Author: Leslie T. Peacocke
Publisher:
ISBN:
Category : Motion picture authorship
Languages : en
Pages : 172
Book Description
Hints on Photoplay Writing
Author: Leslie T. Peacocke
Publisher:
ISBN:
Category : Motion picture authorship
Languages : en
Pages : 172
Book Description
Publisher:
ISBN:
Category : Motion picture authorship
Languages : en
Pages : 172
Book Description
How to Write Photoplays
Author: Carl Charlton
Publisher:
ISBN:
Category : Motion picture authorship
Languages : en
Pages : 68
Book Description
Publisher:
ISBN:
Category : Motion picture authorship
Languages : en
Pages : 68
Book Description
Photoplay
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 556
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 556
Book Description
How to Write a Photoplay
Author: Arthur Winfield Thomas
Publisher:
ISBN:
Category : Motion picture plays
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category : Motion picture plays
Languages : en
Pages : 344
Book Description
Flash!
Author: Kate Flint
Publisher: Oxford University Press
ISBN: 0192540688
Category : Photography
Languages : en
Pages : 412
Book Description
Flash! presents a fascinating cultural history of flash photography, from its mid-nineteenth century beginnings to the present day. All photography requires light, but the light of flash photography is quite distinctive: artificial, sudden, shocking, intrusive, and extraordinarily bright. Associated with revelation and wonder, it has been linked to the sublimity of lightning. Yet it has also been reviled: it's inseparable from anxieties about intrusion and violence, it creates a visual disturbance, and its effects are often harsh and create exaggerated contrasts. Flash! explores flash's power to reveal shocking social conditions, its impact on the representation of race, its illumination of what would otherwise remain hidden in darkness, and its capacity to put on display the most mundane corners of everyday life. It looks at flash's distinct aesthetics, examines how paparazzi chase celebrities, how flash is intimately linked to crime, how flash has been used to light up - and interrupt - countless family gatherings, how flash can 'stop time' allowing one to photograph rapidly moving objects or freeze in a strobe, and it considers the biggest flash of all, the atomic bomb. Examining the work of professionals and amateurs, news hounds and art photographers, photographers of crime and of wildlife, the volume builds a picture of flash's place in popular culture, and its role in literature and film. Generously illustrated throughout, Flash! brings out the central role of this medium to the history of photography and challenges some commonly held ideas about the nature of photography itself.
Publisher: Oxford University Press
ISBN: 0192540688
Category : Photography
Languages : en
Pages : 412
Book Description
Flash! presents a fascinating cultural history of flash photography, from its mid-nineteenth century beginnings to the present day. All photography requires light, but the light of flash photography is quite distinctive: artificial, sudden, shocking, intrusive, and extraordinarily bright. Associated with revelation and wonder, it has been linked to the sublimity of lightning. Yet it has also been reviled: it's inseparable from anxieties about intrusion and violence, it creates a visual disturbance, and its effects are often harsh and create exaggerated contrasts. Flash! explores flash's power to reveal shocking social conditions, its impact on the representation of race, its illumination of what would otherwise remain hidden in darkness, and its capacity to put on display the most mundane corners of everyday life. It looks at flash's distinct aesthetics, examines how paparazzi chase celebrities, how flash is intimately linked to crime, how flash has been used to light up - and interrupt - countless family gatherings, how flash can 'stop time' allowing one to photograph rapidly moving objects or freeze in a strobe, and it considers the biggest flash of all, the atomic bomb. Examining the work of professionals and amateurs, news hounds and art photographers, photographers of crime and of wildlife, the volume builds a picture of flash's place in popular culture, and its role in literature and film. Generously illustrated throughout, Flash! brings out the central role of this medium to the history of photography and challenges some commonly held ideas about the nature of photography itself.
Motion Picture Story Magazine
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 1060
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 1060
Book Description
Projections
Author: Jared Gardner
Publisher: Stanford University Press
ISBN: 0804781788
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
“A fascinating read for anyone with an interest in the graphic novel, its origins, and its continuing evolution as a literary art form.” —Midwest Book Review When Art Spiegelman’s Maus won the Pulitzer Prize in 1992, it marked a new era for comics. Comics are now taken seriously by the same academic and cultural institutions that long dismissed the form. And the visibility of comics continues to increase, with alternative cartoonists now published by major presses and more comics-based films arriving on the screen each year. Projections argues that the seemingly sudden visibility of comics is no accident. Beginning with the parallel development of narrative comics at the turn of the 20th century, comics have long been a form that invites—indeed requires—readers to help shape the stories being told. Today, with the rise of interactive media, the creative techniques and the reading practices comics have been experimenting with for a century are now in universal demand. Recounting the history of comics from the nineteenth-century rise of sequential comics to the newspaper strip, through comic books and underground comix, to the graphic novel and webcomics, Gardner shows why they offer the best models for rethinking storytelling in the twenty-first century. In the process, he reminds us of some beloved characters from our past and present, including Happy Hooligan, Krazy Kat, Crypt Keeper, and Mr. Natural. “Provocative . . . examine[s] the progress of the form from a variety of surprising angles.” —Jonathan Barnes, Times Literary Supplement “A landmark study.” —Charles Hatfield, California State University, Northridge, author of Alternative Comics: An Emerging Literature “A succinct and savvy cultural history of American comics.” —Hillary Chute, University of Chicago
Publisher: Stanford University Press
ISBN: 0804781788
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
“A fascinating read for anyone with an interest in the graphic novel, its origins, and its continuing evolution as a literary art form.” —Midwest Book Review When Art Spiegelman’s Maus won the Pulitzer Prize in 1992, it marked a new era for comics. Comics are now taken seriously by the same academic and cultural institutions that long dismissed the form. And the visibility of comics continues to increase, with alternative cartoonists now published by major presses and more comics-based films arriving on the screen each year. Projections argues that the seemingly sudden visibility of comics is no accident. Beginning with the parallel development of narrative comics at the turn of the 20th century, comics have long been a form that invites—indeed requires—readers to help shape the stories being told. Today, with the rise of interactive media, the creative techniques and the reading practices comics have been experimenting with for a century are now in universal demand. Recounting the history of comics from the nineteenth-century rise of sequential comics to the newspaper strip, through comic books and underground comix, to the graphic novel and webcomics, Gardner shows why they offer the best models for rethinking storytelling in the twenty-first century. In the process, he reminds us of some beloved characters from our past and present, including Happy Hooligan, Krazy Kat, Crypt Keeper, and Mr. Natural. “Provocative . . . examine[s] the progress of the form from a variety of surprising angles.” —Jonathan Barnes, Times Literary Supplement “A landmark study.” —Charles Hatfield, California State University, Northridge, author of Alternative Comics: An Emerging Literature “A succinct and savvy cultural history of American comics.” —Hillary Chute, University of Chicago
The Fox Plan of Photoplay Writing
Author: Charles Donald Fox
Publisher:
ISBN:
Category : Motion picture authorship
Languages : en
Pages : 270
Book Description
Publisher:
ISBN:
Category : Motion picture authorship
Languages : en
Pages : 270
Book Description
How to Write a Photoplay
Author: Herbert Case Hoagland
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 88
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 88
Book Description
Where and how to Sell Manuscripts
Author:
Publisher:
ISBN:
Category : Authorship
Languages : en
Pages : 512
Book Description
Publisher:
ISBN:
Category : Authorship
Languages : en
Pages : 512
Book Description