Ḥisba, Arts and Craft in Islam PDF Download
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Author: Ahmad Ghabin
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447059329
Category : Art, Medieval
Languages : en
Pages : 292
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Book Description
This book focusses on a historical and cultural aspect of medieval Islam: the market inspection (hisba) in the Muslim state and its impact on the development of arts and crafts. It is a pioneer work in Islamic studies in which this aspect is being studied from over-all historical and cultural points of view. The study deals with two main issues: the history of market inspection in medieval Islam where it tries to highlight some additional notes concerning the origin of the institution of market inspection in Islam and also emphasizes its cultural role in the Muslim society. The second issue focuses on the impact of the institution of market inspection on the development of the visual arts and crafts in medieval Islam. Methodologically, the study surveys the references to the crafts in the manuals of hisba and compares them with the information about these crafts as they run in reality.
Author: Ahmad Ghabin
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447059329
Category : Art, Medieval
Languages : en
Pages : 292
Get Book Here
Book Description
This book focusses on a historical and cultural aspect of medieval Islam: the market inspection (hisba) in the Muslim state and its impact on the development of arts and crafts. It is a pioneer work in Islamic studies in which this aspect is being studied from over-all historical and cultural points of view. The study deals with two main issues: the history of market inspection in medieval Islam where it tries to highlight some additional notes concerning the origin of the institution of market inspection in Islam and also emphasizes its cultural role in the Muslim society. The second issue focuses on the impact of the institution of market inspection on the development of the visual arts and crafts in medieval Islam. Methodologically, the study surveys the references to the crafts in the manuals of hisba and compares them with the information about these crafts as they run in reality.
Author: Finbarr Barry Flood
Publisher: John Wiley & Sons
ISBN: 1119068576
Category : Art
Languages : en
Pages : 1448
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Book Description
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Author: Henning Wrogemann
Publisher: Evangelische Verlagsanstalt
ISBN: 3374076270
Category : Religion
Languages : en
Pages : 229
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Book Description
Today Islam is numerically the second largest religion in the world. Its message is aimed generally at all people and has been addressed to Muslims and non-Muslims alike since the beginning of Islam through the »Call to Islam« (Arabic daʻwa islamiyya). But what exactly does »Call to Islam« mean? After a brief historical sketch of different forms of daʻwa, this book provides an overview of various daʻwa theologies of the 20th and 21st centuries as well as of some daʻwa organizations and different daʻwa approaches. Finally, the question is raised about the challenges that daʻwa activities of a conservative or an Islamist Islam pose for liberal and democratic societies.
Author: G. Geltner
Publisher: University of Pennsylvania Press
ISBN: 0812251350
Category : History
Languages : en
Pages : 272
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Book Description
In Roads to Health, G. Geltner demonstrates that urban dwellers in medieval Italy had a keen sense of the dangers to their health posed by conditions of overcrowding, shortages of food and clean water, air pollution, and the improper disposal of human and animal waste. He consults scientific, narrative, and normative sources that detailed and consistently denounced the physical and environmental hazards urban communities faced: latrines improperly installed and sewers blocked; animals left to roam free and carcasses left rotting on public byways; and thoroughfares congested by artisanal and commercial activities that impeded circulation, polluted waterways, and raised miasmas. However, as Geltner shows, numerous administrative records also offer ample evidence of the concrete measures cities took to ameliorate unhealthy conditions. Toiling on the frontlines were public functionaries generally known as viarii, or "road-masters," appointed to maintain their community's infrastructures and police pertinent human and animal behavior. Operating on a parallel track were the camparii, or "field-masters," charged with protecting the city's hinterlands and thereby the quality of what would reach urban markets, taverns, ovens, and mills. Roads to Health provides a critical overview of the mandates and activities of the viarii and camparii as enforcers of preventive health and safety policies between roughly 1250 and 1500, and offers three extended case studies, for Lucca, Bologna, and the smaller Piedmont town of Pinerolo. In telling their stories, Geltner contends that preventive health practices, while scientifically informed, emerged neither solely from a centralized regime nor as a reaction to the onset of the Black Death. Instead, they were typically negotiated by diverse stakeholders, including neighborhood residents, officials, artisans, and clergymen, and fostered throughout the centuries by a steady concern for people's greater health.
Author: Margaret S. Graves
Publisher: Oxford University Press
ISBN: 0190695927
Category : Art
Languages : en
Pages : 320
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Book Description
The art of the object reached unparalleled heights in the medieval Islamic world, yet the intellectual dimensions of ceramics, metalwares, and other plastic arts in this milieu have not always been acknowledged. Arts of Allusion reveals the object as a crucial site where pre-modern craftsmen of the eastern Mediterranean and Persianate realms engaged in fertile dialogue with poetry, literature, painting, and, perhaps most strikingly, architecture. Lanterns fashioned after miniature shrines, incense burners in the form of domed monuments, earthenware jars articulated with arches and windows, inkwells that allude to tents: through close studies of objects from the ninth to the thirteenth centuries, this book reveals that allusions to architecture abound across media in the portable arts of the medieval Islamic world. Arts of Allusion draws upon a broad range of material evidence as well as medieval texts to locate its subjects in a cultural landscape where the material, visual, and verbal realms were intertwined. Moving far beyond the initial identification of architectural types with their miniature counterparts in the plastic arts, Margaret Graves develops a series of new frameworks for exploring the intelligent art of the allusive object. These address materiality, representation, and perception, and examine contemporary literary and poetic paradigms of metaphor, description, and indirect reference as tools for approaching the plastic arts. Arguing for the role of the intellect in the applied arts and for the communicative potential of ornament, Arts of Allusion asserts the reinstatement of craftsmanship into Islamic intellectual history.
Author: Margaret S. Graves
Publisher: Indiana University Press
ISBN: 0253060362
Category : Art
Languages : en
Pages : 558
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Book Description
The Islamic world's artistic traditions experienced profound transformation in the 19th century as rapidly developing technologies and globalizing markets ushered in drastic changes in technique, style, and content. Despite the importance and ingenuity of these developments, the 19th century remains a gap in the history of Islamic art. To fill this opening in art historical scholarship, Making Modernity in the Islamic Mediterranean charts transformations in image-making, architecture, and craft production in the Islamic world from Fez to Istanbul. Contributors focus on the shifting methods of production, reproduction, circulation, and exchange artists faced as they worked in fields such as photography, weaving, design, metalwork, ceramics, and even transportation. Covering a range of media and a wide geographical spread, Making Modernity in the Islamic Mediterranean reveals how 19th-century artists in the Middle East and North Africa reckoned with new tools, materials, and tastes from local perspectives.
Author: Sarwar Alam
Publisher: Routledge
ISBN: 0429872941
Category : Religion
Languages : en
Pages : 256
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Book Description
It has been argued that the mystical Sufi form of Islam is the most sensitive to other cultures, being accommodative to other traditions and generally tolerant to peoples of other faiths. It readily becomes integrated into local cultures and they are similarly often infused into Sufism. Examples of this reciprocity are commonly reflected in Sufi poetry, music, hagiographic genres, memoires, and in the ritualistic practices of Sufi traditions. This volume shows how this often-side-lined tradition functions in the societies in which it is found, and demonstrates how it relates to mainstream Islam. The focus of this book ranges from reflecting Sufi themes in the Qur’anic calligraphy to movies, from ideals to everyday practices, from legends to actual history, from gender segregation to gender transgression, and from legalism to spiritualism. Consequently, the international panel of contributors to this volume are trained in a range of disciplines that include religious studies, history, comparative literature, anthropology, and ethnography. Covering Southeast Asia to West Africa as well as South Asia and the West, they address both historical and contemporary issues, shedding light on Sufism’s adaptability. This book sets aside conventional methods of understanding Islam, such as theological, juridical, and philosophical, in favour of analysing its cultural impact. As such, it will be of great interest to all scholars of Islamic Studies, the Sociology of Religion, Religion and Media, as well as Religious Studies and Area Studies more generally.
Author: Dario Fernandez-Morera
Publisher: Simon and Schuster
ISBN: 1684516293
Category : History
Languages : en
Pages : 315
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Book Description
A finalist for World Magazine's Book of the Year! Scholars, journalists, and even politicians uphold Muslim-ruled medieval Spain—"al-Andalus"—as a multicultural paradise, a place where Muslims, Christians, and Jews lived in harmony. There is only one problem with this widely accepted account: it is a myth. In this groundbreaking book, Northwestern University scholar Darío Fernández-Morera tells the full story of Islamic Spain. The Myth of the Andalusian Paradise shines light on hidden history by drawing on an abundance of primary sources that scholars have ignored, as well as archaeological evidence only recently unearthed. This supposed beacon of peaceful coexistence began, of course, with the Islamic Caliphate's conquest of Spain. Far from a land of religious tolerance, Islamic Spain was marked by religious and therefore cultural repression in all areas of life and the marginalization of Christians and other groups—all this in the service of social control by autocratic rulers and a class of religious authorities. The Myth of the Andalusian Paradise provides a desperately needed reassessment of medieval Spain. As professors, politicians, and pundits continue to celebrate Islamic Spain for its "multiculturalism" and "diversity," Fernández-Morera sets the historical record straight—showing that a politically useful myth is a myth nonetheless.
Author:
Publisher: BRILL
ISBN: 9004343733
Category : Law
Languages : en
Pages : 331
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Book Description
This volume examines the use of legal documents for the history of Muslim societies, presenting case studies from different periods and areas of the Muslim world from medieval Iran and Egypt to contemporary Yemen and Morocco, and involving multiple disciplinary approaches.
Author: Fatenn Mostafa Kanafani
Publisher: Bloomsbury Publishing
ISBN: 1838601104
Category : Art
Languages : en
Pages : 329
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Book Description
Following a spectacular surge in interest for Egyptian masters, Modern Art in Egypt fills the void in Egyptian art history, chronicling the lives and legacies of six pioneering artists working under the British occupation. Using Western-style academic art as a starting point, these artists championed cultural progress, re-appropriating Egyptian visual culture from European orientalists to found a neo-Pharaonic School of Realism. Modern Art in Egypt charts the years from Muhammad Ali's educational reforms to the mass influx of foreigners during the nineteenth-century. With a focus on the al-Nahda thought movement, this book provides an overview of the key policy-makers, reformists and feminists who founded the first School of Fine Arts in Egypt, as well as cultural salons, museums and arts collectives. By combining political and aesthetic histories, Fatenn Mostafa breaks the prevailing understanding that has preferred to see non-Western art as derivatives of Western art movements. Modern Art in Egypt re-establishes Egypt's presence within the global Modernist canon.
