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Author: Andrea Andersson
Publisher: Siglio Press
ISBN: 9781938221224
Category : Art
Languages : en
Pages : 124
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Book Description
In 1960 George Heard Hamilton published the first complete typographic translation of Duchamp's Green Box in English. This landmark publication translated Duchamp's notes and conceptual ambitions for his masterwork, The Bride Stripped Bare by Her Bachelors, Even. And as a book, designed to hinge at its binding, the work fulfilled Duchamp's conceptual proposal for art that would move from two- into three-dimensional space. Hinge Pictures is an artist's book in eight parts--a gorgeous, palimpsestual publication that layers the practices of Sarah Crowner, Julia Dault, Leslie Hewitt, Tomashi Jackson, Erin Shirreff, Ulla von Brandenburg, Adriana Varejão and Claudia Wieser over the pages of Duchamp's imagination. It is also a companion publication to an exhibition in eight parts, a confrontation with the patrimony of European modernism. A literal reading of Duchamp positions the Bride, a nude woman, suspended above a host of ogling bachelors. In his writing, Duchamp narrates both social and physical constraint ("The Bride accepts this stripping...") and formal liberation ("discover true form...develop the principle of the hinge."). The artists of Hinge Pictures use formal constraint--a commitment to abstraction--in a demonstration of social liberation. With a Swiss binding that unveils the spine of the book and multiple vellum overlays that create layered interlocutions, the book's physical qualities mirror its conceptual occupations.
Author: Andrea Andersson
Publisher: Siglio Press
ISBN: 9781938221224
Category : Art
Languages : en
Pages : 124
Get Book Here
Book Description
In 1960 George Heard Hamilton published the first complete typographic translation of Duchamp's Green Box in English. This landmark publication translated Duchamp's notes and conceptual ambitions for his masterwork, The Bride Stripped Bare by Her Bachelors, Even. And as a book, designed to hinge at its binding, the work fulfilled Duchamp's conceptual proposal for art that would move from two- into three-dimensional space. Hinge Pictures is an artist's book in eight parts--a gorgeous, palimpsestual publication that layers the practices of Sarah Crowner, Julia Dault, Leslie Hewitt, Tomashi Jackson, Erin Shirreff, Ulla von Brandenburg, Adriana Varejão and Claudia Wieser over the pages of Duchamp's imagination. It is also a companion publication to an exhibition in eight parts, a confrontation with the patrimony of European modernism. A literal reading of Duchamp positions the Bride, a nude woman, suspended above a host of ogling bachelors. In his writing, Duchamp narrates both social and physical constraint ("The Bride accepts this stripping...") and formal liberation ("discover true form...develop the principle of the hinge."). The artists of Hinge Pictures use formal constraint--a commitment to abstraction--in a demonstration of social liberation. With a Swiss binding that unveils the spine of the book and multiple vellum overlays that create layered interlocutions, the book's physical qualities mirror its conceptual occupations.
Author: Jirí Flajšar
Publisher: Cambridge Scholars Publishing
ISBN: 1443818038
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
Words Into Pictures: E. E. Cummings’ Art Across Borders is a collection of ten new essays on the American poet and artist E. E. Cummings (1894-1962). Bringing together the verbal and the visual, two forms of art traditionally considered to be distinct and separate, the volume invites the reader to examine fields in Cummings studies that have been neglected or under-researched. An artist who vigorously pursued painting and writing throughout his life, Cummings may be called the William Blake of American Modernism, a PoetAndPainter whose habitual genre-crossing renders his oeuvre a unique choice for multidisciplinary critical studies. The essays of this volume address the limits of the visual, linguistic, spatial, and political vison of the artist. Contributors to this volume include established as well as junior Cummings scholars from the U.S. and Europe, giving Words Into Pictures an international and authoritative flavour.
Author: James Elkins
Publisher: Routledge
ISBN: 113595013X
Category : Art
Languages : en
Pages : 218
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Book Description
This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.
Author: Morton Clark Bradley
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 312
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Book Description
Author: Claire Llewellyn
Publisher: Evans Brothers
ISBN: 9780237530228
Category : Juvenile Nonfiction
Languages : en
Pages : 32
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Book Description
Looks at the different ways pictures can move. Includes activities such as designing a flap and planning, making and evaluating a moving picture based on a nursery rhyme. Suggested level: junior, primary.
Author: Jérôme Pelletier
Publisher: Routledge
ISBN: 1351622641
Category : Philosophy
Languages : en
Pages : 307
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Book Description
The general aim of this volume is to investigate the nature of the relation between pictorial experience and aesthetic appreciation. In particular, it is concerned with the character and intimacy of this relationship: is there a mere causal connection between pictorial experience and aesthetic appreciation, or are the two relata constitutively associated with one another? The essays in the book’s first section investigate important conceptual issues related to the pictorial experience of paintings. In Section II, the essays discuss the notion of styles, techniques, agency, and facture, and also take into account the experience of photographic and cinematic pictures. The Pleasure of Pictures goes substantially beyond current debates in the philosophy of depiction to launch a new area of reflection in philosophical aesthetics.
Author: Sandra Malicote
Publisher: University Press of America
ISBN: 0761848320
Category : Art
Languages : en
Pages : 201
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Book Description
The first in-depth interdisciplinary study of word and image in the Old French chanson degeste, Image and Imagination: Picturing the Old French Epic examines the fascinating relationship between illumination and epic narrative constructed by the medieval understanding of the imagination. The study focuses on the epic cycle known as "the geste of Saint Gille," including Aiol and Elie de Saint Gille. The poems in manuscript were produced in the context of the opulent francophone Flemish courts of the mid-to-late thirteenth century. The manuscript (known as BNF fr 25516) is richly illuminated, and the study includes the popular Beuves de Hanstone, forerunner of Shakespeare's Hamlet, and the poem Robert le Diable, later becoming meyerbeer's celebrated opera. Concluding with the comparative study of BNF fr 24403's epic treatment of the only illuminated version of Chretien de Troyes' first Arthurian work, Erec et Enide, and the Sancti Bertini version of La Chevalerie Vivien, the first dated collection of epics made for a prominent northern Bishop, this study introduces the hitherto little-explored world of medieval illumination and epic narrative poetics. Book jacket.
Author: Amrita Basu
Publisher: Springer Nature
ISBN: 3030860620
Category : Computers
Languages : en
Pages : 570
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Book Description
This book constitutes the refereed proceedings of the 12th International Conference on the Theory and Application of Diagrams, Diagrams 2021, held virtually in September 2021. The 16 full papers and 25 short papers presented together with 16 posters were carefully reviewed and selected from 94 submissions. The papers are organized in the following topical sections: design of concrete diagrams; theory of diagrams; diagrams and mathematics; diagrams and logic; new representation systems; analysis of diagrams; diagrams and computation; cognitive analysis; diagrams as structural tools; formal diagrams; and understanding thought processes. 10 chapters are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Author: John Cotton Dana
Publisher:
ISBN:
Category : Art libraries
Languages : en
Pages : 96
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Book Description
Author: Simone Santini
Publisher: Elsevier
ISBN: 0080506151
Category : Computers
Languages : en
Pages : 637
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Book Description
The explosion of computer use and internet communication has placed new emphasis on the ability to store, retrieve and search for all types of images, both still photo and video images. The success and the future of visual information retrieval depends on the cutting edge research and applications explored in this book. It combines the expertise from both computer vision and database research.Unlike text retrieval and text/numeric databases the challenges of image databases are enormous. How do you use "data mining" to search for an image if you do not have "key words" to search? Exploratory Image Databases introduces the idea that it is possible to solve this problem by merging database systems into a single search and browse activity called "exploration."Exploratory Image Databases is one of the first single-author books that unifies the critical emerging topic of image databases. A new approach to image databases, the work is divided into four central parts: introduction to the problems that image database research must solve; computer vision and information retrieval techniques; image database issues; and interface and engines for visual searches.Example: Imagine the difficulty of building and using a database for "face recognition," where an image of a face is used. In order to effectively use the image a huge number of characteristics would need to be entered in the database. The goal of future image databases is to use hardware and software to recognize and categorize images without typing in characteristics.* Comprehensive coverage of the image analysis as well as the database/theoretical aspects of image databases. * Extensive coverage of interfaces and interaction models, with a theoretical framework for the development of new interaction schemes. * Identifies three interaction models between users and image databases, two of which have no counterpart in traditional databases. * Coverage of the relation between image and text, including mixed search models and the automatic determination of the relation between images and text on large corpuses like the web. * Analysis of the process of signification in images and its influence on the interaction models and technological problems of image databases.
