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Author: Robin Wood
Publisher: Wayne State University Press
ISBN: 9780814332764
Category : Biography & Autobiography
Languages : en
Pages : 244
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Book Description
A significant and contemporary study of director Howard Hawks by influential film critic Robin Wood, reprinted with a new introduction.
Author: Robin Wood
Publisher: Wayne State University Press
ISBN: 9780814332764
Category : Biography & Autobiography
Languages : en
Pages : 244
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Book Description
A significant and contemporary study of director Howard Hawks by influential film critic Robin Wood, reprinted with a new introduction.
Author: Stanley Cavell
Publisher: Harvard University Press
ISBN: 9780674739062
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
Looks at seven classic romantic comedies of the thirties and forties, and compares what each film expresses about marriage, interdependence, equality, and sexual roles.
Author: David Bordwell
Publisher: Routledge
ISBN: 1136099166
Category : Performing Arts
Languages : en
Pages : 385
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Book Description
In this study, David Bordwell offers a comprehensive account of how movies use fundamental principles of narrative representation, unique features of the film medium, and diverse story-telling patterns to construct their fictional narratives.
Author: Marilyn Fabe
Publisher: Univ of California Press
ISBN: 0520959019
Category : Performing Arts
Languages : en
Pages : 313
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Book Description
How do films work? How do they tell a story? How do they move us and make us think? Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch. Ranging from D. W. Griffith's The Birth of a Nation to James Cameron’s Avatar, and ending with an epilogue on digital media, Closely Watched Films focuses on exemplary works of fourteen film directors whose careers together span the history of the narrative film. Lively and down-to-earth, this concise introduction provides a broad, complete, and yet specific picture of visual narrative techniques that will increase readers' excitement about and knowledge of the possibilities of the film medium. Shot-by-shot analyses of short passages from each film ground theory in concrete examples. Fabe includes original and well-informed discussions of Soviet montage, realism and expressionism in film form, classical and modern sound theory, the classic Hollywood film, Italian neorealism, the French New Wave, auteur theory, modernism and postmodernism in film, political cinema, feminist film theory and practice, and narrative experiments in new digital media. Encompassing the earliest silent films as well as those that exploit the most recent technological innovations, this book gives us the particulars of how film—arguably the most influential of contemporary forms of representation—constitutes our pleasure, influences our thoughts, and informs our daily reality. Updated to include a discussion of 3-D and advanced special effects, this tenth anniversary edition is an essential film studies text for students and professors alike.
Author: Raymond Carney
Publisher: CUP Archive
ISBN: 9780521326193
Category : History
Languages : en
Pages : 536
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Book Description
Professor Carney analyses Frank Capra's life as well as the broad cultural context of his films.
Author: Glen O. Gabbard
Publisher: American Psychiatric Pub
ISBN: 9780880489645
Category : Medical
Languages : en
Pages : 444
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Book Description
Psychiatry and the Cinema explores this complementary relationship from two angles, psychiatrists who have studied the movies and movies that have depicted psychiatry. This second edition has updated this definitive text with a discussion of new trends in psychoanalytically oriented film theory, and an expanded list of movies is analyzed.
Author: Philippa Gates
Publisher: State University of New York Press
ISBN: 1438434065
Category : Performing Arts
Languages : en
Pages : 419
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Book Description
Finalist for the 2012 Edgar Award in the Best Critical/Biographical Category presented by the Mystery Writers of America In this extensive and authoritative study of over 300 films, Philippa Gates explores the "woman detective" figure from her pre-cinematic origins in nineteenth century detective fiction through her many incarnations throughout the history of Hollywood cinema. Through the lens of theories of gender, genre, and stardom and engaging with the critical concepts of performativity, masquerade, and feminism, Detecting Women analyzes constructions of the female investigator in the detective genre and focuses on the evolution of her representation from 1929 to today. While a popular assumption is that images of women have become increasingly positive over this period, Gates argues that the most progressive and feminist models of the female detective exist in mainstream film's more peripheral products such as 1930's B-picture and 1970's Blaxploitation films. Offering revisions and new insights into peripheral forms of mainstream film, Gates explores this space that allows a fantasy of resolution of social anxieties about crime and, more interestingly, gender, in the 20th and early 21st centuries. The author's innovative, engaging, and capacious approach to this important figure within feminist film history breaks new ground in the field of gender and film studies.
Author: David Bordwell
Publisher: Harvard University Press
ISBN: 9780674543362
Category : Performing Arts
Languages : en
Pages : 356
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Book Description
With this book, the author provides a history of film criticism and an analysis of how critics interpret film as well as a proposal for an alternative programme of film studies.
Author: Bernard F. Dick
Publisher: University Press of Kentucky
ISBN: 0813196140
Category : Performing Arts
Languages : en
Pages : 243
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Book Description
Ben Hecht called him "White Fang," and director Charles Vidor took him to court for verbal abuse. The image of Harry Cohn as vulgarian is such a part of Hollywood lore that it is hard to believe there were other Harry Cohns: the only studio president who was also head of production; the ex-song plugger who scrutinized scripts and grilled writers at story conferences; a man who could see actresses as either "broads" or goddesses. Drawing on personal interviews as well as previously unstudied source material (conference notes, memos, and especially the teletypes between Harry and his brother, Jack), Bernard Dick offers a radically different portrait of the man who ran Columbia Pictures—and who "had to be boss"—from 1932 to 1958.
Author: Joshua David Gonsalves
Publisher: John Hunt Publishing
ISBN: 178279770X
Category : History
Languages : en
Pages : 78
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Book Description
Who will Cary Grant have been when the future runs out? In the atrocity-rich wake of Hiroshima, Cold War America is enriched beyond belief. Hollywood radiates, in turn, images of a consumer utopia criss-crossed by segregation, social mobility, racial passing, anxieties about ethnicity and “white panic”. Cary Grant’s class-less classiness seems to denote this (sub)urban leisure class without an effort, yet he signifies more than this: ambivalent, bi-sex’d, inter-sected by the biopolitics of racialization, the policing of sexual agency and stereotypical ethnic identifications (including the invisible Anglo instanced by the high-angle shot). If biopolitics signifies the individuated control of populations, Bio-Politicizing Cary Grant: Pressing Race, Class and Ethnicity into Service in Amerika locates this anxious racialization of service persons, interracial sexuality and social mobility (passing) in an Americanized simulacrum of the Mediterranean world in To Catch a Thief (1955) and in a New York/Northeast-centered USA in North by Northwest (1959). Bio-Politicizing Cary Grant queries the criticism of Alfred J. Hitchcock’s films so as to historically situate one of the first free agents in Hollywood. Yet this semblance of freedom pays a price in meat, murder, massification and the organized homicide of Cold War geopolitics. The book explicates, in sum, the ethnic, racial and sexual ambiguity of Cary Grant’s star persona as both an inculcation of (and resistance to) biopolitical imperatives in fifties-era “America”.
