Author: Deborah Gregory
Publisher: Open Road Media
ISBN: 1497677173
Category : Juvenile Fiction
Languages : en
Pages : 117
Book Description
The hairdresser of Galleria’s mom, Pepto B., gets a tip. Kahlua, the teenage R&B diva whose last single topped the charts, is coming to town. The Cheetahs hatch a plan—“Mission Kahlua”—in which they rock Pepto B.’s salon with their newest song, “More Pounce to the Ounce.” Kahlua hooks up a meeting with her record label executives in Hollywood. The girls snag a record deal and are ready to prove to the world that every cheetah has its day!
Hey, Ho, Hollywood!
Author: Deborah Gregory
Publisher: Open Road Media
ISBN: 1497677173
Category : Juvenile Fiction
Languages : en
Pages : 117
Book Description
The hairdresser of Galleria’s mom, Pepto B., gets a tip. Kahlua, the teenage R&B diva whose last single topped the charts, is coming to town. The Cheetahs hatch a plan—“Mission Kahlua”—in which they rock Pepto B.’s salon with their newest song, “More Pounce to the Ounce.” Kahlua hooks up a meeting with her record label executives in Hollywood. The girls snag a record deal and are ready to prove to the world that every cheetah has its day!
Publisher: Open Road Media
ISBN: 1497677173
Category : Juvenile Fiction
Languages : en
Pages : 117
Book Description
The hairdresser of Galleria’s mom, Pepto B., gets a tip. Kahlua, the teenage R&B diva whose last single topped the charts, is coming to town. The Cheetahs hatch a plan—“Mission Kahlua”—in which they rock Pepto B.’s salon with their newest song, “More Pounce to the Ounce.” Kahlua hooks up a meeting with her record label executives in Hollywood. The girls snag a record deal and are ready to prove to the world that every cheetah has its day!
Cheetah Girls #4: Hey, Ho, Hollywood
Author: Deborah Gregory
Publisher: Jump At The Sun
ISBN: 9780786813872
Category : Juvenile Fiction
Languages : en
Pages : 164
Book Description
Kahlua, the teenage R&B diva, is coming to town and the Cheetahs plan to have her hear their newest song. Kahlua hooks up a meeting with her record-label executives in Hollywood. Are the Cheetah Girls about to get a recording deal?
Publisher: Jump At The Sun
ISBN: 9780786813872
Category : Juvenile Fiction
Languages : en
Pages : 164
Book Description
Kahlua, the teenage R&B diva, is coming to town and the Cheetahs plan to have her hear their newest song. Kahlua hooks up a meeting with her record-label executives in Hollywood. Are the Cheetah Girls about to get a recording deal?
Hollywood Hypocrites
Author: Jason Mattera
Publisher: Simon and Schuster
ISBN: 1451625618
Category : Biography & Autobiography
Languages : en
Pages : 274
Book Description
The author examines how celebrities influence American voting habits and discusses whether the lifestyles of President Barack Obama's celebrity supporters match their voiced opinions on political policies.
Publisher: Simon and Schuster
ISBN: 1451625618
Category : Biography & Autobiography
Languages : en
Pages : 274
Book Description
The author examines how celebrities influence American voting habits and discusses whether the lifestyles of President Barack Obama's celebrity supporters match their voiced opinions on political policies.
Huh Huh for Hollywood
Author: Mike Judge
Publisher: Simon and Schuster
ISBN: 067100655X
Category : American wit and humor, Pictorial
Languages : en
Pages : 100
Book Description
This December, America's favorite animated, terminal adolescents will reach new heights of fame when they jump to the big screen in their first-ever motion picture, Beavis & Butt-head Do America. To tie in with this monumental event, Beavis & Butt-head: Huh Huh For Holywood is, in Butt-head own words, "the untold expose of how we became famous and made movies that didn't suck and got rich and scored with lots of hot celebrity chicks".
Publisher: Simon and Schuster
ISBN: 067100655X
Category : American wit and humor, Pictorial
Languages : en
Pages : 100
Book Description
This December, America's favorite animated, terminal adolescents will reach new heights of fame when they jump to the big screen in their first-ever motion picture, Beavis & Butt-head Do America. To tie in with this monumental event, Beavis & Butt-head: Huh Huh For Holywood is, in Butt-head own words, "the untold expose of how we became famous and made movies that didn't suck and got rich and scored with lots of hot celebrity chicks".
Hollywood's Classic Comedies Featuring Slapstick, Romance, Music, Glamour Or Screwball Fun!
Author: John Howard Reid
Publisher: Lulu.com
ISBN: 1430314877
Category : Performing Arts
Languages : en
Pages : 241
Book Description
200 films reviewed and rated, covering all genres of movie comedy from slapstick to sardonic, from madness to manners. Featured comedians include Bud Abbott and Lou Costello, Stan Laurel and Oliver Hardy, Bert Wheeler and Robert Woolsey, W.C. Fields, Will Rogers, Bob Hope, Buster Keaton, Harold Lloyd, Bing Crosby, The Three Stooges, Eddie Cantor, Charlie Chaplin, Jacques Tati, Sid Field, The Crazy Gang, George Burns and Gracie Allen, Jack Hulbert, Joe E. Brown, Ole Olsen and Chic Johnson, Clifton Webb, Red Skelton, Ronald Shiner, Cecil Kellaway, Norman Wisdom, Frankie Howerd, Toto, Arthur Askey, Katharine Hepburn, Cary Grant, Claudette Colbert, Fred Astaire, Ginger Rogers, Joan Davis, Marjorie Main, Percy Kilbride, Stanley Holloway, Penny Singleton and Arthur Lake.
Publisher: Lulu.com
ISBN: 1430314877
Category : Performing Arts
Languages : en
Pages : 241
Book Description
200 films reviewed and rated, covering all genres of movie comedy from slapstick to sardonic, from madness to manners. Featured comedians include Bud Abbott and Lou Costello, Stan Laurel and Oliver Hardy, Bert Wheeler and Robert Woolsey, W.C. Fields, Will Rogers, Bob Hope, Buster Keaton, Harold Lloyd, Bing Crosby, The Three Stooges, Eddie Cantor, Charlie Chaplin, Jacques Tati, Sid Field, The Crazy Gang, George Burns and Gracie Allen, Jack Hulbert, Joe E. Brown, Ole Olsen and Chic Johnson, Clifton Webb, Red Skelton, Ronald Shiner, Cecil Kellaway, Norman Wisdom, Frankie Howerd, Toto, Arthur Askey, Katharine Hepburn, Cary Grant, Claudette Colbert, Fred Astaire, Ginger Rogers, Joan Davis, Marjorie Main, Percy Kilbride, Stanley Holloway, Penny Singleton and Arthur Lake.
Inside the Whimsy Works
Author: Jimmy Johnson
Publisher: Univ. Press of Mississippi
ISBN: 1628469188
Category : Biography & Autobiography
Languages : en
Pages : 215
Book Description
In this never-before-published memoir from the files of The Walt Disney Archives, Disney Legend Jimmy Johnson (1917-1976) takes you from his beginnings as a studio gofer during the days of Snow White and the Seven Dwarfs to the opening of Walt Disney World Resort. Johnson relates dozens of personal anecdotes with famous celebrities, beloved artists, and, of course, Walt and Roy Disney. This book, also the story of how an empire-within-an-empire is born and nurtured, traces Johnson’s innovations in merchandising, publishing, and direct marketing, to the formation of what is now Walt Disney Records. This fascinating autobiography explains how the records helped determine the course of Disney Theme Parks, television, and film through best-selling recordings by icons such as Annette Funicello, Fess Parker, Julie Andrews, Louis Armstrong, and Leopold Stokowski and the Philadelphia Orchestra. Through Jimmy Johnson’s remarkable journey, the film, TV, and recording industries grow up together as changes in tastes and technologies shape the world, while the legacy of Disney is developed as well as carefully sustained for the generations who cherish its stories, characters, and music.
Publisher: Univ. Press of Mississippi
ISBN: 1628469188
Category : Biography & Autobiography
Languages : en
Pages : 215
Book Description
In this never-before-published memoir from the files of The Walt Disney Archives, Disney Legend Jimmy Johnson (1917-1976) takes you from his beginnings as a studio gofer during the days of Snow White and the Seven Dwarfs to the opening of Walt Disney World Resort. Johnson relates dozens of personal anecdotes with famous celebrities, beloved artists, and, of course, Walt and Roy Disney. This book, also the story of how an empire-within-an-empire is born and nurtured, traces Johnson’s innovations in merchandising, publishing, and direct marketing, to the formation of what is now Walt Disney Records. This fascinating autobiography explains how the records helped determine the course of Disney Theme Parks, television, and film through best-selling recordings by icons such as Annette Funicello, Fess Parker, Julie Andrews, Louis Armstrong, and Leopold Stokowski and the Philadelphia Orchestra. Through Jimmy Johnson’s remarkable journey, the film, TV, and recording industries grow up together as changes in tastes and technologies shape the world, while the legacy of Disney is developed as well as carefully sustained for the generations who cherish its stories, characters, and music.
Ira Gershwin
Author: Philip Furia
Publisher: Oxford University Press
ISBN: 0195353943
Category : Music
Languages : en
Pages : 305
Book Description
To the perennial question "which comes first, the music or the words?" Ira Gershwin always responded, "the contract." The jest reveals both Ira's consummate professionalism and the self-effacing wit with which he ducked the spotlight whenever possible. Yet the ingeniously inventive melodies George Gershwin composed for such classic songs as "Someone to Watch Over Me," "Embraceable You," "Fascinating Rhythm," "It Ain't Necessarily So," and "Love is Here to Stay" live on in no small part because of the equally unforgettable lyrics of Ira Gershwin, lines crafted with a precision that earned him the sobriquet "The Jeweller" among his Broadway peers. In Ira Gershwin: The Art of the Lyricist, the older and less flamboyant of the Gershwin brothers at last steps out of the shadows to claim his due as one of American songwriting's most important and enduring innovators. Philip Furia traces the development of Ira Gershwin's lyrical art from his early love of light verse and Gilbert and Sullivan, through his apprentice work in Tin Pan Alley, to his emergence as a prominent writer for the Broadway musical theater in the 1920s. Furia illuminates his work in satirical operettas such as Of Thee I Sing and Strike Up the Band, the smart "little" revues of the 1930s, and his contributions to the opera Porgy and Bess. After describing the Gershwin brothers' brief but brilliant work in Hollywood before George's sudden death--work that produced such classics as "They Can't Take That Away From Me" and "Let's Call the Whole Thing Off"--Furia follows Ira's career through such triumphs as Lady in the Dark with Kurt Weill, Cover Girl with Jerome Kern, and A Star is Born, with Harold Arlen. Along the way, Furia provides much insight into the art of the lyricist and he captures the magic of a golden era when not only the Gershwins, but Irving Berlin, Cole Porter, Jerome Kern, Oscar Hammerstein II, Gertrude Lawrence, Fred Astaire, and other luminaries made the lights of Broadway and the Hollywood screen shine brighter than ever before. From his first major success, the now-classic "The Man I Love" (1924) to his last great hit, "The Man That Got Away" (1954), Ira Gershwin wrote the words to some of America's most loved standards. In Ira Gershwin: The Art of the Lyricist, Philip Furia illuminates the craft behind this remarkable achievement to reveal how Gershwin took the everyday speech of ordinary Americans and made it sing.
Publisher: Oxford University Press
ISBN: 0195353943
Category : Music
Languages : en
Pages : 305
Book Description
To the perennial question "which comes first, the music or the words?" Ira Gershwin always responded, "the contract." The jest reveals both Ira's consummate professionalism and the self-effacing wit with which he ducked the spotlight whenever possible. Yet the ingeniously inventive melodies George Gershwin composed for such classic songs as "Someone to Watch Over Me," "Embraceable You," "Fascinating Rhythm," "It Ain't Necessarily So," and "Love is Here to Stay" live on in no small part because of the equally unforgettable lyrics of Ira Gershwin, lines crafted with a precision that earned him the sobriquet "The Jeweller" among his Broadway peers. In Ira Gershwin: The Art of the Lyricist, the older and less flamboyant of the Gershwin brothers at last steps out of the shadows to claim his due as one of American songwriting's most important and enduring innovators. Philip Furia traces the development of Ira Gershwin's lyrical art from his early love of light verse and Gilbert and Sullivan, through his apprentice work in Tin Pan Alley, to his emergence as a prominent writer for the Broadway musical theater in the 1920s. Furia illuminates his work in satirical operettas such as Of Thee I Sing and Strike Up the Band, the smart "little" revues of the 1930s, and his contributions to the opera Porgy and Bess. After describing the Gershwin brothers' brief but brilliant work in Hollywood before George's sudden death--work that produced such classics as "They Can't Take That Away From Me" and "Let's Call the Whole Thing Off"--Furia follows Ira's career through such triumphs as Lady in the Dark with Kurt Weill, Cover Girl with Jerome Kern, and A Star is Born, with Harold Arlen. Along the way, Furia provides much insight into the art of the lyricist and he captures the magic of a golden era when not only the Gershwins, but Irving Berlin, Cole Porter, Jerome Kern, Oscar Hammerstein II, Gertrude Lawrence, Fred Astaire, and other luminaries made the lights of Broadway and the Hollywood screen shine brighter than ever before. From his first major success, the now-classic "The Man I Love" (1924) to his last great hit, "The Man That Got Away" (1954), Ira Gershwin wrote the words to some of America's most loved standards. In Ira Gershwin: The Art of the Lyricist, Philip Furia illuminates the craft behind this remarkable achievement to reveal how Gershwin took the everyday speech of ordinary Americans and made it sing.
Parody as Film Genre
Author: Wes D. Gehring
Publisher: Bloomsbury Publishing USA
ISBN: 031300353X
Category : Performing Arts
Languages : en
Pages : 249
Book Description
Parody is the least appreciated of all film comedy genres and receives little serious attention, even among film fans. This study elevates parody to mainstream significance. A historical overview places the genre in context, and a number of basic parody components, which better define the genre and celebrate its value, are examined. Parody is differentiated from satire, and the two parody types, traditional and reaffirmation, are explained. Chapters study the most spoofed genre in American parody history, the Western; pantheon members of American Film Comedy such as The Marx Brothers, W. C. Fields, Mae West, and Laurel and Hardy; pivotal parody artists, Bob Hope and Woody Allen; Mel Brooks, whose name is often synonymous with parody; and finally, parody in the 1990s. Films discussed include Destry Rides Again (1939), The Road to Utopia (1945), My Favorite Brunette (1947), The Paleface (1948), Butch Cassidy and the Sundance Kid (1969), Blazing Saddles (1974), Young Frankenstein (1974), Hot Shots! Part Deux (1993) and Scream (1996). This examination of parody will appeal to scholars and students of American film and film comedy, as well as those interested in the specific comedians discussed and the Western genre. Gehring's work will also find a place in American pop culture studies and sociological studies of the period from the 1920s to the 1990s. The book is carefully documented and includes a selected bibliography and filmography.
Publisher: Bloomsbury Publishing USA
ISBN: 031300353X
Category : Performing Arts
Languages : en
Pages : 249
Book Description
Parody is the least appreciated of all film comedy genres and receives little serious attention, even among film fans. This study elevates parody to mainstream significance. A historical overview places the genre in context, and a number of basic parody components, which better define the genre and celebrate its value, are examined. Parody is differentiated from satire, and the two parody types, traditional and reaffirmation, are explained. Chapters study the most spoofed genre in American parody history, the Western; pantheon members of American Film Comedy such as The Marx Brothers, W. C. Fields, Mae West, and Laurel and Hardy; pivotal parody artists, Bob Hope and Woody Allen; Mel Brooks, whose name is often synonymous with parody; and finally, parody in the 1990s. Films discussed include Destry Rides Again (1939), The Road to Utopia (1945), My Favorite Brunette (1947), The Paleface (1948), Butch Cassidy and the Sundance Kid (1969), Blazing Saddles (1974), Young Frankenstein (1974), Hot Shots! Part Deux (1993) and Scream (1996). This examination of parody will appeal to scholars and students of American film and film comedy, as well as those interested in the specific comedians discussed and the Western genre. Gehring's work will also find a place in American pop culture studies and sociological studies of the period from the 1920s to the 1990s. The book is carefully documented and includes a selected bibliography and filmography.
Merchant Vessels of the United States...
Author: United States. Coast Guard
Publisher:
ISBN:
Category :
Languages : en
Pages : 1026
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1026
Book Description
Hollywood Strip
Author: Shamron Moore
Publisher: Macmillan
ISBN: 0765332302
Category : Fiction
Languages : en
Pages : 306
Book Description
Moving to Los Angeles to pursue an acting career, Midwestern girl Callie Lambert endures a grueling schedule of waitressing and auditions before landing a role that she hopes will be a big break only to encounter new challenges in the form of murder, betrayal and love.
Publisher: Macmillan
ISBN: 0765332302
Category : Fiction
Languages : en
Pages : 306
Book Description
Moving to Los Angeles to pursue an acting career, Midwestern girl Callie Lambert endures a grueling schedule of waitressing and auditions before landing a role that she hopes will be a big break only to encounter new challenges in the form of murder, betrayal and love.