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Author: Nicole J. Camastra
Publisher: McFarland
ISBN: 1476690162
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
Both Ernest Hemingway and F. Scott Fitzgerald grew up in the Midwest and were strongly influenced by Romantic music, anchored by the aesthetic tastes of the German immigrants who settled across that region. Hemingway's ear for form and Fitzgerald's penchant for lyricism stem from early and frequent exposure to such masters as Johannes Brahms and Franz Schubert. Nostalgia is typically associated with romanticism, and the acoustic longing found in Hemingway and Fitzgerald's fiction resonates with it, characterized in the narrative voices in Hemingway's Winner Take Nothing, Fitzgerald's Tender Is the Night, and other of their fiction from the early thirties. Understanding that each writer has his own kind of musical biography charts new ways to read material we already think we know. Reading their work within a musico-historical context means acknowledging it as an extension of the 19th century; it means reading them as Romantic Modernists. This work reads each author's prose musically, considering how Romantic music inspired their craft and distinguished their work through the pivotal juncture of the early to mid-1930s, when each man faced an artistic crisis of conscience. Initial chapters provide background information in music history. Following chapters focus on how the life of each author was shaped by music and how they worked with specific influences that grew out of steady interactions with it, evidence of which is found in archival documents and collections.
Author: Nicole J. Camastra
Publisher: McFarland
ISBN: 1476690162
Category : Literary Criticism
Languages : en
Pages : 202
Get Book
Book Description
Both Ernest Hemingway and F. Scott Fitzgerald grew up in the Midwest and were strongly influenced by Romantic music, anchored by the aesthetic tastes of the German immigrants who settled across that region. Hemingway's ear for form and Fitzgerald's penchant for lyricism stem from early and frequent exposure to such masters as Johannes Brahms and Franz Schubert. Nostalgia is typically associated with romanticism, and the acoustic longing found in Hemingway and Fitzgerald's fiction resonates with it, characterized in the narrative voices in Hemingway's Winner Take Nothing, Fitzgerald's Tender Is the Night, and other of their fiction from the early thirties. Understanding that each writer has his own kind of musical biography charts new ways to read material we already think we know. Reading their work within a musico-historical context means acknowledging it as an extension of the 19th century; it means reading them as Romantic Modernists. This work reads each author's prose musically, considering how Romantic music inspired their craft and distinguished their work through the pivotal juncture of the early to mid-1930s, when each man faced an artistic crisis of conscience. Initial chapters provide background information in music history. Following chapters focus on how the life of each author was shaped by music and how they worked with specific influences that grew out of steady interactions with it, evidence of which is found in archival documents and collections.
Author: Nicole J. Camastra
Publisher: McFarland
ISBN: 147665171X
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
Both Ernest Hemingway and F. Scott Fitzgerald grew up in the Midwest and were strongly influenced by Romantic music, anchored by the aesthetic tastes of the German immigrants who settled across that region. Hemingway's ear for form and Fitzgerald's penchant for lyricism stem from early and frequent exposure to such masters as Johannes Brahms and Franz Schubert. Nostalgia is typically associated with romanticism, and the acoustic longing found in Hemingway and Fitzgerald's fiction resonates with it, characterized in the narrative voices in Hemingway's Winner Take Nothing, Fitzgerald's Tender Is the Night, and other of their fiction from the early thirties. Understanding that each writer has his own kind of musical biography charts new ways to read material we already think we know. Reading their work within a musico-historical context means acknowledging it as an extension of the 19th century; it means reading them as Romantic Modernists. This work reads each author's prose musically, considering how Romantic music inspired their craft and distinguished their work through the pivotal juncture of the early to mid-1930s, when each man faced an artistic crisis of conscience. Initial chapters provide background information in music history. Following chapters focus on how the life of each author was shaped by music and how they worked with specific influences that grew out of steady interactions with it, evidence of which is found in archival documents and collections.
Author: Tom Dardis
Publisher: Houghton Mifflin Harcourt (HMH)
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 312
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Book Description
Faulkner. Fitzgerald. Hemingway. O'Neill. All great American writers; all alcoholics. And as Tom Dardis convincingly tells, the work of each suffered grievously from the disease. 8 photos.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 400
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Book Description
Author: Lyle Larsen
Publisher: McFarland
ISBN: 0786480157
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
This historical and biographical text explores the numerous up-and-down stages of Gertrude Stein and Ernest Hemingway's friendship, one of the most fascinating and instructive literary associations of the twentieth century. Over a span of twenty-four years, they moved from a mentor-student relationship to a rivalry between artistic peers. Despite dramatic fluctuations--of love, admiration, jealousy, resentment and name-calling--their association endured, partly because of Stein's admitted "weakness" for Hemingway and his need for her approval. By incorporating unpublished material from the Hemingway Collection at the John F. Kennedy library in Boston, the text shines new light on this famous friendship.
Author: Francis Scott Fitzgerald
Publisher: Fesler-Lampert Minnesota Herit
ISBN: 9780816679775
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
Presents the boyhood diary of twentieth-century author F. Scott Fitzgerald who wrote about his life in the Crocus Hill neighborhood of St. Paul, Minnesota. Describes Fitzgerald's interactions with friends, rivals, and crushes--many of whom came from prominent St. Paul families. Includes an introduction and afterword discussing the history and significance of the diary.
Author: Ernest Hemingway
Publisher:
ISBN: 9781843916048
Category : Americans
Languages : en
Pages : 0
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Book Description
Written for the Toronto Star between 1920 and 1924, this selection of columns from Hemingway finds the author focusing his gaze on Paris.
Author: Gioia Diliberto
Publisher: Harper Collins
ISBN: 0062108832
Category : Biography & Autobiography
Languages : en
Pages : 402
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Book Description
“A bittersweet modern love story [that] reads as easily as a novel.” —Vogue “Fascinating. . . . A detailed, grittier portrait of the woman Hemingway loved and left.” —Newsday Hadley Richardson and Ernest Hemingway were the golden couple of Paris in the twenties, the center of an expatriate community boasting the likes of Scott and Zelda Fitzgerald, Gertrude Stein and Alice B. Toklas, and James and Nora Joyce. In this haunting account of the young Hemingways, Gioia Diliberto explores their passionate courtship, their family life in Paris with baby Bumby, and their thrilling, adventurous relationship—a literary love story scarred by Hadley’s loss of the only copy of Hemingway’s first novel and ultimately destroyed by a devastating ménage à trois on the French Riviera. Compelling, illuminating, poignant, and deeply insightful, Paris Without End provides a rare, intimate glimpse of the writer who so fully captured the American imagination and the remarkable woman who inspired his passion and his art—the only woman Hemingway never stopped loving.
Author: Jonathan Bate
Publisher: Yale University Press
ISBN: 0300262418
Category : Biography & Autobiography
Languages : en
Pages : 432
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Book Description
An immensely pleasurable biography of two interwoven, tragic figures: John Keats and F. Scott Fitzgerald In this radiant dual biography, Jonathan Bate explores the fascinating parallel lives of John Keats and F. Scott Fitzgerald, writers who worked separately—on different continents, a century apart, in distinct genres—but whose lives uncannily echoed. Not only was Fitzgerald profoundly influenced by Keats, titling Tender is the Night and other works from the poet’s lines, but the two shared similar fates: both died young, loved to drink, were plagued by tuberculosis, were haunted by their first love, and wrote into a new decade of release, experimentation, and decadence. Both were outsiders and Romantics, longing for the past as they sped blazingly into the future. Using Plutarch’s ancient model of “parallel lives,” Jonathan Bate recasts the inspired lives of two of the greatest and best-known Romantic writers. Commemorating both the bicentenary of Keats’ death and the centenary of the Roaring Twenties, this is a moving exploration of literary influence.
Author: Emer O'Sullivan
Publisher: Bloomsbury Publishing USA
ISBN: 1608199886
Category : Biography & Autobiography
Languages : en
Pages : 512
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Book Description
The first biography of Oscar Wilde that places him within the context of his family and social and historical milieu--a compelling volume that finally tells the whole story. It's widely known that Oscar Wilde was precociously intellectual, flamboyant, and hedonistic--but lesser so that he owed these characteristics to his parents. Oscar's mother, Lady Jane Wilde, rose to prominence as a political journalist, advocating a rebellion against colonialism in 1848. Proud, involved, and challenging, she opened a salon and was known as the most scintillating hostess of her day. She passed on her infectious delight in the art of living to Oscar, who drank it in greedily. His father, Sir William Wilde, was acutely conscious of injustices of the social order. He laid the foundations for the Celtic cultural renaissance in the belief that culture would establish a common ground between the privileged and the poor, Protestant and Catholic. But Sir William was also a philanderer, and when he stood accused of sexually assaulting a young female patient, the scandal and trial sent shockwaves through Dublin society. After his death, the Wildes decamped to London where Oscar burst irrepressibly upon the scene. The one role that didn't suit him was that of Victorian husband, as his wife, Constance, was to discover. For beneath his swelling head was a self-destructive itch: a lifelong devourer of attention, Oscar was unable to recognize when the party was over. Ultimately, his trial for indecency heralded the death of decadence--and his own. In a major repositioning of our first modern celebrity, The Fall of the House of Wilde identifies Oscar Wilde as a member of one of the most dazzling Irish American families of Victorian times, and places him in the broader social, political, and religious context. It is a fresh and perceptive account of one of the most prominent characters of the late nineteenth century.
