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Author: Mongor-Lizarrabengoa
Publisher: Vernon Press
ISBN: 164889481X
Category : Literary Criticism
Languages : en
Pages :
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Book Description
Africa is usually depicted in Western media as a continent plagued by continuous wars, civil conflicts, disease, and human rights violations; however, an analysis of the region’s cultural output reveals the depth and strength of the character of the African people that has endured the burden of colonialism. Undoubtedly, much of the scholarship on African literature focuses on countries colonized by the British such as South Africa and Nigeria; however, the African nations colonized by Spain and Portugal have also made major literary contributions. This volume examines the literature and cinema of the African nations colonized by Spain and Portugal (Equatorial Guinea, Guinea-Bissau, Cabo Verde, Angola, Mozambique, and São Tomé and Príncipe) to demonstrate the complexity and heterogeneity of these countries in their attempts to establish a post-colonial identity. This volume is intended for undergraduate students, graduate students, and researchers seeking to study Hispanic and Luso-African literature and film, and so better understand cultural production in previously underrepresented nations of Africa.
Author: Mongor-Lizarrabengoa
Publisher: Vernon Press
ISBN: 164889481X
Category : Literary Criticism
Languages : en
Pages :
Get Book Here
Book Description
Africa is usually depicted in Western media as a continent plagued by continuous wars, civil conflicts, disease, and human rights violations; however, an analysis of the region’s cultural output reveals the depth and strength of the character of the African people that has endured the burden of colonialism. Undoubtedly, much of the scholarship on African literature focuses on countries colonized by the British such as South Africa and Nigeria; however, the African nations colonized by Spain and Portugal have also made major literary contributions. This volume examines the literature and cinema of the African nations colonized by Spain and Portugal (Equatorial Guinea, Guinea-Bissau, Cabo Verde, Angola, Mozambique, and São Tomé and Príncipe) to demonstrate the complexity and heterogeneity of these countries in their attempts to establish a post-colonial identity. This volume is intended for undergraduate students, graduate students, and researchers seeking to study Hispanic and Luso-African literature and film, and so better understand cultural production in previously underrepresented nations of Africa.
Author: Yaw Agawu-Kakraba
Publisher: Cambridge Scholars Publishing
ISBN: 1527522393
Category : Social Science
Languages : en
Pages : 169
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Book Description
African, Lusophone, and Afro-Hispanic Cultural Dialogue is a collection of essays of broad historical and geographic scope that advances analytical perspectives regarding a highly transcultural and changing African continent enmeshed in the vestiges of slavery and colonialism and the complex dynamics of post-colonialism. Mostly grounded in literary studies, the essays discuss the interconnections between Africa and its Lusophone and Afro-Hispanic diaspora. Particular focus is given to how they relate to the politics of identity and assimilation, migration and displacement, the concept of “nation”, Eurocentrism and racial essentialisms, as well as Black aesthetics.
Author: Parvati Nair
Publisher: Manchester University Press
ISBN: 1526141477
Category : Art
Languages : en
Pages : 297
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Book Description
This volume examines the films of Hispanic and Lusophone women filmmakers from the 1930s to the present day. It establishes productive connections between film practices across these geographical areas by identifying common areas of concern on the part of these female filmmakers. Focusing on aesthetic, theoretical and socio-historical analyses, it questions the manifest or latent gender and sexual politics that inform and structure the emerging cinematic productions by women filmmakers in Portugal, Spain, Latin America and the US. With a combination of scholars from the UK, the US, Spain and Latin America, the volume documents and interprets a fascinating corpus of films made by Hispanic and Lusophone women and proposes research strategies and methodologies that can expand our understanding of socio-cultural and psychic constructions of gender and sexual politics. An essential resource to rethink notions of gender identity and subjectivity, it is a unique contribution to Spanish and Latin American Film Studies and Film Studies.
Author: Niamh Thornton
Publisher: Cambridge Scholars Publishing
ISBN: 1443847100
Category : Performing Arts
Languages : en
Pages : 230
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Book Description
While the fin de siècle has received considerable attention as a critical concept, the first decade of a new century has been less well studied. The chapters in this volume consider the distinctive cultural significance of the ‘noughties’ in the Hispanic and Lusophone world, looking at the specific cultural, political and economic circumstances of the decade, and in some cases proposing notions of an identifiable ‘noughties sensibility’ or ‘noughties generation’ which may flow out of, or stand in reaction against, the malaise of the fin de siècle. Drawing on specialist, area-specific knowledge, the authors consider the significance of the noughties across different eras. The contributions include chapters on how Brazil is negotiating the complicated terrain of digital literacy; the painful re-examination of the civil war that is taking place in Spain; and the negative effects of the economy on women’s lives in Argentina. The chapters examine film, digital media, theatre, fiction, the economy and history, all taking the noughties as a focal point. The multiple perspectives will reveal the commonalities of experiences that a particular period brings about as well as showing up the distinctive local differences.
Author: Fernando Arenas
Publisher: U of Minnesota Press
ISBN: 081666983X
Category : History
Languages : en
Pages : 345
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Book Description
Situates the cultures of Portuguese-speaking Africa within the postcolonial, global era.
Author: Tess C. Rankin
Publisher: Liverpool University Press
ISBN: 1837645019
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library as part of the Opening the Future project with COPIM. The early twentieth century was awash in revolutionary scientific discourse, and its uptake in the public imaginary through popular scientific writings touched every area of human experience, from politics and governance to social mores and culture. Feeling Strangely argues that these shifting scientific understandings and their integration into Hispanic and Lusophone society reshaped the experience of gender. The book analyzes gender as a felt experience and explores how that experience is shaped by popular scientific discourse by examining the “strange” femininity of young protagonists in four novels written by women in Spanish and Portuguese: Rosa Chacel’s Memorias de Leticia Valle (published in Argentina in 1945); Norah Lange’s Personas en la sala (Argentina, 1950); Carmen Laforet’s Nada (Spain, 1945); and Clarice Lispector’s Perto do coração selvagem (Brazil, 1943). It pairs each novel with a broad scientific theme selected from those that captured the contemporary popular imagination to argue that the young female protagonists in these novels all put forth visions of young womanhood as an experience of strangeness. Building on Carmen Martín Gaite’s term chicas raras, Rankin proposes this strangeness as constitutive of a gendered experience inextricable from affective and material engagements with the world.
Author: Elisa Rizo
Publisher: Lexington Books
ISBN: 1498530214
Category : Literary Criticism
Languages : en
Pages : 131
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Book Description
Atlantis Otherwise expands the study of the African diaspora by focusing on postcolonial literary expressions from Latin America and Africa. The book studies the presence of classical references in texts written by writers (black and non-black) who are committed to the articulation of the fragmented history of the African experience from the Middle Passage to the present outside of Euro-centric views. Consequently, this book addresses the silencing of the African Diaspora within the official discourses of Latin America and Hispanic Africa, as well as the limitations that linguistic and geographic boundaries have imposed upon scholarship. The contributors address questions related to the categories of race and cultural identity by analyzing a diverse body of Afro-Latin American and Afro-Hispanic receptions of classical literature and its imaginaries. Literary texts in Spanish and Portuguese written in countries such as Brazil, Colombia, and Equatorial Guinea provide the opportunity for a transnational and trans-linguistic examination of the use of classical tropes and themes in twentieth-century drama, fiction, folklore studies, and narrative.
Author:
Publisher: Anthem Press
ISBN: 1785276204
Category : Literary Collections
Languages : en
Pages : 288
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Book Description
In 1975, after much resistance, Portugal became the last colonial power to relinquish its colonies on the African continent. The tardiness of Portuguese decolonization in Africa (Cabo Verde, Angola, Mozambique, Guinea Bissau, São Tomé e Príncipe) raises critical questions for the emergence of national literary and cultural production in the wake of national independence. Bringing together the works of poets, short story writers, and journalists, this book charts the emergence and evolution of the national literatures of Portugal’s former African colonies, from 1975 to the present. The aim of this book is to examine the ways in which writers contended with the process of decolonization, forging national, transnational, and diasporic identities through literature while grappling with the legacies and continuities of racial power structures, colonial systems of representation, and the struggles for political sovereignty and social justice. This book will be the first of its kind in English to include canonical, emerging, and previously untranslated authors of poetry and short-form fiction to a new public.
Author: Ailsa Peate
Publisher: Liverpool University Press
ISBN: 1835532675
Category : Fiction
Languages : en
Pages : 135
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Book Description
The presence of bodies and sex in detective fiction has been a long-term feature of this internationally popular genre. Titillation is at the centre of narratives reliant upon discovery and revelation: motives and criminals are slowly revealed, along with sexualized and violated bodies – from femmes fatales to the corpses of victims. A satisfying, gratifying genre for its readership, the detective novel promises the disruption and subsequent restoration of order in societies tarnished by disillusionment which hope for a better future. This book takes as its focus examples of detective fiction from Cuba and Mexico during or in the aftermath of huge social upheaval (the Special Period and the War on Drugs), analyzing representations of sexualities, bodies, and the genre itself. Through an investigation of novels by Leonardo Padura and Amir Valle of Cuba, and Bef and Rogelio Guedea of Mexico, this work investigates increasingly fluid sexualities and bodies in challenging examples of metaphysical detective fiction, a particularly anxious subgenre which challenges both the structures and limits of the detective novel and the reader’s understanding of true and false and right and wrong, representative of troubling periods of severe social disruption for Cuba and Mexico.
Author: Robert Bayliss
Publisher: Liverpool University Press
ISBN: 1802075445
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
The Spanish Golden Age, a cultural narrative that has developed and over four centuries, remains a key element of how Spaniards articulate cultural identities, both within Spain and to the outside world. The Currency of Cultural Patrimony examines the development of this narrative by artists, intellectuals, historians, academics, and institutions. By defining the Spanish Golden Age as a diachronic problem, it examines several of Spain’s most canonical golden-age literary narratives (including Don Quixote, Fuenteovejuna, and Las mocedades del Cid) as texts whose institutionalization, mediation, and commercialization over the course of four hundred years inform their meaning both for contemporary Spaniards and for the field of Hispanic Studies around the world. Spain’s persistent deployment of this cultural patrimony as the canonical epicentre of a national literary tradition has stimulated diverse and often contradictory interpretations, the cumulative effect of which informs their reception by each new generation of Spaniards. This book’s analysis of how this patrimony is interpreted according to both tradition and current circumstances illuminates new angles from which scholars can approach some of Hispanism’s most persistent and vexing questions, including the growing divide between popular and academic understandings of the Spanish nation’s “classics.”
