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Author: Belinda Wheeler
Publisher: Penn State Press
ISBN: 0271082585
Category : Literary Collections
Languages : en
Pages : 253
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Book Description
Poet, columnist, artist, and fiction writer Gwendolyn Bennett is considered by many to have been one of the youngest leaders of the Harlem Renaissance and a strong advocate for racial pride and the rights of African American women. Heroine of the Harlem Renaissance and Beyond presents key selections of her published and unpublished writings and artwork in one volume. From poems, short stories, and reviews to letters, journal entries, and art, this collection showcases Bennett’s diverse and insightful body of work and rightfully places her alongside her contemporaries in the Harlem Renaissance—figures such as Zora Neale Hurston, Langston Hughes, and Countee Cullen. It includes selections from her monthly column “The Ebony Flute,” published in Opportunity, the magazine of the National Urban League, as well as newly uncovered post-1928 work that proves definitively that Bennett continued writing throughout the following two decades. Bennett’s correspondence with canonical figures from the period, her influence on Harlem arts institutions, and her political writings, reviews, and articles show her deep connection to and lasting influence on the movement that shaped her early career. An indispensable introduction to one of the era’s most prolific and passionate minds, this reevaluation of Bennett’s life and work deepens our understanding of the Harlem Renaissance and enriches the world of American letters. It will be of special value to scholars and readers interested in African American literature and art and American history and cultural studies.
Author: Belinda Wheeler
Publisher: Penn State Press
ISBN: 0271082585
Category : Literary Collections
Languages : en
Pages : 253
Get Book Here
Book Description
Poet, columnist, artist, and fiction writer Gwendolyn Bennett is considered by many to have been one of the youngest leaders of the Harlem Renaissance and a strong advocate for racial pride and the rights of African American women. Heroine of the Harlem Renaissance and Beyond presents key selections of her published and unpublished writings and artwork in one volume. From poems, short stories, and reviews to letters, journal entries, and art, this collection showcases Bennett’s diverse and insightful body of work and rightfully places her alongside her contemporaries in the Harlem Renaissance—figures such as Zora Neale Hurston, Langston Hughes, and Countee Cullen. It includes selections from her monthly column “The Ebony Flute,” published in Opportunity, the magazine of the National Urban League, as well as newly uncovered post-1928 work that proves definitively that Bennett continued writing throughout the following two decades. Bennett’s correspondence with canonical figures from the period, her influence on Harlem arts institutions, and her political writings, reviews, and articles show her deep connection to and lasting influence on the movement that shaped her early career. An indispensable introduction to one of the era’s most prolific and passionate minds, this reevaluation of Bennett’s life and work deepens our understanding of the Harlem Renaissance and enriches the world of American letters. It will be of special value to scholars and readers interested in African American literature and art and American history and cultural studies.
Author: Eleanora E. Tate
Publisher: Little, Brown Books for Young Readers
ISBN: 0316040460
Category : Juvenile Fiction
Languages : en
Pages : 182
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Book Description
When Celeste Lassiter Massey is forced to live with her actress Aunt Valentina in Harlem, she is not thrilled to trade her friends and comfortable North Carolina for scary, big-city life. While Celeste experiences the Harlem Renaissance in full swing, she sees as much grit as glamour. A passionate writer, talented violinist, and aspiring doctor, she eventually faces a choice between ambition and loyalty, roots and horizons. The decision will change her forever.
Author: Belinda Wheeler
Publisher: Camden House
ISBN: 1571135219
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
This international collection of eleven original essays on Australian Aboriginal literature provides a comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers.
Author: Rachel Farebrother
Publisher: Cambridge University Press
ISBN: 1108640508
Category : Literary Criticism
Languages : en
Pages : 453
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Book Description
The Harlem Renaissance was the most influential single movement in African American literary history. The movement laid the groundwork for subsequent African American literature, and had an enormous impact on later black literature world-wide. In its attention to a wide range of genres and forms – from the roman à clef and the bildungsroman, to dance and book illustrations – this book seeks to encapsulate and analyze the eclecticism of Harlem Renaissance cultural expression. It aims to re-frame conventional ideas of the New Negro movement by presenting new readings of well-studied authors, such as Zora Neale Hurston and Langston Hughes, alongside analysis of topics, authors, and artists that deserve fuller treatment. An authoritative collection on the major writers and issues of the period, A History of the Harlem Renaissance takes stock of nearly a hundred years of scholarship and considers what the future augurs for the study of 'the New Negro'.
Author: Anne Sexton
Publisher: Houghton Mifflin Harcourt
ISBN: 9780618057047
Category : Poetry
Languages : en
Pages : 316
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Book Description
A selection of poems by contemporary American author Anne Sexton, drawn primarily from eight previously published collections.
Author: Maria Giulia Fabi
Publisher: University of Illinois Press
ISBN: 9780252026676
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
Passing and the Rise of the African American Novel restores to its rightful place a body of American literature that has long been overlooked, dismissed, or misjudged. This insightful reconsideration of nineteenth-century African-American fiction uncovers the literary artistry and ideological complexity of a body of work that laid the foundation for the Harlem Renaissance and changed the course of American letters. Focusing on the trope of passing -- black characters lightskinned enough to pass for white -- M. Giulia Fabi shows how early African-American authors such as William Wells Brown, Frank J. Webb, Charles W. Chesnutt, Sutton E. Griggs, James Weldon Johnson, Frances E. W. Harper, and Edward A. Johnson transformed traditional representations of blackness and moved beyond the tragic mulatto motif. Celebrating a distinctive, African-American history, culture, and worldview, these authors used passing to challenge the myths of racial purity and the color line. Fabi examines how early black writers adapted existing literary forms, including the sentimental romance, the domestic novel, and the utopian novel, to express their convictions and concerns about slavery, segregation, and racism. She also gives a historical overview of the canon-making enterprises of African-American critics from the 1850s to the 1990s and considers how their concerns about crafting a particular image for African-American literature affected their perceptions of nineteenth-century black fiction.
Author: Cherene Sherrard-Johnson
Publisher: Rutgers University Press
ISBN: 0813539773
Category : Art
Languages : en
Pages : 235
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Book Description
Of all the images to arise from the Harlem Renaissance, the most thought-provoking were those of the mulatta. For some writers, artists, and filmmakers, these images provided an alternative to the stereotypes of black womanhood and a challenge to the color line. For others, they represented key aspects of modernity and race coding central to the New Negro Movement. Due to the mulatta's frequent ability to pass for white, she represented a variety of contradictory meanings that often transcended racial, class, and gender boundaries. In this engaging narrative, Cherene Sherrard-Johnson uses the writings of Nella Larsen and Jessie Fauset as well as the work of artists like Archibald Motley and William H. Johnson to illuminate the centrality of the mulatta by examining a variety of competing arguments about race in the Harlem Renaissance and beyond.
Author: Kuwana Haulsey
Publisher: One World/Ballantine
ISBN: 0375761330
Category : Fiction
Languages : en
Pages : 370
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Book Description
Inspired by the extraordinary events of Dr. May Chinn's life, Angel of Harlem is a deeply affecting story of love and transcendence. Weaving seamlessly scenes from the battlefields of the Civil War, during which her father escaped from slavery, to the Harlem living rooms and kitchen tables where May is sometimes forced to operate on her patients, this fascinating novel lays bare the heart of a woman who changed the face of medicine. A gifted, beautiful young woman in the 1920s, May Edward Chinn dreams only of music. For years she accompanies the famed singer Paul Robeson. However, a racist professor ends her hopes of becoming a concert pianist. But from one dashed dream blooms another: May would become a doctor instead--the first black female physician in all of New York. Giddy with the wonder of the Harlem Renaissance and fueled by firebrand friends like Langston Hughes and Zora Neale Hurston, May doggedly pursues her ambitions while striving to overcome the pains of her past: the death of a fiancé, a lost child, and a distant father ravished by the legacy of slavery. With every grief she encounters, a resilient piece of herself locks into place. At times risking her life-attending to men stabbed in their homes and women left to die in filthy alleys-May struggles to carve out a place for herself within a medical world that still teaches that a "Negro" brain is not anatomically wired for higher thinking. Yet against the odds, she achieves her goal, starts her own practice, and becomes one of the first cancer specialists in the city. Alive with the pulse of black unrest in 1920s New York, this beautifully textured novel moves with fearlessness and grace through a history that is by turns ugly and sublime. With Angel of Harlem, critically acclaimed author Kuwana Haulsey gives poetic voice to the story of a remarkable woman who had the courage to dream and live beyond her era's limitations.
Author: Gene Andrew Jarrett
Publisher: University of Pennsylvania Press
ISBN: 081220235X
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
For a work to be considered African American literature, does it need to focus on black characters or political themes? Must it represent these within a specific stylistic range? Or is it enough for the author to be identified as African American? In Deans and Truants, Gene Andrew Jarrett traces the shifting definitions of African American literature and the authors who wrote beyond those boundaries at the cost of critical dismissal and, at times, obscurity. From the late nineteenth century to the end of the twentieth, de facto deans—critics and authors as different as William Howells, Alain Locke, Richard Wright, and Amiri Baraka—prescribed the shifting parameters of realism and racial subject matter appropriate to authentic African American literature, while truant authors such as Paul Laurence Dunbar, George S. Schuyler, Frank Yerby, and Toni Morrison—perhaps the most celebrated African American author of the twentieth century—wrote literature anomalous to those standards. Jarrett explores the issues at stake when Howells, the "Dean of American Letters," argues in 1896 that only Dunbar's "entirely black verse," written in dialect, "would succeed." Three decades later, Locke, the cultural arbiter of the Harlem Renaissance, stands in contrast to Schuyler, a journalist and novelist who questions the existence of a peculiarly black or "New Negro" art. Next, Wright's 1937 blueprint for African American writing sets the terms of the Chicago Renaissance, but Yerby's version of historical romance approaches race and realism in alternative literary ways. Finally, Deans and Truants measures the gravitational pull of the late 1960s Black Aesthetic in Baraka's editorial silence on Toni Morrison's first and only short story, "Recitatif." Drawing from a wealth of biographical, historical, and literary sources, Deans and Truants describes the changing notions of race, politics, and gender that framed and were framed by the authors and critics of African American culture for more than a century.
Author: Rebecca VanDiver
Publisher: Penn State University Press
ISBN: 9780271086040
Category : African diaspora in art
Languages : en
Pages : 232
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Book Description
A critical analysis of the art and career of African American painter Loïs Mailou Jones (1905-1998). Examines Jones's engagement with African and Afrodiasporic themes as well as the challenges she faced as a black woman artist.
