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Author: Vesna Bratić
Publisher: Cambridge Scholars Publishing
ISBN: 1443888451
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
This volume represents perspectives on a number of aspects of modern Anglo-American drama and dramatists written by scholars from ex-Yugoslav republics, resulting from long years of common interest and cooperation in the field between the corresponding English Departments in the region. The volume was inspired by the Word across Cultures conference, organised by the Institute of Foreign Languages of the University of Montenegro in Podgorica, Montenegro, in July 2014. The researchers who participated in the conference’s literature section were testament to the growing interest in drama among regional literature scholars. The book will appeal to both an academic and non-academic readership. The former will, certainly, benefit from this book since English and, especially, American drama is not appropriately represented by the number of published books it deserves world-wide. The volume provides a South-East European perspective on Anglo-American drama, and represents a valuable addition to existing drama scholarship, since all the contributors are from the ex-Yugoslav republics and write from a standpoint of multiple othernesses. It will also be of interest to theatre and film scholars, as well as theatre and film enthusiasts, because of the variety of approaches adopted in the papers.
Author: Vesna Bratić
Publisher: Cambridge Scholars Publishing
ISBN: 1443888451
Category : Performing Arts
Languages : en
Pages : 210
Get Book Here
Book Description
This volume represents perspectives on a number of aspects of modern Anglo-American drama and dramatists written by scholars from ex-Yugoslav republics, resulting from long years of common interest and cooperation in the field between the corresponding English Departments in the region. The volume was inspired by the Word across Cultures conference, organised by the Institute of Foreign Languages of the University of Montenegro in Podgorica, Montenegro, in July 2014. The researchers who participated in the conference’s literature section were testament to the growing interest in drama among regional literature scholars. The book will appeal to both an academic and non-academic readership. The former will, certainly, benefit from this book since English and, especially, American drama is not appropriately represented by the number of published books it deserves world-wide. The volume provides a South-East European perspective on Anglo-American drama, and represents a valuable addition to existing drama scholarship, since all the contributors are from the ex-Yugoslav republics and write from a standpoint of multiple othernesses. It will also be of interest to theatre and film scholars, as well as theatre and film enthusiasts, because of the variety of approaches adopted in the papers.
Author: Jean-Christophe Agnew
Publisher: Cambridge University Press
ISBN: 9780521379106
Category : History
Languages : en
Pages : 284
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Book Description
Drawing on a variety of disciplines and documents, Professor Agnew illuminates one of the most fascinating chapters in the formations of Anglo-American market culture. Worlds Apart traces the history of our concepts of the marketplace and the theatre and the ways in which these concepts are bound together. Focusing on Britain and America in the years 1550 to 1750, the book discusses the forms and conventions that structured both commerce and theatre. As marketing practice broke free of its traditional boundaries and restraints, it challenged longstanding popular assumptions about the constituents of value, the nature of identity, the signs of authenticity, and the limits of liability. New exchange relations bred new legal and commercial fictions to authorise them, but they also bred new doubts about the precise grounds upon which the self and its 'interests' were to be represented. Those same doubts, Professor Agnew shows, animated the theatre as well. As actors and playwrights shifted from ecclesiastical and civic drama to professional entertainments, they too devised authenticating fictions, fictions that effectively replicated the bewildering representational confusions of the new 'placeless market'.
Author: Alfread A. Reisch
Publisher: Central European University Press
ISBN: 6155225230
Category : History
Languages : en
Pages : 597
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Book Description
This study reveals the hidden story of the secret book distribution program to Eastern Europe financed by the CIA during the Cold War. At its height between 1957 and 1970, the book program was one of the least known but most effective methods of penetrating the Iron Curtain, reaching thousands of intellectuals and professionals in the Soviet Bloc. Reisch conducted thorough research on the key personalities involved in the book program, especially the two key figures: S. S. Walker, who initiated the idea of a ?mailing project,? and G. C. Minden, who developed it into one of the most effective political and psychological tools of the Cold War. The book includes excellent chapters on the vagaries of censorship and interception of books by communist authorities based on personal letters and accounts from recipients of Western material. It will stand as a testimony in honor of the handful of imaginative, determined, and hard-working individuals who helped to free half of Europe from mental bondage and planted many of the seeds that germinated when communism collapsed and the Soviet bloc disintegrated.
Author: Jeffrey H. Richards
Publisher: Cambridge University Press
ISBN: 1139448048
Category : Drama
Languages : en
Pages : 406
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Book Description
Drama, Theatre, and Identity in the American New Republic investigates the way in which theatre both reflects and shapes the question of identity in post-revolutionary American culture. In this 2005 book Richards examines a variety of phenomena connected to the stage, including closet Revolutionary political plays, British drama on American boards, American-authored stage plays, and poetry and fiction by early Republican writers. American theatre is viewed by Richards as a transatlantic hybrid in which British theatrical traditions in writing and acting provide material and templates by which Americans see and express themselves and their relationship to others. Through intensive analyses of plays both inside and outside of the early American 'canon', this book confronts matters of political, ethnic and cultural identity by moving from play text to theatrical context and from historical event to audience demography.
Author: Enoch Brater
Publisher: University of Michigan Press
ISBN: 9780472105830
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
Seventeen prominent critics reconsider the "modern" in drama
Author: Linda Ben-Zvi
Publisher: University of Michigan Press
ISBN: 9780472106073
Category : Drama
Languages : en
Pages : 488
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Book Description
The first book-length investigation of theater and drama in Israel
Author: Jeffrey A. Engel
Publisher: Harvard University Press
ISBN: 0674263308
Category : Political Science
Languages : en
Pages : 374
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Book Description
In a gripping story of international power and deception, Jeffrey Engel reveals the “special relationship” between the United States and Great Britain in a new and far more competitive light. As allies, they fought communism. As rivals, they locked horns over which would lead the Cold War fight. In the quest for sovereignty and hegemony, one important key was airpower, which created jobs, forged ties with the developing world, and, perhaps most importantly in a nuclear world, ensured military superiority.Only the United States and Britain were capable of supplying the post-war world’s ravenous appetite for aircraft. The Americans hoped to use this dominance as a bludgeon not only against the Soviets and Chinese, but also against any ally that deviated from Washington’s rigid brand of anticommunism. Eager to repair an economy shattered by war and never as committed to unflinching anticommunism as their American allies, the British hoped to sell planes even beyond the Iron Curtain, reaping profits, improving East-West relations, and garnering the strength to withstand American hegemony.Engel traces the bitter fights between these intimate allies from Europe to Latin America to Asia as each sought control over the sale of aircraft and technology throughout the world. The Anglo–American competition for aviation supremacy affected the global balance of power and the fates of developing nations such as India, Pakistan, and China. But without aviation, Engel argues, Britain would never have had the strength to function as a brake upon American power, the way trusted allies should.
Author: Emma Smith
Publisher: Cambridge University Press
ISBN: 1009041991
Category : Literary Criticism
Languages : en
Pages : 459
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Book Description
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 74 is 'Shakespeare and Education. The complete set of Survey volumes is also available online at https://www.cambridge.org/core/what-we-publish/collections/shakespeare-survey This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results.
Author: Nina Tecklenburg
Publisher: Enactments
ISBN: 9780857428462
Category :
Languages : en
Pages : 440
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Book Description
Retelling performances, collecting things, reading traces, mapping memories, gaming autobiographies: in European and Anglo-American theater since the turn of the millennium, a range of new nonliterary narrative practices such as these have taken root. Unable to be subsumed under a well-established narratological, dramatic, or postdramatic perspective, they call for a reexamination of the relationship between performance and narration. Performing Stories seeks to reconceptualize narrative against the backdrop of innovative theater formats such as collective storytelling games, theater installations, extensive autobiographical performances, immersive role-playing, and audio-video walks. Nina Tecklenburg's focus lies on narration less as literary composition than as sensate, embodied cultural practice--a participatory and open process that fosters social relationships. She gives central importance to the forces of narration that create and undo culture and politics. A foundational new book, Performing Stories presents a groundbreaking transdisciplinary perspective through new approaches that are stimulating to performance studies, narrative and cultural theory, literary criticism, and game and video studies.
Author: Rodney Simard
Publisher: Lanham, MD : University Press of America
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 192
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Book Description
