Author: Ronald Primeau
Publisher: Kent State University Press
ISBN: 9780873388108
Category : Art
Languages : en
Pages : 260
Book Description
Herbert Woodward Martin is a prize-winning poet and performer, an actor and playwright, a singer and opera librettist, a professor, and a scholar. Born in Alabama in 1933 and educated in Toledo and New York, Martin has lived and worked most of his life in Ohio. His parents appreciated literature and music and saw to it that their young son was immersed in the arts. The family moved to Toledo, Ohio, when Herbert was twelve years old. He began to write poetry during his undergraduate years at the University of Toledo, from which he graduated in 1964. Herbert Woodward Martin and the African American Tradition in Poetry chronicles the writing and performing career of Herbert W. Martin, focusing on the way his life has informed his art and situating his creative work within the context of the African American tradition in poetry. Author Ronald Primeau examines Martin's place in American literature with particular emphasis on his multidisciplinary talents and his contributions to the arts through his highly regarded performances of poetry (especially that of Paul Laurence Dunbar) and his acting, playwriting, and composing. Even though Martin's work is highly regarded, has been anthologiz
Herbert Woodward Martin and the African American Tradition in Poetry
Author: Ronald Primeau
Publisher: Kent State University Press
ISBN: 9780873388108
Category : Art
Languages : en
Pages : 260
Book Description
Herbert Woodward Martin is a prize-winning poet and performer, an actor and playwright, a singer and opera librettist, a professor, and a scholar. Born in Alabama in 1933 and educated in Toledo and New York, Martin has lived and worked most of his life in Ohio. His parents appreciated literature and music and saw to it that their young son was immersed in the arts. The family moved to Toledo, Ohio, when Herbert was twelve years old. He began to write poetry during his undergraduate years at the University of Toledo, from which he graduated in 1964. Herbert Woodward Martin and the African American Tradition in Poetry chronicles the writing and performing career of Herbert W. Martin, focusing on the way his life has informed his art and situating his creative work within the context of the African American tradition in poetry. Author Ronald Primeau examines Martin's place in American literature with particular emphasis on his multidisciplinary talents and his contributions to the arts through his highly regarded performances of poetry (especially that of Paul Laurence Dunbar) and his acting, playwriting, and composing. Even though Martin's work is highly regarded, has been anthologiz
Publisher: Kent State University Press
ISBN: 9780873388108
Category : Art
Languages : en
Pages : 260
Book Description
Herbert Woodward Martin is a prize-winning poet and performer, an actor and playwright, a singer and opera librettist, a professor, and a scholar. Born in Alabama in 1933 and educated in Toledo and New York, Martin has lived and worked most of his life in Ohio. His parents appreciated literature and music and saw to it that their young son was immersed in the arts. The family moved to Toledo, Ohio, when Herbert was twelve years old. He began to write poetry during his undergraduate years at the University of Toledo, from which he graduated in 1964. Herbert Woodward Martin and the African American Tradition in Poetry chronicles the writing and performing career of Herbert W. Martin, focusing on the way his life has informed his art and situating his creative work within the context of the African American tradition in poetry. Author Ronald Primeau examines Martin's place in American literature with particular emphasis on his multidisciplinary talents and his contributions to the arts through his highly regarded performances of poetry (especially that of Paul Laurence Dunbar) and his acting, playwriting, and composing. Even though Martin's work is highly regarded, has been anthologiz
The Selected Literary Letters of Paul Laurence Dunbar
Author: Paul Laurence Dunbar
Publisher: University Alabama Press
ISBN: 0817320784
Category : Literary Collections
Languages : en
Pages : 318
Book Description
These 250 transcribed and annotated letters reveal the personal and literary life of one of the most highly regarded African American writers and intellectuals Paul Laurence Dunbar (1873–1906) was arguably the most famous African American poet, novelist, and dramatist at the turn of the twentieth century and one of the earliest African American writers to receive national recognition and appreciation. Scholars have taken a renewed interest in Dunbar but much is still unknown about this once-famous African American author’s life and literary efforts. Dunbar’s letters to various editors, friends, benefactors, scholars, and family members are crucial to any critical or theoretical understanding of his journey as a writer. His literary correspondence, in particular, records the development of an extraordinary figure whose work reached a broad readership in his lifetime, but not without considerable cost. The Selected Literary Letters of Paul Laurence Dunbar is a collection of 250 letters, transcribed and annotated, that reveal the personal and literary life of one of the most highly regarded African American writers and intellectuals. Editors Cynthia C. Murillo and Jennifer M. Nader highlight Dunbar not just as a determined author and master of rhetoric, but also as a young, sensitive, thoughtful, keenly intelligent, and talented writer who battled depression, alcoholism, and tuberculosis as well as rejection and racism. Despite Dunbar’s personal struggles, his literary letters disclose that he was full of hopes and dreams coupled with the resolve to flourish as a writer—at almost any cost, even when it caused controversy. Taken together, Dunbar’s letters depict his concerted effort to succeed as an author within an overtly racist literary culture, among sharp divides within the African American intellectual community, and in opposition to the demands of popular public tastes—often dictated by the demands of publishers. This wide-ranging selection of Dunbar’s most relevant literary letters will serve to correct many matters of conjecture about Dunbar’s life, writing, and choices by supplying factual evidence to counter speculation, assumption, and incomplete information.
Publisher: University Alabama Press
ISBN: 0817320784
Category : Literary Collections
Languages : en
Pages : 318
Book Description
These 250 transcribed and annotated letters reveal the personal and literary life of one of the most highly regarded African American writers and intellectuals Paul Laurence Dunbar (1873–1906) was arguably the most famous African American poet, novelist, and dramatist at the turn of the twentieth century and one of the earliest African American writers to receive national recognition and appreciation. Scholars have taken a renewed interest in Dunbar but much is still unknown about this once-famous African American author’s life and literary efforts. Dunbar’s letters to various editors, friends, benefactors, scholars, and family members are crucial to any critical or theoretical understanding of his journey as a writer. His literary correspondence, in particular, records the development of an extraordinary figure whose work reached a broad readership in his lifetime, but not without considerable cost. The Selected Literary Letters of Paul Laurence Dunbar is a collection of 250 letters, transcribed and annotated, that reveal the personal and literary life of one of the most highly regarded African American writers and intellectuals. Editors Cynthia C. Murillo and Jennifer M. Nader highlight Dunbar not just as a determined author and master of rhetoric, but also as a young, sensitive, thoughtful, keenly intelligent, and talented writer who battled depression, alcoholism, and tuberculosis as well as rejection and racism. Despite Dunbar’s personal struggles, his literary letters disclose that he was full of hopes and dreams coupled with the resolve to flourish as a writer—at almost any cost, even when it caused controversy. Taken together, Dunbar’s letters depict his concerted effort to succeed as an author within an overtly racist literary culture, among sharp divides within the African American intellectual community, and in opposition to the demands of popular public tastes—often dictated by the demands of publishers. This wide-ranging selection of Dunbar’s most relevant literary letters will serve to correct many matters of conjecture about Dunbar’s life, writing, and choices by supplying factual evidence to counter speculation, assumption, and incomplete information.
A Field Guide to the Poetry of Theodore Roethke
Author: William Barillas
Publisher: Ohio University Press
ISBN: 0804041164
Category : Literary Criticism
Languages : en
Pages : 468
Book Description
A constellation of essays that reanimates the work of this pivotal twentieth-century American poet for a new century. This volume is the first to reconsider Roethke’s work in terms of the expanded critical approaches to literature that have emerged since his death in 1963. Editor William Barillas and over forty contributors, including highly respected literary scholars, critics, and writers such as Peter Balakian, Camille Paglia, Jay Parini, and David Wojahn, collectively make a case for Roethke’s poetry as a complete, unified, and evolving body of work. The accessible essays employ a number of approaches, including formalism, ecocriticism, reader-response, and feminist critique to explicate the poetics, themes, and the biographical, historical, cultural, and literary contexts of Roethke’s work.
Publisher: Ohio University Press
ISBN: 0804041164
Category : Literary Criticism
Languages : en
Pages : 468
Book Description
A constellation of essays that reanimates the work of this pivotal twentieth-century American poet for a new century. This volume is the first to reconsider Roethke’s work in terms of the expanded critical approaches to literature that have emerged since his death in 1963. Editor William Barillas and over forty contributors, including highly respected literary scholars, critics, and writers such as Peter Balakian, Camille Paglia, Jay Parini, and David Wojahn, collectively make a case for Roethke’s poetry as a complete, unified, and evolving body of work. The accessible essays employ a number of approaches, including formalism, ecocriticism, reader-response, and feminist critique to explicate the poetics, themes, and the biographical, historical, cultural, and literary contexts of Roethke’s work.
We Wear the Mask
Author: Willie J. Harrell (Jr.)
Publisher:
ISBN: 9781606350461
Category : African Americans in literature
Languages : en
Pages : 0
Book Description
An anthology of the scholarship on the African American writer. A prolific nineteenth-century author, Paul Laurence Dunbar was the first African American poet to gain national recognition. It examines the self-motivated and dynamic effect of his use of dialect, language, rhetorical strategies, and narrative theory to promote racial uplift.
Publisher:
ISBN: 9781606350461
Category : African Americans in literature
Languages : en
Pages : 0
Book Description
An anthology of the scholarship on the African American writer. A prolific nineteenth-century author, Paul Laurence Dunbar was the first African American poet to gain national recognition. It examines the self-motivated and dynamic effect of his use of dialect, language, rhetorical strategies, and narrative theory to promote racial uplift.
A Study Guide for Paul Laurence Dunbar's "Sympathy"
Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410359875
Category : Literary Criticism
Languages : en
Pages : 30
Book Description
A Study Guide for Paul Laurence Dunbar's "Sympathy," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
Publisher: Gale, Cengage Learning
ISBN: 1410359875
Category : Literary Criticism
Languages : en
Pages : 30
Book Description
A Study Guide for Paul Laurence Dunbar's "Sympathy," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
Inscribing My Name
Author: Herbert Woodward Martin
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 220
Book Description
Selected poems from a respected African American poet Visit our Events page for details about the Kent screening of the new film Jump Back, Honey: The Poetry and Performance of Herbert Woodward Martin. Herbert Woodward Martin's body of poetry from the past five decades is, in many ways, matched by no one else. His many poetic voices range from quiet lyrics to angry protest poems, from groundbreaking counterpoint structures to prize-winning historical narratives. His wide-ranging poetry acts as a barometer of various times and tempers in American literature. His poetry is innovative and balanced and has a special way of working within traditions even as it creates its own unique space. Martin's poetry captures life in the Midwest through the authenticity of his voice, his dramatic sense, and the wonderful innovation of his multidisciplinary talents (poet, scholar, teacher, librettist, and performer). From his first volume of poetry in 1969 to Inscribing My Name, Martin's work brings alive important issues and struggles in our understanding of what it means to be human. This accomplished body of work is a unique combination of traditional poetic forms, the African American musical tradition, and Martin's extensive experience creating and performing theater and opera.
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 220
Book Description
Selected poems from a respected African American poet Visit our Events page for details about the Kent screening of the new film Jump Back, Honey: The Poetry and Performance of Herbert Woodward Martin. Herbert Woodward Martin's body of poetry from the past five decades is, in many ways, matched by no one else. His many poetic voices range from quiet lyrics to angry protest poems, from groundbreaking counterpoint structures to prize-winning historical narratives. His wide-ranging poetry acts as a barometer of various times and tempers in American literature. His poetry is innovative and balanced and has a special way of working within traditions even as it creates its own unique space. Martin's poetry captures life in the Midwest through the authenticity of his voice, his dramatic sense, and the wonderful innovation of his multidisciplinary talents (poet, scholar, teacher, librettist, and performer). From his first volume of poetry in 1969 to Inscribing My Name, Martin's work brings alive important issues and struggles in our understanding of what it means to be human. This accomplished body of work is a unique combination of traditional poetic forms, the African American musical tradition, and Martin's extensive experience creating and performing theater and opera.
Deans and Truants
Author: Gene Andrew Jarrett
Publisher: University of Pennsylvania Press
ISBN: 081220235X
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
For a work to be considered African American literature, does it need to focus on black characters or political themes? Must it represent these within a specific stylistic range? Or is it enough for the author to be identified as African American? In Deans and Truants, Gene Andrew Jarrett traces the shifting definitions of African American literature and the authors who wrote beyond those boundaries at the cost of critical dismissal and, at times, obscurity. From the late nineteenth century to the end of the twentieth, de facto deans—critics and authors as different as William Howells, Alain Locke, Richard Wright, and Amiri Baraka—prescribed the shifting parameters of realism and racial subject matter appropriate to authentic African American literature, while truant authors such as Paul Laurence Dunbar, George S. Schuyler, Frank Yerby, and Toni Morrison—perhaps the most celebrated African American author of the twentieth century—wrote literature anomalous to those standards. Jarrett explores the issues at stake when Howells, the "Dean of American Letters," argues in 1896 that only Dunbar's "entirely black verse," written in dialect, "would succeed." Three decades later, Locke, the cultural arbiter of the Harlem Renaissance, stands in contrast to Schuyler, a journalist and novelist who questions the existence of a peculiarly black or "New Negro" art. Next, Wright's 1937 blueprint for African American writing sets the terms of the Chicago Renaissance, but Yerby's version of historical romance approaches race and realism in alternative literary ways. Finally, Deans and Truants measures the gravitational pull of the late 1960s Black Aesthetic in Baraka's editorial silence on Toni Morrison's first and only short story, "Recitatif." Drawing from a wealth of biographical, historical, and literary sources, Deans and Truants describes the changing notions of race, politics, and gender that framed and were framed by the authors and critics of African American culture for more than a century.
Publisher: University of Pennsylvania Press
ISBN: 081220235X
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
For a work to be considered African American literature, does it need to focus on black characters or political themes? Must it represent these within a specific stylistic range? Or is it enough for the author to be identified as African American? In Deans and Truants, Gene Andrew Jarrett traces the shifting definitions of African American literature and the authors who wrote beyond those boundaries at the cost of critical dismissal and, at times, obscurity. From the late nineteenth century to the end of the twentieth, de facto deans—critics and authors as different as William Howells, Alain Locke, Richard Wright, and Amiri Baraka—prescribed the shifting parameters of realism and racial subject matter appropriate to authentic African American literature, while truant authors such as Paul Laurence Dunbar, George S. Schuyler, Frank Yerby, and Toni Morrison—perhaps the most celebrated African American author of the twentieth century—wrote literature anomalous to those standards. Jarrett explores the issues at stake when Howells, the "Dean of American Letters," argues in 1896 that only Dunbar's "entirely black verse," written in dialect, "would succeed." Three decades later, Locke, the cultural arbiter of the Harlem Renaissance, stands in contrast to Schuyler, a journalist and novelist who questions the existence of a peculiarly black or "New Negro" art. Next, Wright's 1937 blueprint for African American writing sets the terms of the Chicago Renaissance, but Yerby's version of historical romance approaches race and realism in alternative literary ways. Finally, Deans and Truants measures the gravitational pull of the late 1960s Black Aesthetic in Baraka's editorial silence on Toni Morrison's first and only short story, "Recitatif." Drawing from a wealth of biographical, historical, and literary sources, Deans and Truants describes the changing notions of race, politics, and gender that framed and were framed by the authors and critics of African American culture for more than a century.
In His Own Voice
Author: Paul Laurence Dunbar
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 348
Book Description
This collection features Dunbar's (1872-1906) previously unpublished dramatic works, short stories, essays, and poems--approximately 75 works in six genres. The dramatic works include plays, musicals, and musical lyrics and fragments. The essays discuss Dickens and Thackeray, England from the Black perspective, black life and society in Washington, higher education, plagiarism, the literary portrayal of black people, and Booker T. Washington. A chronology is included. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 348
Book Description
This collection features Dunbar's (1872-1906) previously unpublished dramatic works, short stories, essays, and poems--approximately 75 works in six genres. The dramatic works include plays, musicals, and musical lyrics and fragments. The essays discuss Dickens and Thackeray, England from the Black perspective, black life and society in Washington, higher education, plagiarism, the literary portrayal of black people, and Booker T. Washington. A chronology is included. Annotation copyrighted by Book News, Inc., Portland, OR
Jump Back, Honey
Author: Paul Dunbar
Publisher: Jump At The Sun
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 40
Book Description
An illustrated collection of poems by Paul Laurence Dunbar, including A Boy's Summer Song, The Sparrow, and Little Brown Baby.
Publisher: Jump At The Sun
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 40
Book Description
An illustrated collection of poems by Paul Laurence Dunbar, including A Boy's Summer Song, The Sparrow, and Little Brown Baby.
The Lever of Riches
Author: Joel Mokyr
Publisher: Oxford University Press
ISBN: 019987946X
Category : Business & Economics
Languages : en
Pages : 513
Book Description
In a world of supercomputers, genetic engineering, and fiber optics, technological creativity is ever more the key to economic success. But why are some nations more creative than others, and why do some highly innovative societies--such as ancient China, or Britain in the industrial revolution--pass into stagnation? Beginning with a fascinating, concise history of technological progress, Mokyr sets the background for his analysis by tracing the major inventions and innovations that have transformed society since ancient Greece and Rome. What emerges from this survey is often surprising: the classical world, for instance, was largely barren of new technology, the relatively backward society of medieval Europe bristled with inventions, and the period between the Reformation and the Industrial Revolution was one of slow and unspectacular progress in technology, despite the tumultuous developments associated with the Voyages of Discovery and the Scientific Revolution. What were the causes of technological creativity? Mokyr distinguishes between the relationship of inventors and their physical environment--which determined their willingness to challenge nature--and the social environment, which determined the openness to new ideas. He discusses a long list of such factors, showing how they interact to help or hinder a nation's creativity, and then illustrates them by a number of detailed comparative studies, examining the differences between Europe and China, between classical antiquity and medieval Europe, and between Britain and the rest of Europe during the industrial revolution. He examines such aspects as the role of the state (the Chinese gave up a millennium-wide lead in shipping to the Europeans, for example, when an Emperor banned large ocean-going vessels), the impact of science, as well as religion, politics, and even nutrition. He questions the importance of such commonly-cited factors as the spill-over benefits of war, the abundance of natural resources, life expectancy, and labor costs. Today, an ever greater number of industrial economies are competing in the global market, locked in a struggle that revolves around technological ingenuity. The Lever of Riches, with its keen analysis derived from a sweeping survey of creativity throughout history, offers telling insights into the question of how Western economies can maintain, and developing nations can unlock, their creative potential.
Publisher: Oxford University Press
ISBN: 019987946X
Category : Business & Economics
Languages : en
Pages : 513
Book Description
In a world of supercomputers, genetic engineering, and fiber optics, technological creativity is ever more the key to economic success. But why are some nations more creative than others, and why do some highly innovative societies--such as ancient China, or Britain in the industrial revolution--pass into stagnation? Beginning with a fascinating, concise history of technological progress, Mokyr sets the background for his analysis by tracing the major inventions and innovations that have transformed society since ancient Greece and Rome. What emerges from this survey is often surprising: the classical world, for instance, was largely barren of new technology, the relatively backward society of medieval Europe bristled with inventions, and the period between the Reformation and the Industrial Revolution was one of slow and unspectacular progress in technology, despite the tumultuous developments associated with the Voyages of Discovery and the Scientific Revolution. What were the causes of technological creativity? Mokyr distinguishes between the relationship of inventors and their physical environment--which determined their willingness to challenge nature--and the social environment, which determined the openness to new ideas. He discusses a long list of such factors, showing how they interact to help or hinder a nation's creativity, and then illustrates them by a number of detailed comparative studies, examining the differences between Europe and China, between classical antiquity and medieval Europe, and between Britain and the rest of Europe during the industrial revolution. He examines such aspects as the role of the state (the Chinese gave up a millennium-wide lead in shipping to the Europeans, for example, when an Emperor banned large ocean-going vessels), the impact of science, as well as religion, politics, and even nutrition. He questions the importance of such commonly-cited factors as the spill-over benefits of war, the abundance of natural resources, life expectancy, and labor costs. Today, an ever greater number of industrial economies are competing in the global market, locked in a struggle that revolves around technological ingenuity. The Lever of Riches, with its keen analysis derived from a sweeping survey of creativity throughout history, offers telling insights into the question of how Western economies can maintain, and developing nations can unlock, their creative potential.