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Author: Allan Thomas
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 48
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Book Description
Author: Allan Thomas
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 48
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Book Description
Author: Katelyn Barney
Publisher: Cambridge Scholars Publishing
ISBN: 1443810495
Category : Music
Languages : en
Pages : 495
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Book Description
The island is a powerful metaphor in everyday speech which extends almost naturally into several academic disciplines, including musicology. Islands are imagined as isolated and unique places where strange, exotic, different and unexpected treasures can be found by daring adventurers. The magic inherent within this positioning of islands as places of discovery is an aspect which permeates the theoretical, methodological and analytical boundaries of this edited book. Showcasing the breadth of current musicological research in Australia and New Zealand, this edited collection offers a range of subtle and innovative reflections on this concept both in established and well-charted territories of music research.
Author: Mervyn McLean
Publisher: Auckland University Press
ISBN: 9781869402129
Category : Music
Languages : en
Pages : 562
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Book Description
This work is a study of Polynesian music illustrated by music examples and photographs.
Author: J.W. Love
Publisher: Routledge
ISBN: 1351544322
Category : Music
Languages : en
Pages : 1116
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Book Description
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Robert D. Craig
Publisher: Rowman & Littlefield
ISBN: 0810867729
Category : History
Languages : en
Pages : 480
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Book Description
The term Polynesia refers to a cultural and geographical area in the Pacific Ocean, bound by what is commonly referred to as the Polynesian Triangle, which consists of Hawai'i in the north, New Zealand in the southwest, and Easter Island in the southeast. Thousands of islands are scattered throughout this area, most of which are currently included in one of the modern island states of American Samoa, Cook Islands, French Polynesia, Hawai'i, New Zealand, Samoa, Tonga, Tokelau, Tuvalu, and Wallis and Futuna. The third edition of the Historical Dictionary of Polynesia greatly expands on the previous editions through a chronology, an introductory essay, an expansive bibliography, and over 400 cross-referenced dictionary entries on significant persons, events, places, organizations, and other aspects of Polynesian history from the earliest times to the present. Appendixes of the major islands and atolls within Polynesia, the rulers and administrators of the 13 major island states, and basic demographic information of those states are also included.
Author: John Lynch
Publisher: Pacific Linguistics Research Dies Australian National Univ
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 222
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Book Description
Author:
Publisher:
ISBN:
Category : Islands of the Pacific
Languages : en
Pages : 402
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Book Description
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 136
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Book Description
Author: Allan Thomas
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
Thomas describes a people's interaction and involvement with their favorite dance and music, and his own involvement through a reflexivity that he finds an increasingly productive perspective in Ethnomusicology. The fatele was introduced early in the 20th century, and includes new imagery in dance a
Author: Raymond Ammann
Publisher: Routledge
ISBN:
Category : History
Languages : en
Pages : 316
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Book Description
It can be difficult for urbanized folk to imagine a world where the daily sounds are those of nature and of the small noises of human work and voices. How much more difficult is it to imagine the incredible impact of the ancient musical dancing ceremonies of the Oceanic tribes of the Kanak? It is evident that these ceremonies, named pilou-pilou by the first French missionaries, had great importance in Kanak life, and that they were the most tremendous acoustical events to be heard in that world. The beating of bark-clappers and the stamping of bamboo tubes was combined with part-songs by two singers, accompanied by the shouting, cries, and whistles of hundreds of dancers. All this must have left an indelible mark on the aural sensations of the participants. After such ceremonies, that world returned to the sounds of nature. Today the Kanak aural world has entirely changed. People are used to the noise of cars and machines, to the wonders of modernization, and even to those living in rural areas the presence of machine noises is so prevalent that the seas and the forests may now seem dulled. This examination of Kanak Music and Dance proves a marvellous kind of time capsule, a way to see into a past environment through a persisting tradition.
