Life PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Life PDF full book. Access full book title Life by . Download full books in PDF and EPUB format.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 646
Get Book Here
Book Description
Author: Mary Preston Foster
Publisher: Arcadia Publishing
ISBN: 9780738517797
Category : History
Languages : en
Pages : 132
Get Book Here
Book Description
A guide book will help natives and visitors alike appreciate the history and residents of the beautiful city of Charleston, South Carolina, one of the South's great cultural destinations, which has endured periods of grandeur, occupation, a devastating earthquake, fires, hurricanes, and the challenges of Reconstruction. Original.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 646
Get Book Here
Book Description
Author: Mark Knowles
Publisher: McFarland
ISBN: 0786453605
Category : Performing Arts
Languages : en
Pages : 273
Get Book Here
Book Description
The waltz, perhaps the most beloved social dance of the 19th and early 20th centuries, once provoked outrage from religious leaders and other self-appointed arbiters of social morality. Decrying the corrupting influence of social dancing, they failed to suppress the popularity of the waltz or other dance crazes of the period, including the Charleston, the tango, and "animal dances" such as the Turkey Trot, Grizzly Bear, and Bunny Hug. This book investigates the development of these popular dances, considering in particular how their very existence as "taboo" cultural fads ultimately provided a catalyst for lasting social reform. In addition to examining the impact of the waltz and other scandalous dances on fashion, music, leisure, and social reform, the text describes the opposition to dance and the proliferation of literature on both sides.
Author: Belinda Wheeler
Publisher: Penn State Press
ISBN: 0271082585
Category : Literary Collections
Languages : en
Pages : 253
Get Book Here
Book Description
Poet, columnist, artist, and fiction writer Gwendolyn Bennett is considered by many to have been one of the youngest leaders of the Harlem Renaissance and a strong advocate for racial pride and the rights of African American women. Heroine of the Harlem Renaissance and Beyond presents key selections of her published and unpublished writings and artwork in one volume. From poems, short stories, and reviews to letters, journal entries, and art, this collection showcases Bennett’s diverse and insightful body of work and rightfully places her alongside her contemporaries in the Harlem Renaissance—figures such as Zora Neale Hurston, Langston Hughes, and Countee Cullen. It includes selections from her monthly column “The Ebony Flute,” published in Opportunity, the magazine of the National Urban League, as well as newly uncovered post-1928 work that proves definitively that Bennett continued writing throughout the following two decades. Bennett’s correspondence with canonical figures from the period, her influence on Harlem arts institutions, and her political writings, reviews, and articles show her deep connection to and lasting influence on the movement that shaped her early career. An indispensable introduction to one of the era’s most prolific and passionate minds, this reevaluation of Bennett’s life and work deepens our understanding of the Harlem Renaissance and enriches the world of American letters. It will be of special value to scholars and readers interested in African American literature and art and American history and cultural studies.
Author:
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 446
Get Book Here
Book Description
Author: Roger House
Publisher: University of Michigan Press
ISBN: 1643150480
Category : Music
Languages : en
Pages : 258
Get Book Here
Book Description
South End Shout: Boston’s Forgotten Music Scene in the Jazz Age details the power of music in the city’s African American community, spotlighting the era of ragtime culture in the early 1900s to the rise of big band orchestras in the 1930s. This story is deeply embedded in the larger social condition of Black Bostonians and the account is brought to life by the addition of 20 illustrations of musicians, theaters, dance halls, phonographs, and radios used to enjoy the music. South End Shout is part of an emerging field of studies that examines jazz culture outside of the major centers of music production. In extensive detail, author Roger R. House covers the activities of jazz musicians, jazz bands, the places they played, the relationships between Black and white musicians, the segregated local branches of the American Federation of Musicians (AFL-CIO), and the economics of Boston’s music industry. Readers will be captivated by the inclusion of vintage local newspaper reports, classified advertisements, and details of hard-to-access oral history accounts by musicians and residents. These precious documentary materials help to understand how jazz culture evolved as a Boston art form and contributed to the national art form between the world wars. With this book, House makes an important contribution to American studies and jazz history. Scholars and general readers alike who are interested in jazz and jazz culture, the history of Boston and its Black culture, and 20th century American and urban studies will be enlightened and delighted by this book.
Author: John F. Kvach
Publisher: University Press of Kentucky
ISBN: 0813144213
Category : History
Languages : en
Pages : 359
Get Book Here
Book Description
A study of the nineteenth-century magazine from the American South, its editor, and influence on the region. In the decades preceding the Civil War, the South struggled against widespread negative characterizations of its economy and society as it worked to match the North’s infrastructure and level of development. Recognizing the need for regional reform, James Dunwoody Brownson (J. D. B.) De Bow began to publish a monthly journal?De Bow’s Review?to guide Southerners toward a stronger, more diversified future. His periodical soon became a primary reference for planters and entrepreneurs in the Old South, promoting urban development and industrialization and advocating investment in schools, libraries, and other cultural resources. Later, however, De Bow began to use his journal to manipulate his readers’ political views. Through inflammatory articles, he defended proslavery ideology, encouraged Southern nationalism, and promoted anti-Union sentiment, eventually becoming one of the South’s most notorious fire-eaters. In De Bow’s Review: The Antebellum Vision of a New South, author John Kvach explores how the editor’s antebellum economic and social policies influenced Southern readers and created the framework for a postwar New South movement. By recreating subscription lists and examining the lives and livelihoods of 1,500 Review readers, Kvach demonstrates how De Bow’s Review influenced a generation and a half of Southerners. This approach allows modern readers to understand the historical context of De Bow’s editorial legacy. Ultimately, De Bow and his antebellum subscribers altered the future of their region by creating the vision of a New South long before the Civil War. “Kvach fills a surprising gap in the history of the nineteenth-century South with this elegantly written biography of the enigmatic J. D. B. De Bow. The work represents an important contribution to a growing historiography exploring the presence of a middle-class commercial culture in the pre–Civil War South and challenging long-held views of a static socioeconomic world of planters and plain folk.” —Bruce W. Eelman, author of Entrepreneurs in the Southern Upcountry: Commercial Culture in Spartanburg, South Carolina, 1845-1880 “An insightful, original, deeply researched work of scholarship. Examining not only the career of journalist J. D. B. De Bow but also the readers who responded enthusiastically to his call for economic diversification, John F. Kvach helps us see the nineteenth-century South in a new way, undistorted by the stark, artificial line so many historians have drawn to separate the so-called Old South from the New.” —Stephen V. Ash, author of A Massacre in Memphis: The Race Riot That Shook the Nation One Year after the Civil War “DeBow was the antebellum South’s most prominent advocate of economic modernization and industrialization, and one of its most vitriolic secessionists. John Kvach explores this seeming paradox, and gives us as well a careful description of DeBow’s subscribers and followers.” —J. Mills Thornton, University of Michigan
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 730
Get Book Here
Book Description
Author: Carl Van Vechten
Publisher: New York : Knopf
ISBN:
Category : African Americans
Languages : en
Pages : 304
Get Book Here
Book Description
"Negro life in Harlem." Cf. Hanna, A. Mirror for the nation
Author: Lindsay Guarino
Publisher: University Press of Florida
ISBN: 0813072115
Category : Performing Arts
Languages : en
Pages : 279
Get Book Here
Book Description
National Dance Education Organization Ruth Lovell Murray Book Award UNCG | Susan W. Stinson Book Award for Dance Education An African American art form, jazz dance has an inaccurate historical narrative that often sets Euro-American aesthetics and values at the inception of the jazz dance genealogy. The roots were systemically erased and remain widely marginalized and untaught, and the devaluation of its Africanist origins and lineage has largely gone unchallenged. Decolonizing contemporary jazz dance practice, this book examines the state of jazz dance theory, pedagogy, and choreography in the twenty-first century, recovering and affirming the lifeblood of jazz in Africanist aesthetics and Black American culture. Rooted Jazz Dance brings together jazz dance scholars, practitioners, choreographers, and educators from across the United States and Canada with the goal of changing the course of practice in future generations. Contributors delve into the Africanist elements within jazz dance and discuss the role of Whiteness, including Eurocentric technique and ideology, in marginalizing African American vernacular dance, which has resulted in the prominence of Eurocentric jazz styles and the systemic erosion of the roots. These chapters offer strategies for teaching rooted jazz dance, examples for changing dance curricula, and artist perspectives on choreographing and performing jazz. Above all, they emphasize the importance of centering Africanist and African American principles, aesthetics, and values. Arguing that the history of jazz dance is closely tied to the history of racism in the United States, these essays challenge a century of misappropriation and lean into difficult conversations of reparations for jazz dance. This volume overcomes a major roadblock to racial justice in the dance field by amplifying the people and culture responsible for the jazz language. Contributors: LaTasha Barnes | Lindsay Guarino | Natasha Powell | Carlos R.A. Jones | Rubim de Toledo | Kim Fuller | Wendy Oliver | Joanne Baker | Karen Clemente | Vicki Adams Willis | Julie Kerr-Berry | Pat Taylor | Cory Bowles | Melanie George | Paula J Peters | Patricia Cohen | Brandi Coleman | Kimberley Cooper | Monique Marie Haley | Jamie Freeman Cormack | Adrienne Hawkins | Karen Hubbard | Lynnette Young Overby | Jessie Metcalf McCullough | E. Moncell Durden Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
