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Author: Julian Stallabrass
Publisher: Verso
ISBN: 9781859843185
Category : Art, British
Languages : en
Pages : 356
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Book Description
High Art Lite takes a cool and critical look at the way in which British art in the 1990s has reinvented itself, successfully appealing both to the mass media and to the elite art world. In this extensively illustrated polemic, Julian Stallabrass asks whether it has done so at the price of dumbing down and selling out. 18 color and 53 b/w photographs.
Author: Julian Stallabrass
Publisher: Verso
ISBN: 9781859843185
Category : Art, British
Languages : en
Pages : 356
Get Book Here
Book Description
High Art Lite takes a cool and critical look at the way in which British art in the 1990s has reinvented itself, successfully appealing both to the mass media and to the elite art world. In this extensively illustrated polemic, Julian Stallabrass asks whether it has done so at the price of dumbing down and selling out. 18 color and 53 b/w photographs.
Author: Julian Stallabrass
Publisher: National Geographic Books
ISBN: 1844670856
Category : Art
Languages : en
Pages : 0
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Book Description
This searing book has become the authoritative account of the new British art of the 1990s, its legacy in the 21st century, and what it tells us about the fate of high art in contemporary society. High Art Lite provides a sustained analysis of the phenomenal success of YBA, young British artists obsessed with commerce, mass media and the cult of personality – Damien Hirst, Tracey Emin, Jake and Dinos Chapman, Marcus Harvey, Sarah Lucas, among others. In this fully revised and expanded edition, Julian Stallabrass explores how YBA lost its critical immunity in the new millennium, and looks at the ways in which figures such as Hirst, Emin, Wearing and Landy have altered their work in recent years.
Author: Duncan McCorquodale
Publisher: Trolley Press
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
This volume is made up of a series of studies examining the changes taking place in the contemporary art world, such as the politicization of art practices and the increasing commodification of art objects. The contributors take up various themes within essays combining artists' and curators' statements, political comment, analytic and thematic writings. These writings consider, among others, the iniatives of, Nosepaint, Transmission, Factual Nonsense and Independent Art Space.
Author: Julian Stallabrass
Publisher: Whitechapel Art Gallery
ISBN:
Category : Art
Languages : en
Pages : 244
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Book Description
Part of the acclaimed 'Documents of Contemporary Art' series of anthologies . Documentary has undergone a marked revival in recent art, following a long period in which it was a denigrated and unfashionable practice. This has in part been led by the exhibition of photographic and video work on political issues at Documenta and numerous biennials and, since the turn of the century, issues of injustice, violence and trauma in increasing zones of conflict. Aesthetically, documentary is now one of the most prominent modes of art-making, in part assisted by the linked transformation and recuperation of photography and video by the gallery and museum world. Unsurprisingly, this development, along with the close attention paid to photojournalism and mainstream documentary-making in a time of crisis, has been accompanied by a rich strain of theoretical and historical writing on documentary. This anthology provides a definitive historical context for documentary, exploring its roots in modernism and its critique under postmodernism; it surveys current theoretical thinking about documentary; and it examines a wide range of work by artists within, around or against documentary through their own writings and interviews. Artists surveyed include: Kutlug Ataman, Ursula Biemann, Hasan Elahi, Harun Farocki, Omer Fast, Joan Fontcuberta, Regina José Galindo, David Goldblatt, Alfredo Jaar, Emily Jacir, Lisa F. Jackson, Philip Jones Griffiths, An-My Le, Renzo Martens, Boris Mikhailov, Daido Moriyama, Walid Raad, Michael Schmidt and Sean Snyder. Writers include: James Agee, Ariella Azoulay, Walter Benjamin, Adam Broomberg, Judith Butler, Oliver Chanarin, Georges Didi-Huberman, John Grierson, David Levi Strauss, Elizabeth McCausland, Carl Plantinga, Jacques Rancière, Martha Rosler, Jean-Paul Sartre, Allan Sekula, Susan Sontag, Hito Steyerl and Trinh T. Minh-ha.
Author: Julian Stallabrass
Publisher: Spotlight Poets
ISBN:
Category : Photography
Languages : en
Pages : 168
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Book Description
"This selection of images examines the growth and development of photography through the changing character of Paris in the remarkable period of 1900-1968. During these years, photography became a mass medium, with cheap reproductions appearing in the press. Technical advances made it possible to capture rapid movement and street photography flourished; some of the finest images in documentary photography were made on the streets of Paris by Atget, Brassai, Cartier-Bresson, Doisneau and Ronis, among many others. The transience of city life and the histories of Paris are brilliantly evoked in these images: from the elegiac photographs of the early twentieth century which recorded those quartiers later condemned by modernisation projects, through the Occupation, to the upheaval of the May 1968 demonstrations. With over 130 photographs and Julian Stallabrass's authoritative text, this book is an essential purchase for anyone interested in the art of photography and the city of Paris"--Jacket.
Author: Julian Stallabrass
Publisher: Tate
ISBN: 9781854373458
Category : Art
Languages : en
Pages : 0
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Book Description
The development of Internet art has been short and rapid and dates from the introduction of web browsers in the mid-1990s. Artists realized the potential of a medium and system of delivery that side-stepped the mainstream art institutions and allowed them to make direct contact with an audience. Their interventions have ranged from works that deconstruct the browser itself, to works that shade into political activism. Internet art has been international, with distinct contributions emerging from the US, the Far East, Europe, the countries of the former Eastern Bloc, and the Third World.
Author: Julian Stallabrass
Publisher: Oxford University Press, USA
ISBN: 9780192801654
Category : Art
Languages : en
Pages : 229
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Book Description
Tunnels and sculptures made from human hair; photos of rats running through drains, sharks in formaldehyde - is this what art is about today? This is a controversial and fascinating attempt to define what is 'contemporary' about contemporary art, and the dramatic changes that have taken place in the last twenty years. Stallabrass reveals the growing inclusiveness of the contemporary art world, pointing to the greatly increased visibility for women and non-western artists, and the blurringof boundaries between art and other areas of culture. Does this modernization threaten to undermine the world of art as we know it, or is this just another example of a global market demanding a certain product? And where are the artists in all this?
Author: Julian Stallabrass
Publisher:
ISBN: 9788461454914
Category :
Languages : es
Pages : 238
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Book Description
Author: Kieran Cashell
Publisher: Bloomsbury Publishing
ISBN: 0857731076
Category : Art
Languages : en
Pages : 246
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Book Description
Accused by the tabloid press of setting out to 'shock', controversial artworks are vigorously defended by art critics, who frequently downplay their disturbing emotional impact. This is the first book to subject contemporary art to a rigorous ethical exploration. It argues that, in favouring conceptual rather than emotional reactions, commentators actually fail to engage with the work they promote. Scrutinising notorious works by artists including Damien Hirst, Jake and Dinos Chapman, Richard Billingham, Marc Quinn, Sally Mann, Marcus Harvey, Hans Bellmer, Paul McCarthy, Tierney Gearon, and Tracey Emin, "Aftershock" insists on the importance of visceral, emotional and 'ethical' responses. Far from clouding our judgement, Cashell argues, shame, outrage or revulsion are the very emotions that such works set out to evoke. While also questioning the catch-all notion of 'transgression', this illuminating and controversial book neither jumps indiscriminately to the defence of shocking artworks nor dismisses them out of hand.
Author: Iain Robertson
Publisher: Routledge
ISBN: 1134300484
Category : Art
Languages : en
Pages : 297
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Book Description
This groundbreaking text brings together experts in the field of visual art markets to answer some fundamental questions: Is art a good investment? Why is the art market dominated by America and Western Europe? Where are the key emerging markets and what are the next good buys in art? Providing readers with an understanding of the challenges facing art market 'makers' (dealers, auctioneers, collectors and artists) and the decision-making process experienced by market 'players' and investors, this exciting text merges the key theories with examples of practice in a highly accessible style. Written by an international array of experts from the US, the UK and China, this book is essential reading for all those studying or interested in art markets and management.
