Hemingway, Expressionist Artist PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Hemingway, Expressionist Artist PDF full book. Access full book title Hemingway, Expressionist Artist by Raymond S. Nelson. Download full books in PDF and EPUB format.
Author: Raymond S. Nelson
Publisher: Iowa State Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 122
Get Book Here
Book Description
The author's thesis is that Hemingway did in words what Expressionist painters were doing in paint. Nelson describes Expressionism as a twentieth century phenomenon chracteristic of our age, marked by emotion, distortion, violent color, line and contrast, haunted by " uncontrollable cries of pain." He analyzes Hemingway's works and relates certain elements in these to works of art. 18 reproductions of works by Cezanne, Picasso, Klee, Munch and others are included.
Author: Raymond S. Nelson
Publisher: Iowa State Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 122
Get Book Here
Book Description
The author's thesis is that Hemingway did in words what Expressionist painters were doing in paint. Nelson describes Expressionism as a twentieth century phenomenon chracteristic of our age, marked by emotion, distortion, violent color, line and contrast, haunted by " uncontrollable cries of pain." He analyzes Hemingway's works and relates certain elements in these to works of art. 18 reproductions of works by Cezanne, Picasso, Klee, Munch and others are included.
Author: Raymond S. Nelson
Publisher: Iowa State Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 126
Get Book Here
Book Description
The author's thesis is that Hemingway did in words what Expressionist painters were doing in paint. Nelson describes Expressionism as a twentieth century phenomenon chracteristic of our age, marked by emotion, distortion, violent color, line and contrast, haunted by " uncontrollable cries of pain." He analyzes Hemingway's works and relates certain elements in these to works of art. 18 reproductions of works by Cezanne, Picasso, Klee, Munch and others are included.
Author: Susan F. Beegel
Publisher: University of Alabama Press
ISBN: 0817305866
Category : Literary Criticism
Languages : en
Pages : 392
Get Book Here
Book Description
Some 25 Hemingway scholars critique Hemingway's works from the early apprentice fiction of 1919, stories Hemingway wrote, dog."
Author: Peter L. Hays
Publisher: Camden House
ISBN: 1571133666
Category : History
Languages : en
Pages : 360
Get Book Here
Book Description
This History of the criticism of The Sun Also Rises shows not only how Hemingway's first major novel was received over the decades, but also how different critical modes have dominated different decades, and what, besides tenure, critics of different eras looked for in it. As such, it shows what has interested critics, how they have reinterpreted the novel, and how they have seen the characters playing different roles. Thus the novel becomes a mirror, reflecting not only Paris and Spain in 1925, but us.
Author: Jackson R. Bryer
Publisher: Durham [N.C.] : Duke University Press
ISBN:
Category : Literary Collections
Languages : en
Pages : 840
Get Book Here
Book Description
Praise for the earlier edition: "Students of modern American literature have for some years turned to Fifteen Modern American Authors (1969) as an indispensable guide to significant scholarship and criticism about twentieth-century American writers. In its new form--Sixteenth Modern American Authors--it will continue to be indispensable. If it is not a desk-book for all Americanists, it is a book to be kept in the forefront of the bibliographical compartment of their brains."--American Studies
Author: Wendolyn E. Tetlow
Publisher: Bucknell University Press
ISBN: 9780838752197
Category : Fiction
Languages : en
Pages : 172
Get Book Here
Book Description
"Many scholars consider In Our Time to be Hemingway's finest work, yet the cohesiveness of this sequence of stories and interchapters has often been questioned. Hemingway himself, however, had a clear idea of the work's integrity, as his manuscripts and letters reveal. As he wrote to his publisher Horace Liveright on 31 March 1925, "There is nothing in the book that has not a definite place in its organization and if I at any time seem to repeat myself I have a good reason for doing so" (Selected Letters, 154)." "According to Ms. Tetlow, author of this thoughtful study of Hemingway's In Our Time, the relationship among the stories and interchapters is precisely analogous to that within a modern poetic sequence as characterized by M.L. Rosenthal and Sally M. Gall in The Modern Poetic Sequence: The Genius of Modern Poetry: ". . . a grouping of mainly lyric poems and passages, rarely uniform in pattern, which tend to interact as an organic whole. It usually includes narrative and dramatic elements, and ratiocinative ones as well, but its structure is finally lyrical" (9). The structure of In Our time, then, is similar to such works as Ezra Pound's Hugh Selwyn Mauberley and T.S. Eliot's The Waste Land, works that progress tonally." "Looking closely at the language of In Our Time, Ms. Tetlow pays particular attention to recurring images and sounds, and the successive sets of feeling these tonal complexes project. She traces the lyrical pattern in the sequence as it builds in intensity from denial of fear, suffering, and death in the first stories and early interchapters, and then traces the progression to cautious resignation in the latter stories and interchapters. The author also takes into account the importance for Hemingway of Pound's and Eliot's aesthetics and demonstrates how Eliot's idea of the objective correlative and Pound's idea of "direct treatment of the 'thing'" apply to Hemingway's stories and interchapters (Literary Essays, 3)." "Opening with a discussion of the six prose pieces in the original version--the shorter "In Our Time" (1923)--the study considers the aesthetic choices Hemingway made in revising these pieces when he incorporated them in his longer sequence of eighteen in in our time (1924). The study then discusses the lyrical progression of the prose sequence in the fully developed volume In Our Time (1925). Finally, it looks at A Farewell to Arms and shows how the lyrical structure of In Our Time anticipates the longer work with its more continuous narrative pattern."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Jackson J. Benson
Publisher: Duke University Press
ISBN: 9780822310679
Category : Literary Criticism
Languages : en
Pages : 532
Get Book Here
Book Description
"This companion volume reflects current scholarship and draws together essays that were published during the past decade or written for this collection."--Back cover.
Author: Robert Paul Lamb
Publisher: LSU Press
ISBN: 0807140031
Category : Literary Criticism
Languages : en
Pages : 0
Get Book Here
Book Description
In Art Matters, Robert Paul Lamb provides the definitive study of Ernest Hemingway's short story aesthetics. Lamb locates Hemingway's art in literary historical contexts and explains what he learned from earlier artists, including Edgar Allan Poe, Paul Cézanne, Henry James, Guy de Maupassant, Anton Chekhov, Stephen Crane, Gertrude Stein, James Joyce, and Ezra Pound. Examining how Hemingway developed this inheritance, Lamb insightfully charts the evolution of the unique style and innovative techniques that would forever change the nature of short fiction. Art Matters opens with an analysis of the authorial effacement Hemingway learned from Maupassant and Chekhov, followed by fresh perspectives on the author's famous use of concision and omission. Redefining literary impressionism and expressionism as alternative modes for depicting modern consciousness, Lamb demonstrates how Hemingway and Willa Cather learned these techniques from Crane and made them the foundation of their respective aesthetics. After examining the development of Hemingway's art of focalization, he clarifies what Hemingway really learned from Stein and delineates their different uses of repetition. Turning from techniques to formal elements, Art Matters anatomizes Hemingway's story openings and endings, analyzes how he created an entirely unprecedented role for fictional dialogue, explores his methods of characterization, and categorizes his settings in the fifty-three stories that comprise his most important work in the genre. A major contribution to Hemingway scholarship and to the study of modernist fiction, Art Matters shows exactly how Hemingway's craft functions and argues persuasively for the importance of studies of articulated technique to any meaningful understanding of fiction and literary history. The book also develops vital new ways of understanding the short story genre as Lamb constructs a critical apparatus for analyzing the short story, introduces to a larger audience ideas taken from practicing storywriters, theorists, and critics, and coins new terms and concepts that enrich our understanding of the field.
Author: M. Roston
Publisher: Springer
ISBN: 0230389406
Category : Literary Criticism
Languages : en
Pages : 315
Get Book Here
Book Description
In this stimulating study, the author explores how Conrad, T.S.Eliot, Woolf, Joyce, Faulkner, Hemingway, Huxley and others responded to the immediate challenges of their time, to the implications of Freudian psychology, molecular theory, relativist theory, and the general weakening of religious faith. Assuming that artists and writers, in coping with those problems, would develop techniques in many ways comparable, even where there was no direct contact, he positions Modernist literature within the context of contemporary painting, architecture and sculpture, thereby providing some fascinating insights into the nature of the literary works themselves.
Author: Bernard Stanley Oldsey
Publisher: Penn State University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 144
Get Book Here
Book Description
Discusses Hemingway's labor over the novel that became "A Farewell to Arms," including his various attempts at the beginning, his 42 versions of an ending, and his choice of a title.
