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Author: Nicole Hodges Persley
Publisher: Bloomsbury Publishing
ISBN: 1350247979
Category : Performing Arts
Languages : en
Pages : 137
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Book Description
Hip-Hop culture's explosive arrival on the art scene of New York in the boroughs of Queens and the Bronx in the 1970s began to influence all aspects of musical theater from singing to scenic design. Hip-Hop in Musical Theatre takes an intersectional standpoint to explore Hip-Hop's influence on musical theater practice and aesthetics by giving the reader a comprehensive map of musical theater productions that have been impacted by Hip-Hop music and culture. Offering insightful briefs on musical theater productions that contain aesthetic, musical and embodied references to the global phenomenon of Hip-hop culture, this volume takes the reader through a virtual tour of Hip-Hop's influence on American musical theater. From early traces of hip-hop's rap scene in the 1970s that appeared in musicals such as Micki Grant's Tony Award nominated Don't Bother Me I Can't Cope (1971) and Broadway smash hits such as The Wiz (1974) to international juggernauts such as Lin-Manuel Miranda's Hamilton (2015), this introductory book decodes the sights and sounds of Hip-Hop culture within the socio-cultural context in which the musicals are produced. Published in the Topics in Musical Theatre series this volume presents fact-filled and insightful summaries of musicals that give the reader a snapshot of the musical and narrative content while highlighting which aspect of the music and culture of Hip-Hop informs acting, dancing, singing, design, and music in the selected musical while offering insightful analysis on the ways that hip-hop styles and politics have changed the shape of musical theater practice.
Author: Nicole Hodges Persley
Publisher: Bloomsbury Publishing
ISBN: 1350247979
Category : Performing Arts
Languages : en
Pages : 137
Get Book Here
Book Description
Hip-Hop culture's explosive arrival on the art scene of New York in the boroughs of Queens and the Bronx in the 1970s began to influence all aspects of musical theater from singing to scenic design. Hip-Hop in Musical Theatre takes an intersectional standpoint to explore Hip-Hop's influence on musical theater practice and aesthetics by giving the reader a comprehensive map of musical theater productions that have been impacted by Hip-Hop music and culture. Offering insightful briefs on musical theater productions that contain aesthetic, musical and embodied references to the global phenomenon of Hip-hop culture, this volume takes the reader through a virtual tour of Hip-Hop's influence on American musical theater. From early traces of hip-hop's rap scene in the 1970s that appeared in musicals such as Micki Grant's Tony Award nominated Don't Bother Me I Can't Cope (1971) and Broadway smash hits such as The Wiz (1974) to international juggernauts such as Lin-Manuel Miranda's Hamilton (2015), this introductory book decodes the sights and sounds of Hip-Hop culture within the socio-cultural context in which the musicals are produced. Published in the Topics in Musical Theatre series this volume presents fact-filled and insightful summaries of musicals that give the reader a snapshot of the musical and narrative content while highlighting which aspect of the music and culture of Hip-Hop informs acting, dancing, singing, design, and music in the selected musical while offering insightful analysis on the ways that hip-hop styles and politics have changed the shape of musical theater practice.
Author: Nicole Hodges Persley
Publisher: University of Michigan Press
ISBN: 0472129619
Category : Performing Arts
Languages : en
Pages : 321
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Book Description
Sampling and Remixing Blackness is a timely and accessible book that examines the social ramifications of cultural borrowing and personal adaptation of Hip-hop culture by non-Black and non-African American Black artists in theater and performance. In a cultural moment where Hip-hop theater hits such as Hamilton offer glimpses of Black popular culture to non-Black people through musical soundtracks, GIFs, popular Hip-hop music, language, clothing, singing styles and embodied performance, people around the world are adopting a Blackness that is at once connected to African American culture--and assumed and shed by artists and consumers as they please. As Black people around the world live a racial identity that is not shed, in a cultural moment of social unrest against anti-blackness, this book asks how such engagements with Hip-hop in performance can be both dangerous and a space for finding cultural allies. Featuring the work of some of the visionaries of Hip-hop theater including Lin-Manuel Miranda, Sarah Jones and Danny Hoch, this book explores the work of groundbreaking Hip-hop theater and performance artists who have engaged Hip-hop's Blackness through popular performance. The book challenges how we understand the performance of race, Hip-hop and Blackness in the age of Instagram, TikTok and Facebook. In a cultural moment where racial identity is performed through Hip-hop culture's resistance to the status quo and complicity in maintaining it, Hodges Persley asks us to consider who has the right to claim Hip-hop's blackness when blackness itself is a complicated mixtape that offers both consent and resistance to transgressive and inspiring acts of performance.
Author: Quiara Alegría Hudes
Publisher: Theatre Communications Group
ISBN: 1559369035
Category : Performing Arts
Languages : en
Pages : 79
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Book Description
“This is a fresh take on the American road story, filled with people and ideas we rarely get to see onstage…It offers two seriously rich roles for women, each with important things worth singing about…Miss You Like Hell is a powerful example of what musicals do best: explore the unprotected border where individual needs and social issues intermix.” —Jesse Green, New York Times A troubled teenager and her estranged mother—an undocumented Mexican immigrant on the verge of deportation—embark on a road trip and strive to mend their frayed relationship along the way. Combined with the musical talent of Erin McKeown, Hudes artfully crafts a story of the barriers and the bonds of family, while also addressing the complexities of immigration in today’s America.
Author: Nicole Hodges Persley
Publisher: Bloomsbury Publishing
ISBN: 1350247987
Category : Performing Arts
Languages : en
Pages : 137
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Book Description
Hip-Hop culture's explosive arrival on the art scene of New York in the boroughs of Queens and the Bronx in the 1970s began to influence all aspects of musical theater from singing to scenic design. Hip-Hop in Musical Theatre takes an intersectional standpoint to explore Hip-Hop's influence on musical theater practice and aesthetics by giving the reader a comprehensive map of musical theater productions that have been impacted by Hip-Hop music and culture. Offering insightful briefs on musical theater productions that contain aesthetic, musical and embodied references to the global phenomenon of Hip-hop culture, this volume takes the reader through a virtual tour of Hip-Hop's influence on American musical theater. From early traces of hip-hop's rap scene in the 1970s that appeared in musicals such as Micki Grant's Tony Award nominated Don't Bother Me I Can't Cope (1971) and Broadway smash hits such as The Wiz (1974) to international juggernauts such as Lin-Manuel Miranda's Hamilton (2015), this introductory book decodes the sights and sounds of Hip-Hop culture within the socio-cultural context in which the musicals are produced. Published in the Topics in Musical Theatre series this volume presents fact-filled and insightful summaries of musicals that give the reader a snapshot of the musical and narrative content while highlighting which aspect of the music and culture of Hip-Hop informs acting, dancing, singing, design, and music in the selected musical while offering insightful analysis on the ways that hip-hop styles and politics have changed the shape of musical theater practice.
Author: Claude Summers
Publisher: Cleis Press Start
ISBN: 1573448753
Category : Performing Arts
Languages : en
Pages : 299
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Book Description
Aficionados of music, dance, opera, and musical theater will relish this volume featuring over 200 articles showcasing composers, singers, musicians, dancers, and choreographers across eras and styles. Read about Hildegard of Bingen, whose Symphonia expressed both spiritual and physical desire for the Virgin Mary, and George Frideric Handel, who not only created roles for castrati but was behind the Venetian opera's preoccupations with gender ambiguity. Discover Alban Berg’s Lulu, opera’s first openly lesbian character. And don’t forget Kiss Me Kate, the hit 1948 Broadway musical: written by Cole Porter, married though openly gay; directed by John C. Wilson, Noël Coward's ex-lover; and featuring Harold Lang, who had affairs with Leonard Bernstein and Gore Vidal. No single volume has ever achieved the breadth of this scholarly yet eminently readable compendium. It includes overviews of genres as well as fascinating biographical entries on hundreds of figures such as Peter Tchaikovsky, Maurice Ravel, Sergei Diaghilev, Bessie Smith, Aaron Copland, Stephen Sondheim, Alvin Ailey, Rufus Wainwright, and Ani DiFranco.
Author: Daniel Banks
Publisher:
ISBN: 9780472051328
Category : American drama
Languages : en
Pages : 0
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Book Description
This title collects eight works by contemporary artists. The plays deal with compelling issues of our times, including police profiling and brutality, women's empowerment, the commercial exploitation of hip hop, and identity politics.
Author: Quiara Alegría Hudes
Publisher: One World
ISBN: 0399590048
Category : Biography & Autobiography
Languages : en
Pages : 338
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Book Description
GOOD MORNING AMERICA BUZZ PICK • The Pulitzer Prize–winning playwright and co-writer of In the Heights tells her lyrical story of coming of age against the backdrop of an ailing Philadelphia barrio, with her sprawling Puerto Rican family as a collective muse. LONGLISTED FOR THE ANDREW CARNEGIE MEDAL • ONE OF THE BEST BOOKS OF THE YEAR: NPR, New York Public Library, BookPage, and BookRiot • “Quiara Alegría Hudes is in her own league. Her sentences will take your breath away. How lucky we are to have her telling our stories.”—Lin-Manuel Miranda, award-winning creator of Hamilton and In the Heights Quiara Alegría Hudes was the sharp-eyed girl on the stairs while her family danced their defiance in a tight North Philly kitchen. She was awed by her mother and aunts and cousins, but haunted by the unspoken, untold stories of the barrio—even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars. Her family became her private pantheon, a gathering circle of powerful orisha-like women with tragic real-world wounds, and she vowed to tell their stories—but first she’d have to get off the stairs and join the dance. She’d have to find her language. Weaving together Hudes’s love of music with the songs of her family, the lessons of North Philly with those of Yale, this is a multimythic dive into home, memory, and belonging—narrated by an obsessed girl who fought to become an artist so she could capture the world she loved in all its wild and delicate beauty.
Author: Jeff Chang
Publisher: Civitas Books
ISBN: 0465009093
Category : Art
Languages : en
Pages : 400
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Book Description
Examines hip-hop's past, present, and future in a collection of essays, interviews, and discussions.
Author: Jack Viertel
Publisher: Macmillan + ORM
ISBN: 0374711259
Category : Performing Arts
Languages : en
Pages : 336
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Book Description
New York Times Bestseller: “Both revelatory and entertaining . . . Along the way, Viertel provides some fascinating Broadway history.” —The New York Times Book Review Americans invented musicals—and have a longstanding love affair with them. But what, exactly, is a musical? In this book, longtime theatrical producer and writer Jack Viertel takes them apart, puts them back together, sings their praises, and occasionally despairs over their more embarrassing shortcomings. In the process, he shows us how musicals happen, what makes them work, how they captivate audiences, and how one landmark show leads to the next—by design or by accident, by emulation or by rebellion—from Oklahoma! to Hamilton and onward. Beginning with an overture and concluding with a curtain call, with stops in between for “I Want” songs, “conditional” love songs, production numbers, star turns, and finales, Viertel shows us patterns in the architecture of classic shows and charts the inevitable evolution that has taken place in musical theater as America itself has evolved socially and politically. The Secret Life of the American Musical makes you feel like you’re there in the rehearsal room, the front row, and the offices of theater owners and producers as they pursue their own love affair with that rare and elusive beast—the Broadway hit. “A valuable addition to the theater lover’s bookshelf. . . . fans will appreciate the dips into memoir and Viertel’s takes on original cast albums.” —Publishers Weekly “Even seasoned hands will come away with a clearer understanding of why some shows work while others flop.” —Commentary “A showstopper . . . infectiously entertaining.” —John Lahr, author of Notes on a Cowardly Lion “Thoroughly interesting.” —The A.V. Club “The best general-audience analysis of musical theater I have read in many years.” —The Charlotte Observer “Delightful . . . a little bit history, a little bit memoir, a little bit criticism and, for any theater fan, a whole lot of fun.” —The Dallas Morning News
Author: Stew
Publisher: Dramatists Play Service Inc
ISBN: 9780822224006
Category : Drama
Languages : en
Pages : 76
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Book Description
"Stew brings us the story of a young bohemian who charts a course for 'the real' through sex, drugs and rock 'n' roll."--Page 4 of cover.
