 20th century American cultural history. Quite simply, there is no other critic of Latino popular culture who speaks with so much wisdom and wit, so much eloquence and expertise."--David Roman, University of Southern California
Author: Diego Santos Sánchez
Publisher: Routledge
ISBN: 1315405083
Category : Performing Arts
Languages : en
Pages : 412
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Book Description
Theatre and Dictatorship in the Luso-Hispanic World explores the discourses that have linked theatrical performance and prevailing dictatorial regimes across Spain, Portugal and their former colonies. These are divided into three different approaches to theatre itself - as cultural practice, as performance, and as textual artifact - addressing topics including obedience, resistance, authoritarian policies, theatre business, exile, violence, memory, trauma, nationalism, and postcolonialism. This book draws together a diverse range of methodological approaches to foreground the effects and constraints of dictatorship on theatrical expression and how theatre responds to these impositions.
Author: Rosario Ferré
Publisher: Open Road Media
ISBN: 1480481742
Category : Fiction
Languages : en
Pages : 486
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Book Description
Finalist for the National Book Award: “A family saga in the manner of Gabriel García Márquez,” set in Puerto Rico, from an extraordinary storyteller (The New York Times Book Review). This riveting, multigenerational epic tells the story of two families and the history of Puerto Rico through the eyes of Isabel Monfort and her husband, Quintín Mendizabal. Isabel attempts to immortalize their now-united families—and, by extension, their homeland—in a book. The tale that unfolds in her writing has layers upon layers, exploring the nature of love, marriage, family, and Puerto Rico itself. Weaving the intimate with the expansive on a teeming stage, Ferré crafts a revealing self-portrait of a man and a woman, two fiercely independent people searching for meaning and identity. As Isabel declares: “Nothing is true, nothing is false, everything is the color of the glass you’re looking through.” A book about freeing oneself from societal and cultural constraints, The House on the Lagoon also grapples with bigger issues of life, death, poverty, and racism. Mythological in its breadth and scope, this is a masterwork from an extraordinary storyteller.
Author: Jorge A. Huerta
Publisher: Cambridge University Press
ISBN: 9780521778176
Category : Drama
Languages : en
Pages : 226
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Book Description
An accessible introduction for students and theatregoers of Chicano theatre, first published in 2000.
Author: Nicolás Kanellos
Publisher: Houston, Tex. : Arte Público Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 92
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Book Description
Author: Nicolás Kanellos
Publisher:
ISBN: 9780608208671
Category :
Languages : en
Pages : 288
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Book Description
Author: Rogelio Agrasánchez, Jr.
Publisher: McFarland
ISBN: 9780786464104
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
A surge of immigration in the United States in the 1920s coincided with burgeoning developments in entertainment--including cinema. Movie houses sprang up in areas where Latin American populations were concentrated, and the advent of talkies propelled the Spanish speaking movie industry into high gear. As the U.S. entered World War II, films from Mexico dominated that industry, creating a culture of Mexican cinema that offered entertainment, a reflection of native values and customs, and a link to the homeland. This book is a richly detailed look at Mexican cinema's boom years in the United States, 1920 to 1960. Chapters focus on the appeal of Mexican cinema and the venues that evolved where Hispanic populations were centered. Theaters, distributors, audience demographics, popular and critical reception of the films, and stars all receive attention. Included are lists of theaters in California, Texas and cities in other states that exhibited Mexican films between 1920 and 1960.
