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Author: Ian Rumbold
Publisher: Boydell Press
ISBN:
Category : History
Languages : en
Pages : 384
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Book Description
A study of one of the most significant medieval manuscripts containing music, and its owner, sheds light on many aspects of contemporary culture. Hermann Pötzlinger (+ 1469), the university-educated schoolmaster of the monastery of St Emmeram, Regensburg, was the creator of one of the largest and most intriguing collections of late-medieval polyphonic music to have survivedfrom Central Europe. His music book, the so-called 'St Emmeram Codex' (Munich, Bayerische Staatsbibliothek, Clm 14274), was compiled in the years immediately following his graduation from Vienna University in 1439. It contains aunique cross-section of polyphonic vocal music not only from the West but also from Central and Eastern Europe; moreover, it is only one among more than a hundred scholarly manuscripts that he copied or acquired during his career. This volume presents an in-depth study of the manuscript and of the professional networks and academic culture within which it was compiled; its context as part of one of the largest surviving personal libraries of its time is also explored. It will appeal to all those interested in early music and other aspects of late-medieval life and culture. Dr IAN RUMBOLD is an independent scholar; PETER WRIGHT is Professor of Music at the University of Nottingham.
Author: Ian Rumbold
Publisher: Boydell Press
ISBN:
Category : History
Languages : en
Pages : 384
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Book Description
A study of one of the most significant medieval manuscripts containing music, and its owner, sheds light on many aspects of contemporary culture. Hermann Pötzlinger (+ 1469), the university-educated schoolmaster of the monastery of St Emmeram, Regensburg, was the creator of one of the largest and most intriguing collections of late-medieval polyphonic music to have survivedfrom Central Europe. His music book, the so-called 'St Emmeram Codex' (Munich, Bayerische Staatsbibliothek, Clm 14274), was compiled in the years immediately following his graduation from Vienna University in 1439. It contains aunique cross-section of polyphonic vocal music not only from the West but also from Central and Eastern Europe; moreover, it is only one among more than a hundred scholarly manuscripts that he copied or acquired during his career. This volume presents an in-depth study of the manuscript and of the professional networks and academic culture within which it was compiled; its context as part of one of the largest surviving personal libraries of its time is also explored. It will appeal to all those interested in early music and other aspects of late-medieval life and culture. Dr IAN RUMBOLD is an independent scholar; PETER WRIGHT is Professor of Music at the University of Nottingham.
Author: Iain Fenlon
Publisher: Springer
ISBN: 1349205362
Category : Music
Languages : en
Pages : 429
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Book Description
From the series examining the development of music in specific places during particular times, this book looks at European countries at the time of the Renaissance, concentrating on Italy. It is to be published in conjunction with a television series.
Author: Catherine A. Bradley
Publisher: Studies in Medieval and Renais
ISBN: 9781783272723
Category : Music
Languages : en
Pages : 351
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Book Description
The final section of the Montpellier Codex analysed in full for the first time, with major implications for late-medieval music.
Author: Iain Fenlon
Publisher: Cambridge University Press
ISBN: 9780521104296
Category : Literary Criticism
Languages : en
Pages : 424
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Book Description
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume two include: The Chirk Castle partbooks; Isabella d'Este and Lorenzo da Pavi, 'master instrument maker'; and Johannes de Garlandia on organum in speciali.
Author: Reinhard Strohm
Publisher:
ISBN: 9780198162056
Category : Music
Languages : en
Pages : 522
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Book Description
This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.
Author: Tristan E. Franklinos
Publisher: Boydell & Brewer
ISBN: 1783273798
Category : Music
Languages : en
Pages : 507
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Book Description
Enables the less well-known aspects of the Codex Buranus to receive greater scrutiny, and bring new perspectives to bear on the more thoroughly explored parts of the manuscript. Making accessible existing discourse and encouraging fresh debates on the codex, the essays advocate fresh modes of engagement with its contents, contexts, and composition.
Author: Margaret Bent
Publisher: Boydell & Brewer
ISBN: 1783276185
Category : Music
Languages : en
Pages : 419
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Book Description
From its origins in the thirteenth century, the Latin-texted motet in England and France became the most significant and diverse polyphonic genre of the fourteenth, a body of music important both for its texts and its variety of musical structures. However, although the motet in England plays a vital role in the music-historical narrative of the first decades of the 1300s, it has too often been overlooked in modern scholarship, due largely to its preservation in numerous but almost entirely fragmentary sources.0In 2017, substantial new fragments of medieval polyphony came to light. They originated at the Benedictine monastery of Abbotsbury, a major institution located high above Chesil Beach on Dorset's Jurassic Coast. The two leaves once headed an imposing musical scroll, and preserve significant portions of four large-scale Latin-texted motets from early fourteenth-century England.0This book introduces the manuscript and its provenance in Abbotsbury, relates it to other scrolls of late medieval music, contextualizes its motets within the larger corpus of contemporary Latin-texted motets, and analyses and reconstructs each of the motets, providing complete performable transcriptions of three of these compositions as well as three of its large-scale comparands. Spurred by the Dorset discovery, this monograph, the first in thirty-five years devoted to the medieval motet in England, offers a new evaluation of the richness of the English repertory in its own terms.
Author: Philip Evan Schreur
Publisher: U of Nebraska Press
ISBN: 9780803242036
Category : Music
Languages : la
Pages : 148
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Book Description
Notational complexity, or subtilitas, was engendered in the late fourteenth century by a thorough probing of all the rhythmic possibilities within the accepted mensurations. As French and Italian notational practices began to diverge at the beginning of the Ars nova, composers invented new rhythmic symbols?figurae?asøtheir innovations required, and this resulted in a variety of notations that were as confusing to the musician of the day as they are to the modern scholar. In the third quarter of the fourteenth century, a notational system combining elements of the French and Italian systems was put forth in the Tractatus figurarum. This system proposed a standard of set of figurae for simultaneous combinations of any two of the four prolations of the French mensural system. Edmond Coussemaker?s 1869 edition of the Tractatus figurarum, which attributes the treatise to Philippus de Caserta, was based on his knowledge of only four of the fourteen surviving manuscripts. A critical study of all the sources, including the important Newberry Library manuscript, leads to a corrected version of the text and allows the entire system to be resurrected. The critical edition is joined with fully annotated translation on facing pages. An Introduction discusses the authorship and theory of the treatise, as well as placing it within the context of the music theory of the fourteenth century. Full descriptions of all the manuscript sources and four full-color plates of the Newberry Library manuscript are included. The system of the Tractatus figurarum was beautifully creative, but it did not meet with success. Nevertheless, the treatise proves itself invaluable to the study of the Ars subtilior in revealing certain basic notational principles that may be applied to surviving musical compositions, illuminating the notational subtleties in which the music delighted.
Author: Christopher Alan Reynolds
Publisher: Univ of California Press
ISBN: 0520313674
Category : Music
Languages : en
Pages : 458
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Book Description
A new picture of music at the basilica of St. Peter's in the fifteenth century emerges in Christopher A. Reynolds's fascinating chronicle of this rich period of Italian musical history. Reynolds examines archival documents, musical styles, and issues of artistic patronage and cultural context in a fertile consideration of the ways historical and musical currents affected each other. This work is both a historical account of performers and composers and an examination of how their music revealed their cultural values and educational backgrounds. Reynolds analyzes several anonymous masses copied at St. Peter's, proposing attributions that have biographical implications for the composers. Taken together, the archival records and the music sung at St. Peter's reveal a much clearer picture of musical life at the basilica than either source would alone. The contents of the St. Peter's choirbook help document musical life as surely as that musical life—insofar as it can be reconstructed from the archives—illumines the choirbook. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.
Author: Susan Boynton
Publisher: Boydell & Brewer Ltd
ISBN: 1843834138
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
"Young singers through the centuries have occupied a central position in a variety of religious institutional settings: urban cathedrals, collegiate churches, monasteries, guilds, and confraternities." "The training of singers for performance in religious services shaped the very structures of ecclesiastical institutions, which developed to meet the need for educating their youngest members. The development of musical repertories and styles also directly reflected the ubiquitous participation of children's voices in both chant and polyphony. There was even, frequently, a future for choristers after their voices broke."--BOOK JACKET.
