Author: Daniel Sawyer
Publisher: Oxford University Press
ISBN: 0192599593
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Reading English Verse in Manuscript, c.1350-c.1500 is the first book-length history of reading for later Middle English poetry. While much past work in the history of reading has revolved around marginalia, this book consults a wider range of evidence, from the weights of books in medieval bindings to relationships between rhyme and syntax. It combines literary-critical close readings, detailed case studies of particular surviving codices, and systematic manuscript surveys drawing on continental European traditions of quantitative codicology to demonstrate the variety, vitality, and formal concerns visible in the reading of verse in this period. The small-and large-scale formal features of poetry affected reading subtly but extensively, determining how readers might move through books and even shaping physical books themselves. Readers' responses to one formal feature, rhyme, meanwhile, evince a habitual but therefore deep-rooted formalism which can support and enhance close readings today. Reading English Verse in Manuscript sheds fresh light on poets such as Geoffrey Chaucer, John Lydgate, and Thomas Hoccleve, but also shows how their works were read in manuscript in the context of a much larger mass of anonymous poems that influenced canonical poems, in a pattern of mutual influence.
Reading English Verse in Manuscript c.1350-c.1500
Author: Daniel Sawyer
Publisher: Oxford University Press
ISBN: 0192599593
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Reading English Verse in Manuscript, c.1350-c.1500 is the first book-length history of reading for later Middle English poetry. While much past work in the history of reading has revolved around marginalia, this book consults a wider range of evidence, from the weights of books in medieval bindings to relationships between rhyme and syntax. It combines literary-critical close readings, detailed case studies of particular surviving codices, and systematic manuscript surveys drawing on continental European traditions of quantitative codicology to demonstrate the variety, vitality, and formal concerns visible in the reading of verse in this period. The small-and large-scale formal features of poetry affected reading subtly but extensively, determining how readers might move through books and even shaping physical books themselves. Readers' responses to one formal feature, rhyme, meanwhile, evince a habitual but therefore deep-rooted formalism which can support and enhance close readings today. Reading English Verse in Manuscript sheds fresh light on poets such as Geoffrey Chaucer, John Lydgate, and Thomas Hoccleve, but also shows how their works were read in manuscript in the context of a much larger mass of anonymous poems that influenced canonical poems, in a pattern of mutual influence.
Publisher: Oxford University Press
ISBN: 0192599593
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Reading English Verse in Manuscript, c.1350-c.1500 is the first book-length history of reading for later Middle English poetry. While much past work in the history of reading has revolved around marginalia, this book consults a wider range of evidence, from the weights of books in medieval bindings to relationships between rhyme and syntax. It combines literary-critical close readings, detailed case studies of particular surviving codices, and systematic manuscript surveys drawing on continental European traditions of quantitative codicology to demonstrate the variety, vitality, and formal concerns visible in the reading of verse in this period. The small-and large-scale formal features of poetry affected reading subtly but extensively, determining how readers might move through books and even shaping physical books themselves. Readers' responses to one formal feature, rhyme, meanwhile, evince a habitual but therefore deep-rooted formalism which can support and enhance close readings today. Reading English Verse in Manuscript sheds fresh light on poets such as Geoffrey Chaucer, John Lydgate, and Thomas Hoccleve, but also shows how their works were read in manuscript in the context of a much larger mass of anonymous poems that influenced canonical poems, in a pattern of mutual influence.
Perceptions of Medieval Manuscripts
Author: Elaine Treharne
Publisher: Oxford University Press
ISBN: 0192843818
Category : History
Languages : en
Pages : 263
Book Description
Perceptions of Medieval Manuscripts takes as its starting point an understanding that a medieval book is a whole object at every point of its long history. As such, medieval books can be studied most profitably in a holistic manner as objects-in-the-world. This means readers might profitably account for all aspects of the manuscript in their observations, from the main texts that dominate the codex to the marginal notes, glosses, names, and interventions made through time. This holistic approach allows us to tell the story of the book's life from the moment of its production to its use, collection, breaking-up, and digitization--all aspects of what can be termed 'dynamic architextuality'. The ten chapters include detailed readings of texts that explain the processes of manuscript manufacture and writing, taking in invisible components of the book that show the joy and delight clearly felt by producers and consumers. Chapters investigate the filling of manuscripts' blank spaces, presenting some texts never examined before, and assessing how books were conceived and understood to function. Manuscripts' heft and solidness can be seen, too, in the depictions of miniature books in medieval illustrations. Early manuscripts thus become archives and witnesses to individual and collective memories, best read as 'relics of existence', as Maurice Merleau-Ponty describes things. As such, it is urgent that practices fragmenting the manuscript through book-breaking or digital display are understood in the context of the book's wholeness. Readers of this study will find chapters on multiple aspects of medieval bookness in the distant past, the present, and in the assurance of the future continuity of this most fascinating of cultural artefacts.
Publisher: Oxford University Press
ISBN: 0192843818
Category : History
Languages : en
Pages : 263
Book Description
Perceptions of Medieval Manuscripts takes as its starting point an understanding that a medieval book is a whole object at every point of its long history. As such, medieval books can be studied most profitably in a holistic manner as objects-in-the-world. This means readers might profitably account for all aspects of the manuscript in their observations, from the main texts that dominate the codex to the marginal notes, glosses, names, and interventions made through time. This holistic approach allows us to tell the story of the book's life from the moment of its production to its use, collection, breaking-up, and digitization--all aspects of what can be termed 'dynamic architextuality'. The ten chapters include detailed readings of texts that explain the processes of manuscript manufacture and writing, taking in invisible components of the book that show the joy and delight clearly felt by producers and consumers. Chapters investigate the filling of manuscripts' blank spaces, presenting some texts never examined before, and assessing how books were conceived and understood to function. Manuscripts' heft and solidness can be seen, too, in the depictions of miniature books in medieval illustrations. Early manuscripts thus become archives and witnesses to individual and collective memories, best read as 'relics of existence', as Maurice Merleau-Ponty describes things. As such, it is urgent that practices fragmenting the manuscript through book-breaking or digital display are understood in the context of the book's wholeness. Readers of this study will find chapters on multiple aspects of medieval bookness in the distant past, the present, and in the assurance of the future continuity of this most fascinating of cultural artefacts.
Readers in a Revolution
Author: David McKitterick
Publisher: Cambridge University Press
ISBN: 1009200844
Category : Language Arts & Disciplines
Languages : en
Pages : 447
Book Description
This book traces a revolution in values that transformed nineteenth-century attitudes to second-hand books, bibliography and collecting.
Publisher: Cambridge University Press
ISBN: 1009200844
Category : Language Arts & Disciplines
Languages : en
Pages : 447
Book Description
This book traces a revolution in values that transformed nineteenth-century attitudes to second-hand books, bibliography and collecting.
Collecting the Past
Author: Toby Burrows
Publisher: Routledge
ISBN: 1351208543
Category : Art
Languages : en
Pages : 154
Book Description
Today’s libraries and museums are heavily indebted to the passions and obsessions of numerous individual collectors who devoted their lives to amassing collections of books, manuscripts, artworks, and other culturally significant objects. Collecting the Past brings together the latest research on a wide range of significant British collectors from the eighteenth to the twentieth centuries, including Hans Sloane, Sarah Sophia Banks, Thomas Phillipps, Sydney Cockerell, J. P. Morgan Jr., Alfred Chester Beatty and R. E. Hart. Contributors to the volume examine the phenomenon of collecting in a variety of settings and across a range of different materials. Considering the aims and motives that led these collectors to assemble such remarkable collections, the book also examines the history of these collections after the collector’s death. Particular attention is given to the often complicated relationship between collectors and the public institutions that subsequently came to house their collections. Situated within the framework of cultural collecting more generally, this book offers an authoritative series of essays on key collectors. Collecting the Past should be most interesting to researchers, academics and postgraduate students engaged in the study of museum studies, book history, manuscript studies, museum history, library history and the history of collecting. Professionals in libraries, museums and galleries will also find the volume of great interest.
Publisher: Routledge
ISBN: 1351208543
Category : Art
Languages : en
Pages : 154
Book Description
Today’s libraries and museums are heavily indebted to the passions and obsessions of numerous individual collectors who devoted their lives to amassing collections of books, manuscripts, artworks, and other culturally significant objects. Collecting the Past brings together the latest research on a wide range of significant British collectors from the eighteenth to the twentieth centuries, including Hans Sloane, Sarah Sophia Banks, Thomas Phillipps, Sydney Cockerell, J. P. Morgan Jr., Alfred Chester Beatty and R. E. Hart. Contributors to the volume examine the phenomenon of collecting in a variety of settings and across a range of different materials. Considering the aims and motives that led these collectors to assemble such remarkable collections, the book also examines the history of these collections after the collector’s death. Particular attention is given to the often complicated relationship between collectors and the public institutions that subsequently came to house their collections. Situated within the framework of cultural collecting more generally, this book offers an authoritative series of essays on key collectors. Collecting the Past should be most interesting to researchers, academics and postgraduate students engaged in the study of museum studies, book history, manuscript studies, museum history, library history and the history of collecting. Professionals in libraries, museums and galleries will also find the volume of great interest.
The Cambridge Companion to Medieval British Manuscripts
Author: Orietta Da Rold
Publisher: Cambridge University Press
ISBN: 1107102464
Category : History
Languages : en
Pages : 341
Book Description
Explains the methods and knowledge required to understand how, why, and for whom manuscripts were made in medieval Britain.
Publisher: Cambridge University Press
ISBN: 1107102464
Category : History
Languages : en
Pages : 341
Book Description
Explains the methods and knowledge required to understand how, why, and for whom manuscripts were made in medieval Britain.
Victorian Engagements with the Bible and Antiquity
Author: Simon Goldhill
Publisher: Cambridge University Press
ISBN: 1009306472
Category : Literary Criticism
Languages : en
Pages : 471
Book Description
This is the first book to establish how classical antiquity and the study of the Bible together formed Victorian ideas of the past, and consequently informed the very construction of modernity. Its multi-disciplinary approach will be valuable to scholars and graduate students in numerous disciplines across the arts and humanities.
Publisher: Cambridge University Press
ISBN: 1009306472
Category : Literary Criticism
Languages : en
Pages : 471
Book Description
This is the first book to establish how classical antiquity and the study of the Bible together formed Victorian ideas of the past, and consequently informed the very construction of modernity. Its multi-disciplinary approach will be valuable to scholars and graduate students in numerous disciplines across the arts and humanities.
Chaucer's Early Modern Readers
Author: Devani Singh
Publisher: Cambridge University Press
ISBN: 1009231103
Category : Language Arts & Disciplines
Languages : en
Pages : 287
Book Description
The first extended study of the reception of Chaucer's medieval manuscripts in the early modern period, this book focuses chiefly on fifteenth-century manuscripts and discusses how these volumes were read, used, valued, and transformed in an age of the poet's prominence in print. Each chapter argues that patterns in the material interventions made by readers in their manuscripts – correcting, completing, supplementing, and authorising – reflect conventions which circulated in print, and convey prevailing preoccupations about Chaucer in the period: the antiquity and accuracy of his words, the completeness of individual texts and of the canon, and the figure of the author himself. This unexpected and compelling evidence of the interactions between fifteenth-century manuscripts and their early modern analogues asserts print's role in sustaining manuscript culture and thus offers fresh scholarly perspectives to medievalists, early modernists, and historians of the book. This title is also available as open access on Cambridge Core.
Publisher: Cambridge University Press
ISBN: 1009231103
Category : Language Arts & Disciplines
Languages : en
Pages : 287
Book Description
The first extended study of the reception of Chaucer's medieval manuscripts in the early modern period, this book focuses chiefly on fifteenth-century manuscripts and discusses how these volumes were read, used, valued, and transformed in an age of the poet's prominence in print. Each chapter argues that patterns in the material interventions made by readers in their manuscripts – correcting, completing, supplementing, and authorising – reflect conventions which circulated in print, and convey prevailing preoccupations about Chaucer in the period: the antiquity and accuracy of his words, the completeness of individual texts and of the canon, and the figure of the author himself. This unexpected and compelling evidence of the interactions between fifteenth-century manuscripts and their early modern analogues asserts print's role in sustaining manuscript culture and thus offers fresh scholarly perspectives to medievalists, early modernists, and historians of the book. This title is also available as open access on Cambridge Core.
The Invention of Rare Books
Author: David McKitterick
Publisher: Cambridge University Press
ISBN: 1108428320
Category : Antiques & Collectibles
Languages : en
Pages : 463
Book Description
Explores how the idea of rare books was shaped by collectors, traders and libraries from the sixteenth to the nineteenth centuries. Using examples from across Europe, David McKitterick looks at how rare books developed from being desirable objects of largely private interest to become public and even national concerns.
Publisher: Cambridge University Press
ISBN: 1108428320
Category : Antiques & Collectibles
Languages : en
Pages : 463
Book Description
Explores how the idea of rare books was shaped by collectors, traders and libraries from the sixteenth to the nineteenth centuries. Using examples from across Europe, David McKitterick looks at how rare books developed from being desirable objects of largely private interest to become public and even national concerns.
Henry Bradshaw and the Foundations of Codicology
Author: Richard Beadle
Publisher:
ISBN: 9781527209077
Category : Codicology
Languages : en
Pages : 99
Book Description
Publisher:
ISBN: 9781527209077
Category : Codicology
Languages : en
Pages : 99
Book Description
Nineteenth-century British Book-collectors and Bibliographers
Author: William Baker
Publisher: Detroit, MI : Gale Research
ISBN:
Category : American prose literature
Languages : en
Pages : 560
Book Description
An eclectic view of the book and manuscript collecting and bibliographical activity during nineteenth century Britain is presented. Subjects range from the wealthy, bibliographically knowledgeable members of the aristocrats to others who impoverished themselves and their families in their obsession. Discusses how these collections were instrumental in the advocacy of the public library movement.
Publisher: Detroit, MI : Gale Research
ISBN:
Category : American prose literature
Languages : en
Pages : 560
Book Description
An eclectic view of the book and manuscript collecting and bibliographical activity during nineteenth century Britain is presented. Subjects range from the wealthy, bibliographically knowledgeable members of the aristocrats to others who impoverished themselves and their families in their obsession. Discusses how these collections were instrumental in the advocacy of the public library movement.