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Author: Andrew Burke
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773559728
Category : Social Science
Languages : en
Pages : 218
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Book Description
Like the flute melody from Hinterland Who's Who, the 1970s haunt Canadian cultural memory. Though the decade often feels lost to history, Hinterland Remixed focuses on boldly innovative works as well as popular film, television, and music to show that Canada never fully left the 1970s behind. Andrew Burke reveals how contemporary artists and filmmakers have revisited the era's cinematic and televisual residues to uncover what has been lost over the years. Investigating how the traces of an analogue past circulate in a digital age, Burke digs through the remnants of 1970s Canadiana and examines key audiovisual works from this overlooked decade, uncovering the period's aspirations, desires, fears, and anxieties. He then looks to contemporary projects that remix, remediate, and reanimate the period. Exploring an idiosyncratic selection of works – from Michael Snow's experimental landscape film La Région Centrale, to SCTV's satirical skewering of network television, to L'Atelier national du Manitoba's video lament for the Winnipeg Jets – this book asks key questions about nation, nostalgia, media, and memory. A timely intervention, Hinterland Remixed demands we recognize the ways in which the unrealized cultural ambitions and unresolved anxieties of a previous decade continue to resonate in our current lives.
Author: Andrew Burke
Publisher: McGill-Queen's Press - MQUP
ISBN: 077355971X
Category : Social Science
Languages : en
Pages : 261
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Book Description
Like the flute melody from Hinterland Who's Who, the 1970s haunt Canadian cultural memory. Though the decade often feels lost to history, Hinterland Remixed focuses on boldly innovative works as well as popular film, television, and music to show that Canada never fully left the 1970s behind. Andrew Burke reveals how contemporary artists and filmmakers have revisited the era's cinematic and televisual residues to uncover what has been lost over the years. Investigating how the traces of an analogue past circulate in a digital age, Burke digs through the remnants of 1970s Canadiana and examines key audiovisual works from this overlooked decade, uncovering the period's aspirations, desires, fears, and anxieties. He then looks to contemporary projects that remix, remediate, and reanimate the period. Exploring an idiosyncratic selection of works – from Michael Snow's experimental landscape film La Région Centrale, to SCTV's satirical skewering of network television, to L'Atelier national du Manitoba's video lament for the Winnipeg Jets – this book asks key questions about nation, nostalgia, media, and memory. A timely intervention, Hinterland Remixed demands we recognize the ways in which the unrealized cultural ambitions and unresolved anxieties of a previous decade continue to resonate in our current lives.
Author: Andrew Burke
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773559728
Category : Social Science
Languages : en
Pages : 218
Get Book Here
Book Description
Like the flute melody from Hinterland Who's Who, the 1970s haunt Canadian cultural memory. Though the decade often feels lost to history, Hinterland Remixed focuses on boldly innovative works as well as popular film, television, and music to show that Canada never fully left the 1970s behind. Andrew Burke reveals how contemporary artists and filmmakers have revisited the era's cinematic and televisual residues to uncover what has been lost over the years. Investigating how the traces of an analogue past circulate in a digital age, Burke digs through the remnants of 1970s Canadiana and examines key audiovisual works from this overlooked decade, uncovering the period's aspirations, desires, fears, and anxieties. He then looks to contemporary projects that remix, remediate, and reanimate the period. Exploring an idiosyncratic selection of works – from Michael Snow's experimental landscape film La Région Centrale, to SCTV's satirical skewering of network television, to L'Atelier national du Manitoba's video lament for the Winnipeg Jets – this book asks key questions about nation, nostalgia, media, and memory. A timely intervention, Hinterland Remixed demands we recognize the ways in which the unrealized cultural ambitions and unresolved anxieties of a previous decade continue to resonate in our current lives.
Author: Cheryl Cowdy
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228012287
Category : Literary Criticism
Languages : en
Pages : 135
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Book Description
Though a large proportion of Canadians live in suburban communities, the Canadian cultural imaginary is filled with other landscapes. The wilderness, the prairie, cityscapes, and small towns are the settings by which we define our nation, rather than the strip mall, the single-family home, and the developing subdivision, which for many are ubiquitous features of everyday life. Canadian Suburban considers the cultures of suburbia as they are articulated in English Canadian fiction published from the 1960s to the present. Cheryl Cowdy begins her excursion through novels set between 1945 and 1970, the heyday of modern suburban development, with works by canonical authors such as Margaret Laurence, Richard B. Wright, Margaret Atwood, and Barbara Gowdy. Her investigation then turns to the meaning of the suburbs within fiction set after the 1970s, when a more corporate model of suburbanization prevailed, and ends with an investigation of how writers from immigrant and racialized communities are radically transforming the suburban imaginary. Cowdy argues there is no one authentic suburban imaginary but multiple, at times contradictory, representations that disrupt prevalent assumptions about suburban homogeneity. Canadian Suburban provides a foundation for understanding the literary history of suburbia and a refreshing reassessment of the role of space and place in Canadian culture and identity.
Author: Dimitry Anastakis
Publisher: University of Toronto Press
ISBN: 1487555857
Category : Transportation
Languages : en
Pages : 583
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Book Description
Dream Car tells the story of entrepreneur Malcolm Bricklin’s fantastical 1970s-era Safety Vehicle-1 (SV1), audaciously launched during a tumultuous breakpoint in postwar history. The tale of the sexy-yet-safe SV1 reveals the influence of automobiles on ideas about the future, technology, entrepreneurship, risk, safety, showmanship, politics, sex, gender, business, and the state, as well as the history of the auto industry’s birth, decline, and rebirth. Written as an “open road,” the book invites readers to travel a narrative arc that unfolds chronologically and thematically. Dream Car’s seven chapters have been structured so that they can be read in any order, determined by whichever theme each reader finds most interesting. The book also includes a musical playlist of car songs from the era and songs about the SV1 itself.
Author: Jennifer VanderBurgh
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228019869
Category : Performing Arts
Languages : en
Pages : 153
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Book Description
Television in Canada has been undervalued as a cultural form. Despite being publicly funded, Canadian television programs are also notoriously difficult to access once they go off the air, which has compounded the problem. In What Television Remembers Jennifer VanderBurgh intervenes in the story of the medium in Canada by exploring the long relationship between TV and the city of Toronto. From the first demonstration of television at the Canadian National Exhibition in 1939 and the mass viewing of Queen Elizabeth II’s coronation broadcast in 1953 to the late-century installation of TV screens in public spaces around the city, television has shaped Toronto’s collective imagination and affirmed viewers in their multiple identities as local residents, national citizens, and transnational consumers. In a close reading of Toronto-based CBC dramas from the 1960s to 2010, VanderBurgh explains how the city has functioned as a strategic location in CBC programming, reflecting dramatically changing ideas about Canadian identity, community, and citizenship. At a time when many are suggesting that the era of television is over, What Television Remembers sounds the alarm that we are in danger of forgetting TV in Canada without appreciating the complexities of its contributions and legacy.
Author: Kevin Nikkel
Publisher: Univ. of Manitoba Press
ISBN: 1772840157
Category : Performing Arts
Languages : en
Pages : 596
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Book Description
A behind-the-scenes account of a cultural institution that made a distinctive mark on Canadian film Establishing Shots captures a diverse group of filmmakers in an immersive oral history of one of the most important and notorious artist-run centres in Canada: the Winnipeg Film Group. Both a deep dive into the life of an internationally renowned institution and an exploration of the growth of an experimental film movement, this richly illustrated collection of interviews produces a vibrant picture of the Winnipeg Film Group’s origins, successes, failures, and ongoing impact. Formed in 1974 as a membership-based film production, training, and exhibition cooperative, the Winnipeg Film Group was part of a wave of artist-run centres funded by the Canada Council for the Arts. Kevin Nikkel’s candid conversations with twenty-nine administrators and filmmakers— including Guy Maddin, Shawna Dempsey, and Matthew Rankin—reveal the precarious path of independent artists, struggles for equality within the industry, and the importance of place in their work. An engaging resource for scholars and historians of Manitoban and Canadian culture and film, Establishing Shots also shows emerging filmmakers how other artists got their start and learned their craft.
Author: Karen Lury
Publisher: Bloomsbury Publishing
ISBN: 183902495X
Category : Performing Arts
Languages : en
Pages : 240
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Book Description
This book brings together a host of internationally recognised scholars to provide an interdisciplinary perspective on the representation of the child in cinema. Individual chapters examine how children appear across a broad range of films, including Badlands (1973), Ratcatcher (1999), Boyhood (2014), My Neighbour Totoro (1988), and Howl's Moving Castle (2004). They also consider the depiction of children in non-fiction and non-theatrical films, including the documentaries Être et Avoir (2002) and Capturing the Friedmans (2003), art installations and public information films. Through a close analysis of these films, contributors examine the spaces and places children inhabit and imagine; a concern for children's rights and agency; the affective power of the child as a locus for memory and history; and the complexity and ambiguity of the child figure itself. The essays also argue the global reach of cinema featuring children, including analyses of films from the former Yugoslavia, Brazil and India, as well as exploring the labour of the child both in front of and behind the camera as actors and filmmakers. In doing so, the book provides an in-depth look into the nature of child performance on screen, across a diverse range of cinemas and film-making practices.
Author: Michael Brendan Baker
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228021626
Category : Performing Arts
Languages : en
Pages : 268
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Book Description
Interactive documentary emerged rapidly from a constellation of changing technologies and practices to much excitement, yet its history is short and its future uncertain. In the mid-2010s Canada was a world leader in the creation of i-docs. Less than a decade later technological obsolescence has rendered many of these celebrated projects inaccessible, while rapid digital innovation continues to change the i-doc form and its modes of experience. The Interactive Documentary in Canada captures this transitional moment in documentary filmmaking and media production. Bringing together a range of historical, theoretical, and critical approaches, this collection examines the past – and the imagined future – of a nonfiction storytelling phenomenon that has Canadian institutions, figures, and works at its centre. Embracing a polyphonic conception of interactive documentary, the volume includes explorations of web-based, app-based, installation, and virtual reality works that push the boundaries of what is understood as documentary cinema. Leading documentary scholars and makers consider the historical and technological contexts of i-doc production, innovation, and exhibition; the political and pedagogical potential of the genre; the ethics of the i‐doc experience; and the format’s future lifespan in the contemporary media landscape. The Interactive Documentary in Canada establishes a place for the i-doc in the history of Canadian film, highlighting the genre’s significant impact on the National Film Board of Canada and on contemporary global documentary media.
Author: Michel-Rolph Trouillot
Publisher: Duke University Press
ISBN: 1478021535
Category : Social Science
Languages : en
Pages : 246
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Book Description
This collection of writings from Haitian anthropologist Michel-Rolph Trouillot includes his most famous, lesser known, and hard to find writings that demonstrate his enduring importance to Caribbean studies, anthropology, history, postcolonial studies, and politically engaged scholarship more broadly.
Author: Rebekah Pryor
Publisher: Rowman & Littlefield
ISBN: 1978712405
Category : Religion
Languages : en
Pages : 257
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Book Description
This assemblage of feminist theologies represents a series of vital entanglements. Chapters are written from different cultures, geographies and discourses and brought together around themes as specific and wide-ranging as immigration detention, hate crime, discrimination, rites of marriage and partnership, and artistic and religious imagination. The contributors variously echo, celebrate, question and contradict each other. Despite the complexity and allied as they are with liberation, decolonial, ecological, queer and other theologies, these perspectives seek not only to confront and resist the problems, oppressions, and omissions of hegemonic theologies but also to realize better worlds.
