Author: Christy Nicholas
Publisher: Green Dragon Publishing
ISBN:
Category : Travel
Languages : en
Pages : 235
Book Description
Yearning to delve into the mysteries of the Highlands? Skip the tourist traps and unearth new ways to delight in its legendary landscape. (Fourth Edition 2024) Have you dreamed of visiting Scotland but hate canned tours? Overwhelmed by which marvels to choose when short on time? Struggling with planning but don’t want to be beholden to a guide? Author and seasoned traveler Christy Nicholas has turned her passion for the nooks and crannies of the country’s beautiful lonely moors into a deep knowledge of a country bursting with history and beauty. And now she’s here to share a treasure trove of tips for relishing the wonders of this stunning destination so you can ditch the stress and soak in the culture. Scotland: Stunning, Strange, and Secret is the ultimate companion to uncovering little-known gems that will transport you to a place and time that birthed legends and captivated millions. Nicholas’s veteran advice helps you explore every county and avoid the crowds, while immersing in the author’s favorite locales and savoring the breathtaking grandeur of the land of whisky and tartans. See mesmerizing sites missed by the hordes and return home reinvigorated after an experience you’ll cherish for a lifetime. In Scotland: Stunning, Strange, and Secret, you’ll discover: Expert guidance for engaging in a journey that reveals a rarely seen world Geographic phenomena like the spectacular Orkney Islands to add unique touches to a memorable adventure Stories and myths leading to stone circles and Pictish art for a spellbinding encounter of the ages Practical information for budgeting so you can make that seemingly impossible dream a reality Detailed plans to help you maximize your precious hours, suggestions for choosing locations from an abundance of options, and much, much more! Scotland: Stunning, Strange, and Secret: A Guide to Hidden Scotland is an eye-opening travel guidebook. If you like escaping the beaten path, a conversational approach, and creating lasting memories, then you’ll love Christy Nicholas’s invaluable resource. Buy Scotland: Stunning, Strange, and Secret to take the road less traveled today!
Scotland: Stunning, Strange, and Secret
Undiscovered Scotland
Author: William Hutchison Murray
Publisher:
ISBN:
Category : Mountaineering
Languages : en
Pages : 300
Book Description
Publisher:
ISBN:
Category : Mountaineering
Languages : en
Pages : 300
Book Description
Seamus Heaney’s Regions
Author: Richard Rankin Russell
Publisher: University of Notre Dame Pess
ISBN: 0268091811
Category : Literary Criticism
Languages : en
Pages : 512
Book Description
Regional voices from England, Ireland, and Scotland inspired Seamus Heaney, the 1995 Nobel prize-winner, to become a poet, and his home region of Northern Ireland provided the subject matter for much of his poetry. In his work, Heaney explored, recorded, and preserved both the disappearing agrarian life of his origins and the dramatic rise of sectarianism and the subsequent outbreak of the Northern Irish “Troubles” beginning in the late 1960s. At the same time, Heaney consistently imagined a new region of Northern Ireland where the conflicts that have long beset it and, by extension, the relationship between Ireland and the United Kingdom might be synthesized and resolved. Finally, there is a third region Heaney committed himself to explore and map—the spirit region, that world beyond our ken. In Seamus Heaney’s Regions, Richard Rankin Russell argues that Heaney’s regions—the first, geographic, historical, political, cultural, linguistic; the second, a future where peace, even reconciliation, might one day flourish; the third, the life beyond this one—offer the best entrance into and a unified understanding of Heaney’s body of work in poetry, prose, translations, and drama. As Russell shows, Heaney believed in the power of ideas—and the texts representing them—to begin resolving historical divisions. For Russell, Heaney’s regionalist poetry contains a “Hegelian synthesis” view of history that imagines potential resolutions to the conflicts that have plagued Ireland and Northern Ireland for centuries. Drawing on extensive archival and primary material by the poet, Seamus Heaney’s Regions examines Heaney’s work from before his first published poetry volume, Death of a Naturalist in 1966, to his most recent volume, the elegiac Human Chain in 2010, to provide the most comprehensive treatment of the poet’s work to date.
Publisher: University of Notre Dame Pess
ISBN: 0268091811
Category : Literary Criticism
Languages : en
Pages : 512
Book Description
Regional voices from England, Ireland, and Scotland inspired Seamus Heaney, the 1995 Nobel prize-winner, to become a poet, and his home region of Northern Ireland provided the subject matter for much of his poetry. In his work, Heaney explored, recorded, and preserved both the disappearing agrarian life of his origins and the dramatic rise of sectarianism and the subsequent outbreak of the Northern Irish “Troubles” beginning in the late 1960s. At the same time, Heaney consistently imagined a new region of Northern Ireland where the conflicts that have long beset it and, by extension, the relationship between Ireland and the United Kingdom might be synthesized and resolved. Finally, there is a third region Heaney committed himself to explore and map—the spirit region, that world beyond our ken. In Seamus Heaney’s Regions, Richard Rankin Russell argues that Heaney’s regions—the first, geographic, historical, political, cultural, linguistic; the second, a future where peace, even reconciliation, might one day flourish; the third, the life beyond this one—offer the best entrance into and a unified understanding of Heaney’s body of work in poetry, prose, translations, and drama. As Russell shows, Heaney believed in the power of ideas—and the texts representing them—to begin resolving historical divisions. For Russell, Heaney’s regionalist poetry contains a “Hegelian synthesis” view of history that imagines potential resolutions to the conflicts that have plagued Ireland and Northern Ireland for centuries. Drawing on extensive archival and primary material by the poet, Seamus Heaney’s Regions examines Heaney’s work from before his first published poetry volume, Death of a Naturalist in 1966, to his most recent volume, the elegiac Human Chain in 2010, to provide the most comprehensive treatment of the poet’s work to date.
Scottish and Irish Romanticism
Author: Murray Pittock
Publisher: OUP Oxford
ISBN: 0191617008
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Scottish and Irish Romanticism is the first single-author book to address the main non-English Romanticisms of the British Isles. Murray Pittock begins by questioning the terms of his chosen title as he searches for a definition of Romanticism and for the meaning of 'national literature'. He proposes certain determining 'triggers' for the recognition of the presence of a national literature, and also deals with two major problems which are holding back the development of a new and broader understanding of British Isles Romanticisms: the survival of outdated assumptions in ostensibly more modern paradigms, and a lack of understanding of the full range of dialogues and relationships across the literatures of these islands. The theorists whose works chiefly inform the book are Bakhtin, Fanon and Habermas, although they do not define its arguments, and an alertness to the ways in which other literary theories inform each other is present throughout the book. Pittock examines in turn the historiography, prejudices, and assumptions of Romantic criticism to date, and how our unexamined prejudices still stand in the way of our understanding of individual traditions and the dialogues between them. He then considers Allan Ramsay's role in song-collecting, hybridizing high cultural genres with broadside forms, creating in synthetic Scots a 'language really used by men', and promoting a domestic public sphere. Chapters 3 and 4 discuss the Scottish and Irish public spheres in the later eighteenth century, together with the struggle for control over national pasts, and the development of the cults of Romance, the Picturesque and Sentiment: Macpherson, Thomson, Owenson and Moore are among the writers discussed. Chapter 5 explores the work of Robert Fergusson and his contemporaries in both Scotland and Ireland, examining questions of literary hybridity across not only national but also linguistic borders, while Chapter 6 provides a brief literary history of Burns' descent into critical neglect combined with a revaluation of his poetry in the light of the general argument of the book. Chapter 7 analyzes the complexities of the linguistic and cultural politics of the national tale in Ireland through the work of Maria Edgeworth, while the following chapter considers of Scott in relation to the national tale, Enlightenment historiography, and the European nationalities question. Chapter 9 looks at the importance of the Gothic in Scottish and Irish Romanticism, particularly in the work of James Hogg and Charles Maturin, while Chapter 10, 'Fratriotism', explores a new concept in the manner in which Scottish and Irish literary, political and military figures of the period related to Empire.
Publisher: OUP Oxford
ISBN: 0191617008
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Scottish and Irish Romanticism is the first single-author book to address the main non-English Romanticisms of the British Isles. Murray Pittock begins by questioning the terms of his chosen title as he searches for a definition of Romanticism and for the meaning of 'national literature'. He proposes certain determining 'triggers' for the recognition of the presence of a national literature, and also deals with two major problems which are holding back the development of a new and broader understanding of British Isles Romanticisms: the survival of outdated assumptions in ostensibly more modern paradigms, and a lack of understanding of the full range of dialogues and relationships across the literatures of these islands. The theorists whose works chiefly inform the book are Bakhtin, Fanon and Habermas, although they do not define its arguments, and an alertness to the ways in which other literary theories inform each other is present throughout the book. Pittock examines in turn the historiography, prejudices, and assumptions of Romantic criticism to date, and how our unexamined prejudices still stand in the way of our understanding of individual traditions and the dialogues between them. He then considers Allan Ramsay's role in song-collecting, hybridizing high cultural genres with broadside forms, creating in synthetic Scots a 'language really used by men', and promoting a domestic public sphere. Chapters 3 and 4 discuss the Scottish and Irish public spheres in the later eighteenth century, together with the struggle for control over national pasts, and the development of the cults of Romance, the Picturesque and Sentiment: Macpherson, Thomson, Owenson and Moore are among the writers discussed. Chapter 5 explores the work of Robert Fergusson and his contemporaries in both Scotland and Ireland, examining questions of literary hybridity across not only national but also linguistic borders, while Chapter 6 provides a brief literary history of Burns' descent into critical neglect combined with a revaluation of his poetry in the light of the general argument of the book. Chapter 7 analyzes the complexities of the linguistic and cultural politics of the national tale in Ireland through the work of Maria Edgeworth, while the following chapter considers of Scott in relation to the national tale, Enlightenment historiography, and the European nationalities question. Chapter 9 looks at the importance of the Gothic in Scottish and Irish Romanticism, particularly in the work of James Hogg and Charles Maturin, while Chapter 10, 'Fratriotism', explores a new concept in the manner in which Scottish and Irish literary, political and military figures of the period related to Empire.
A Course Called Scotland
Author: Tom Coyne
Publisher: Simon & Schuster
ISBN: 1476754292
Category : Sports & Recreation
Languages : en
Pages : 336
Book Description
NEW YORK TIMES BESTSELLER * “One of the best golf books this century.” —Golf Digest Tom Coyne’s A Course Called Scotland is a heartfelt and humorous celebration of his quest to play golf on every links course in Scotland, the birthplace of the game he loves. For much of his adult life, bestselling author Tom Coyne has been chasing a golf ball around the globe. When he was in college, studying abroad in London, he entered the lottery for a prized tee time in Scotland, grabbing his clubs and jumping the train to St. Andrews as his friends partied in Amsterdam; later, he golfed the entirety of Ireland’s coastline, chased pros through the mini-tours, and attended grueling Qualifying Schools in Australia, Canada, and Latin America. Yet, as he watched the greats compete, he felt something was missing. Then one day a friend suggested he attempt to play every links course in Scotland and qualify for the greatest championship in golf. The result is A Course Called Scotland, “a fast-moving, insightful, often funny travelogue encompassing the width of much of the British Isles” (GolfWeek), including St. Andrews, Turnberry, Dornoch, Prestwick, Troon, and Carnoustie. With his signature blend of storytelling, humor, history, and insight, Coyne weaves together his “witty and charming” (Publishers Weekly) journey to more than 100 legendary courses in Scotland with compelling threads of golf history and insights into the contemporary home of golf. As he journeys Scotland in search of the game’s secrets, he discovers new and old friends, rediscovers the peace and power of the sport, and, most importantly, reaffirms the ultimate connection between the game and the soul. It is “a must-read” (Golf Advisor) rollicking love letter to Scotland and golf as no one has attempted it before.
Publisher: Simon & Schuster
ISBN: 1476754292
Category : Sports & Recreation
Languages : en
Pages : 336
Book Description
NEW YORK TIMES BESTSELLER * “One of the best golf books this century.” —Golf Digest Tom Coyne’s A Course Called Scotland is a heartfelt and humorous celebration of his quest to play golf on every links course in Scotland, the birthplace of the game he loves. For much of his adult life, bestselling author Tom Coyne has been chasing a golf ball around the globe. When he was in college, studying abroad in London, he entered the lottery for a prized tee time in Scotland, grabbing his clubs and jumping the train to St. Andrews as his friends partied in Amsterdam; later, he golfed the entirety of Ireland’s coastline, chased pros through the mini-tours, and attended grueling Qualifying Schools in Australia, Canada, and Latin America. Yet, as he watched the greats compete, he felt something was missing. Then one day a friend suggested he attempt to play every links course in Scotland and qualify for the greatest championship in golf. The result is A Course Called Scotland, “a fast-moving, insightful, often funny travelogue encompassing the width of much of the British Isles” (GolfWeek), including St. Andrews, Turnberry, Dornoch, Prestwick, Troon, and Carnoustie. With his signature blend of storytelling, humor, history, and insight, Coyne weaves together his “witty and charming” (Publishers Weekly) journey to more than 100 legendary courses in Scotland with compelling threads of golf history and insights into the contemporary home of golf. As he journeys Scotland in search of the game’s secrets, he discovers new and old friends, rediscovers the peace and power of the sport, and, most importantly, reaffirms the ultimate connection between the game and the soul. It is “a must-read” (Golf Advisor) rollicking love letter to Scotland and golf as no one has attempted it before.
The Cambridge Companion to Scottish Literature
Author: Gerard Carruthers
Publisher: Cambridge University Press
ISBN: 0521189365
Category : Literary Criticism
Languages : en
Pages : 349
Book Description
A unique introduction, guide and reference work for students and readers of Scottish literature from the pre-medieval period.
Publisher: Cambridge University Press
ISBN: 0521189365
Category : Literary Criticism
Languages : en
Pages : 349
Book Description
A unique introduction, guide and reference work for students and readers of Scottish literature from the pre-medieval period.
Modern Irish and Scottish Poetry
Author: Peter Mackay
Publisher: Cambridge University Press
ISBN: 1139499947
Category : Literary Criticism
Languages : en
Pages : 347
Book Description
The comparative study of the literatures of Ireland and Scotland has emerged as a distinct and buoyant field in recent years. This collection of new essays offers the first sustained comparison of modern Irish and Scottish poetry, featuring close readings of texts within broad historical and political contextualisation. Playing on influences, crossovers, connections, disconnections and differences, the 'affinities' and 'opposites' traced in this book cross both Irish and Scottish poetry in many directions. Contributors include major scholars of the new 'archipelagic' approach, as well as leading Irish and Scottish poets providing important insights into current creative practice. Poets discussed include W. B. Yeats, Hugh MacDiarmid, Sorley MacLean, Louis MacNeice, Edwin Morgan, Douglas Dunn, Seamus Heaney, Ian Hamilton Finlay, Michael Longley, Medbh McGuckian, Nuala ni Dhomhnaill, Don Paterson and Kathleen Jamie. This book is a major contribution to our understanding of poetry from these islands in the twentieth and twenty-first centuries.
Publisher: Cambridge University Press
ISBN: 1139499947
Category : Literary Criticism
Languages : en
Pages : 347
Book Description
The comparative study of the literatures of Ireland and Scotland has emerged as a distinct and buoyant field in recent years. This collection of new essays offers the first sustained comparison of modern Irish and Scottish poetry, featuring close readings of texts within broad historical and political contextualisation. Playing on influences, crossovers, connections, disconnections and differences, the 'affinities' and 'opposites' traced in this book cross both Irish and Scottish poetry in many directions. Contributors include major scholars of the new 'archipelagic' approach, as well as leading Irish and Scottish poets providing important insights into current creative practice. Poets discussed include W. B. Yeats, Hugh MacDiarmid, Sorley MacLean, Louis MacNeice, Edwin Morgan, Douglas Dunn, Seamus Heaney, Ian Hamilton Finlay, Michael Longley, Medbh McGuckian, Nuala ni Dhomhnaill, Don Paterson and Kathleen Jamie. This book is a major contribution to our understanding of poetry from these islands in the twentieth and twenty-first centuries.
Culture, Nation, and the New Scottish Parliament
Author: Caroline McCracken-Flesher
Publisher: Bucknell University Press
ISBN: 9780838755471
Category : History
Languages : en
Pages : 288
Book Description
Culture, Nation, and the New Scottish Parliament asserts that while Scotland's new Parliament (1999) is a creation of laws, politics, and economics, some of the forces underpinning it are cultural, therefore constantly alive and insistently creative. Scotland may not be confined by, but has always lived within and moved forward and outward, through its signs and stories. In the moment of the new Parliament, it is time to cast up Scotland's accounts of past and present, and to review the nation's futures. Readers will find the usual signs of Scotland foregrounded, questioned, and re-energized as contributors trace the dynamic toward a Scottish Parliament. And they will find new signs, whether sounds, sights, or souvenirs come into play, revealing today's performance of a dynamic Scotland. Caroline McCracken-Flesher teaches the novel, the British eighteenth and nineteenth centuries, Scottish literature, and literary theory at the University of Wyoming.
Publisher: Bucknell University Press
ISBN: 9780838755471
Category : History
Languages : en
Pages : 288
Book Description
Culture, Nation, and the New Scottish Parliament asserts that while Scotland's new Parliament (1999) is a creation of laws, politics, and economics, some of the forces underpinning it are cultural, therefore constantly alive and insistently creative. Scotland may not be confined by, but has always lived within and moved forward and outward, through its signs and stories. In the moment of the new Parliament, it is time to cast up Scotland's accounts of past and present, and to review the nation's futures. Readers will find the usual signs of Scotland foregrounded, questioned, and re-energized as contributors trace the dynamic toward a Scottish Parliament. And they will find new signs, whether sounds, sights, or souvenirs come into play, revealing today's performance of a dynamic Scotland. Caroline McCracken-Flesher teaches the novel, the British eighteenth and nineteenth centuries, Scottish literature, and literary theory at the University of Wyoming.
The Translations of Seamus Heaney
Author: Seamus Heaney
Publisher: Farrar, Straus and Giroux
ISBN: 0374720096
Category : Poetry
Languages : en
Pages : 499
Book Description
The complete translations of the poet Seamus Heaney, a Nobel laureate and prolific, revolutionary translator. Seamus Heaney’s translation of Beowulf, published in 1999, was immediately hailed as an undisputed masterpiece, “something imperishable and great” (James Wood, The Guardian). A few years after his death in 2013, his translation of Virgil’s Aeneid Book VI caused a similar stir, providing “a remarkable and fitting epilogue to one of the great poetic careers of recent times” (Nick Laird, Harper’s Magazine). Now, for the first time, the poet, critic, and essayist’s translations are gathered in one volume. Heaney translated not only classic works of Latin and Old English but also a great number of poems from Spanish, Romanian, Dutch, Russian, German, Scottish Gaelic, Czech, Ancient and Modern Greek, Middle and Modern French, and Medieval and Modern Italian, among other languages. In particular, the Nobel laureate engaged with works in Old, Middle, and Modern Irish, the languages of his homeland and early education. As he said, “If you lived in the Irish countryside as I did in my childhood, you lived in a primal Gaeltacht.” In The Translations of Seamus Heaney, Marco Sonzogni has collected Heaney’s translations and framed them with the poet’s own writings on his works and their composition, sourced from introductions, interviews, and commentaries. Through this volume, we come closer to grasping the true extent of Heaney’s extraordinary abilities and his genius.
Publisher: Farrar, Straus and Giroux
ISBN: 0374720096
Category : Poetry
Languages : en
Pages : 499
Book Description
The complete translations of the poet Seamus Heaney, a Nobel laureate and prolific, revolutionary translator. Seamus Heaney’s translation of Beowulf, published in 1999, was immediately hailed as an undisputed masterpiece, “something imperishable and great” (James Wood, The Guardian). A few years after his death in 2013, his translation of Virgil’s Aeneid Book VI caused a similar stir, providing “a remarkable and fitting epilogue to one of the great poetic careers of recent times” (Nick Laird, Harper’s Magazine). Now, for the first time, the poet, critic, and essayist’s translations are gathered in one volume. Heaney translated not only classic works of Latin and Old English but also a great number of poems from Spanish, Romanian, Dutch, Russian, German, Scottish Gaelic, Czech, Ancient and Modern Greek, Middle and Modern French, and Medieval and Modern Italian, among other languages. In particular, the Nobel laureate engaged with works in Old, Middle, and Modern Irish, the languages of his homeland and early education. As he said, “If you lived in the Irish countryside as I did in my childhood, you lived in a primal Gaeltacht.” In The Translations of Seamus Heaney, Marco Sonzogni has collected Heaney’s translations and framed them with the poet’s own writings on his works and their composition, sourced from introductions, interviews, and commentaries. Through this volume, we come closer to grasping the true extent of Heaney’s extraordinary abilities and his genius.
Love in the Abbey
Author: Sonja S. Key
Publisher: WestBow Press
ISBN: 1512781932
Category : Fiction
Languages : en
Pages : 295
Book Description
After a whirlwind marriage in France, Violette de la Marne and husband, Ty MacKenzie, move to Edinburgh to join Mary, Queen of Scots. Life is good until Lord Darnley attempts to murder David Rizzio and Mary, who is pregnant with Scotlands heir. Violette and Ty help Mary escape from her cruel husband, Lord Darnley, who later is conveniently murdered. And Ty disappears, leaving Violette alone to cope with the consequences of his disappearance. Violettes former love, Thomas Montmorency, appears. And Violette is catapulted into a tortuous love triangle with Ty and Thomas. Which love will she choose?
Publisher: WestBow Press
ISBN: 1512781932
Category : Fiction
Languages : en
Pages : 295
Book Description
After a whirlwind marriage in France, Violette de la Marne and husband, Ty MacKenzie, move to Edinburgh to join Mary, Queen of Scots. Life is good until Lord Darnley attempts to murder David Rizzio and Mary, who is pregnant with Scotlands heir. Violette and Ty help Mary escape from her cruel husband, Lord Darnley, who later is conveniently murdered. And Ty disappears, leaving Violette alone to cope with the consequences of his disappearance. Violettes former love, Thomas Montmorency, appears. And Violette is catapulted into a tortuous love triangle with Ty and Thomas. Which love will she choose?