Hip Hop Is Dead - Long Live Hip Hop PDF Download
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Author: E. Stanley Richardson
Publisher: Createspace Independent Publishing Platform
ISBN: 9781544099132
Category :
Languages : en
Pages : 240
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Book Description
"There is no magic more powerful than music" ~ African Proverb In his debut poetry collection, E.Stanley Richardson captures the visual eclectic voice and expression of the "everyday" African American experience in a style and rhythm reminiscent of the "Black Arts Movement" "Hip Hop Is Dead - Long Live Hip Hop, The Birth, Death And Resurrection Of Hip Hop Activism" is a unique lyrical blend of Gospel, Blues, Jazz, Soul and "Hip Hop" poetry that testifies to the transcendent Ancestral Power and influence of African American music, its historical relationship to "social struggle" and to the "colonial mechanisms" within the dominant oppressive culture that conspire to appropriate, suppress, distort and control radical progressive African American music and art. This is poetry that speaks! It summons us all to creative social and political action, while simultaneously asking a divine question, "How Sacred Is The Music?" ~ Long Live Hip Hop
Author: E. Stanley Richardson
Publisher: Createspace Independent Publishing Platform
ISBN: 9781544099132
Category :
Languages : en
Pages : 240
Get Book Here
Book Description
"There is no magic more powerful than music" ~ African Proverb In his debut poetry collection, E.Stanley Richardson captures the visual eclectic voice and expression of the "everyday" African American experience in a style and rhythm reminiscent of the "Black Arts Movement" "Hip Hop Is Dead - Long Live Hip Hop, The Birth, Death And Resurrection Of Hip Hop Activism" is a unique lyrical blend of Gospel, Blues, Jazz, Soul and "Hip Hop" poetry that testifies to the transcendent Ancestral Power and influence of African American music, its historical relationship to "social struggle" and to the "colonial mechanisms" within the dominant oppressive culture that conspire to appropriate, suppress, distort and control radical progressive African American music and art. This is poetry that speaks! It summons us all to creative social and political action, while simultaneously asking a divine question, "How Sacred Is The Music?" ~ Long Live Hip Hop
Author: M. K. Asante, Jr.
Publisher: St. Martin's Press
ISBN: 1429946350
Category : Social Science
Languages : en
Pages : 304
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Book Description
In It's Bigger Than Hip Hop, M. K. Asante, Jr. looks at the rise of a generation that sees beyond the smoke and mirrors of corporate-manufactured hip hop and is building a movement that will change not only the face of pop culture, but the world. Asante, a young firebrand poet, professor, filmmaker, and activist who represents this movement, uses hip hop as a springboard for a larger discussion about the urgent social and political issues affecting the post-hip-hop generation, a new wave of youth searching for an understanding of itself outside the self-destructive, corporate hip-hop monopoly. Through insightful anecdotes, scholarship, personal encounters, and conversations with youth across the globe as well as icons such as Chuck D and Maya Angelou, Asante illuminates a shift that can be felt in the crowded spoken-word joints in post-Katrina New Orleans, seen in the rise of youth-led organizations committed to social justice, and heard around the world chanting "It's bigger than hip hop."
Author: Mickey Hess
Publisher: Bloomsbury Publishing USA
ISBN: 1567207219
Category : Music
Languages : en
Pages : 207
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Book Description
Hip hop is remarkably self-critical as a genre. In lyrics, rappers continue to debate the definition of hip hop and question where the line between underground artist and mainstream crossover is drawn, who owns the culture and who runs the industry, and most importantly, how to remain true to the culture's roots while also seeking fame and fortune. The tension between the desires to preserve hip hop's original culture and to create commercially successful music promotes a lyrical war of words between mainstream and underground artists that keeps hip hop very much alive today. In response to criticisms that hip hop has suffered or died in its transition to the mainstream, this book seeks to highlight and examine the ongoing dialogue among rap artists whose work describes their own careers. Proclamations of hip hop's death have flooded the airwaves. The issue may have reached its boiling point in Nas's 2006 album Hip Hop is Dead. Nas's album is driven by nostalgia for a mythically pure moment in hip hop's history, when the music was motivated by artistic passion, instead of base commercialism. In the course of this same album, however, Nas himself brags about making money for his particular record label. These and similar contradictions are emblematic of the complex forces underlying the dialogue that keeps hip hop a vital element of our culture. Is Hip Hop Dead? seeks to illuminate the origins of hip hop nostalgia and examine how artists maintain control of their music and culture in the face of corporate record companies, government censorship, and the standardization of the rap image. Many hip hop artists, both mainstream and underground, use their lyrics to engage in a complex dialogue about rhyme skills versus record sales, and commercialism versus culture. This ongoing dialogue invigorates hip hop and provides a common ground upon which we can reconsider many of the developments in the industry over the past 20 years. Building from black traditions that value knowledge gained from personal experience, rappers emphasize the importance of street knowledge and its role in forging a career in the music business. Lyrics adopt models of the self-made man narrative, yet reject the trajectories of white Americans like Benjamin Franklin who espoused values of prudence, diligence, and delayed gratification. Hip hop's narratives instead promote a more immediately viable gratification through crime and extend this criminal mentality to their work in the music business. Through the lens of hip hop, and the threats to hip hop culture, author Mickey Hess is able to confront a range of important issues, including race, class, criminality, authenticity, the media, and personal identity.
Author: Roy Christopher
Publisher: Watkins Media Limited
ISBN: 1912248352
Category : Music
Languages : en
Pages : 288
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Book Description
The story of how hip-hop created, and came to dominate, the twenty-first century. In Dead Precedents, Roy Christopher traces the story of how hip-hop invented the twenty-first century. Emerging alongside cyberpunk in the 1980s, the hallmarks of hip-hop - allusion, self-reference, the use of new technologies, sampling, the cutting and splicing of language and sound - would come to define the culture of the new millennium. Taking in the groundbreaking work of DJs and MCs, alongside writers like Dick and Gibson, as well as graffiti and DIY culture, Dead Precedents is a counter-culture history of the twentieth century, showcasing hip-hop's role in the creation of the world we now live in.
Author:
Publisher:
ISBN:
Category :
Languages : de
Pages : 0
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Book Description
Author: Blak Smith
Publisher: Lulu.com
ISBN: 1312034165
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
Welcome to the evolution of the industry of Hip Hop. Join the journey into the culture.....
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
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Book Description
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
Author: Michael Eric Dyson
Publisher: ReadHowYouWant.com
ISBN: 1458776131
Category : Music
Languages : en
Pages : 202
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Book Description
Whether along race, class or generational lines, hip-hop music has been a source of controversy since the beats got too big and the voices too loud for the block parties that spawned them. America has condemned and commended this music and the culture that inspires it. Dubbed ''the Hip-Hop Intellectual' by critics and fans for his pioneering explorations of rap music in the academy and beyond, Michael Eric Dyson is uniquely situated to probe the most compelling and controversial dimensions of hip-hop culture. Know What I Mean? addresses salient issues within hip hop: the creative expression of degraded youth that has garnered them global exposure; the vexed gender relations that have made rap music a lightning rod for pundits; the commercial explosion that has made an art form a victim of its success; the political elements that have been submerged in the most popular form of hip hop; and the intellectual engagement with some of hip hops most influential figures. In spite of changing trends, both in the music industry and among the intelligentsia, Dyson has always supported and interpreted this art that bloomed un watered, and in many cases, unwanted from our inner cities. For those who wondered what all the fuss is about in hip hop, Dysons bracing and brilliant book breaks it all down.
Author: DuEwa M. Frazier
Publisher: Taylor & Francis
ISBN: 1040088244
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Introduction to Afrofuturism delivers a fresh and contemporary introduction to Afrofuturism, discussing key themes, understandings, and interdisciplinary topics across multiple genres in Black literature, film, and music. From Afrofuturism’s origins to the present, this critical volume features scholarly works, poetry, drama, and creative nonfiction which illuminates on the contributions of notable Afrofuturists such as Octavia Bulter, Sun Ra, N.K. Jemisin, Janelle Monáe, Nnedi Okorafor, Saul Williams, Prince, and more. The volume highlights the impact of films such as Black Panther (2018, 2022), The Woman King (2022), and They Cloned Tyrone (2023) and covers a variety of essential topics giving students a comprehensive view of the legacy of storytelling and the tradition of “remixing” in Black literature and arts. This volume makes connections across academic subject areas and is an engaging reader for pop culture and media film studies, women’s, gender, and sexuality studies, Black and Africana studies, hip-hop studies, creative writing, and composition and rhetoric.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
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Book Description
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
