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Author: Norman Austin
Publisher: Cornell University Press
ISBN: 1501720708
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
Like the male heroes of epic poetry, Helen of Troy has been immortalized, but not for deeds of strength and honor; she is remembered as the beautiful woman who disgraced herself and betrayed her family and state. Norman Austin here surveys interpretations of Helen in Greek literature from the Homeric period through later antiquity. He looks most closely at a revisionist myth according to which Helen never sailed to Troy, but remained blameless, while a libertine phantom or ghost impersonated her at Troy. Comparing the functions of contradictory images of Helen, Austin helps to clarify the problematic relations between beauty and honor and between ugliness and shame in ancient Greece. Austin first discusses the canonical account of the Iliad and the Odyssey: Helen as the archetype of woman without shame. He next considers different versions of Helen in the Homeric tradition. Among these, he shows how Sappho presents Helen as an icon of absolute beauty while she defends her own preference of eros over honor and her choice of woman as the object of desire. Austin then turns to three major authors who repudiated the traditional Helen of Troy: the lyric poet Stesichorus and the dramatist Euripides, who embraced the alternative myth of Helen's phantom; and the historian Herodotus, who claimed to have found in Egypt a Helen story that dispenses with both Helen and the phantom. Austin maintains that the conflicting motives that prompted these writers to rehabilitate Helen led to further revisions of her image, though none have endured as a credible substitute for the Helen of epic tradition.
Author: Norman Austin
Publisher: Cornell University Press
ISBN: 1501720708
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
Like the male heroes of epic poetry, Helen of Troy has been immortalized, but not for deeds of strength and honor; she is remembered as the beautiful woman who disgraced herself and betrayed her family and state. Norman Austin here surveys interpretations of Helen in Greek literature from the Homeric period through later antiquity. He looks most closely at a revisionist myth according to which Helen never sailed to Troy, but remained blameless, while a libertine phantom or ghost impersonated her at Troy. Comparing the functions of contradictory images of Helen, Austin helps to clarify the problematic relations between beauty and honor and between ugliness and shame in ancient Greece. Austin first discusses the canonical account of the Iliad and the Odyssey: Helen as the archetype of woman without shame. He next considers different versions of Helen in the Homeric tradition. Among these, he shows how Sappho presents Helen as an icon of absolute beauty while she defends her own preference of eros over honor and her choice of woman as the object of desire. Austin then turns to three major authors who repudiated the traditional Helen of Troy: the lyric poet Stesichorus and the dramatist Euripides, who embraced the alternative myth of Helen's phantom; and the historian Herodotus, who claimed to have found in Egypt a Helen story that dispenses with both Helen and the phantom. Austin maintains that the conflicting motives that prompted these writers to rehabilitate Helen led to further revisions of her image, though none have endured as a credible substitute for the Helen of epic tradition.
Author: Julia Bloch
Publisher: University of Iowa Press
ISBN: 1609389441
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Sometimes the word “lyric” seems to appear everywhere: either it’s used interchangeably with the word “poetry” or it attaches to descriptions of literature, art, film, and even ordinary objects in order to capture some quality of aesthetic appeal or meaning. Lyric Trade is not yet another attempt to define the lyric, but instead it digs into how poems use lyric in relation to race, gender, nation, and empire. Engaging with poets such as Gwendolyn Brooks, H.D., Lorine Niedecker, Alice Notley, and Myung Mi Kim, this book asks: What does lyric mean, and why should it matter to poets and readers? Lyric Trade argues that lyric in the postwar long poem not only registers the ideological contradictions of modernism’s insistence on new forms, but that it also maps spaces for formal reimaginings of the subject.
Author: Vanda Zajko
Publisher: OUP Oxford
ISBN: 0191556920
Category : Literary Criticism
Languages : en
Pages : 464
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Book Description
Laughing with Medusa explores a series of interlinking questions, including: Does history's self-positioning as the successor of myth result in the exclusion of alternative narratives of the past? How does feminism exclude itself from certain historical discourses? Why has psychoanalysis placed myth at the centre of its explorations of the modern subject? Why are the Muses feminine? Do the categories of myth and politics intersect or are they mutually exclusive? Does feminism's recourse to myth offer a script of resistance or commit it to an ineffective utopianism? Covering a wide range of subject areas including poetry, philosophy, science, history, and psychoanalysis as well as classics, this book engages with these questions from a truly interdisciplinary perspective. It includes a specially commisssioned work of fiction, `Iphigeneia's Wedding', by the poet Elizabeth Cook.
Author: William Wians
Publisher: State University of New York Press
ISBN: 1438427433
Category : Philosophy
Languages : en
Pages : 293
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Book Description
Explores the philosophical dimensions present in the works of ancient Greek poets and playwrights.
Author: Leah Culligan Flack
Publisher: Cambridge University Press
ISBN: 1316453707
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
This comparative study crosses multiple cultures, traditions, genres, and languages in order to explore the particular importance of Homer in the emergence, development, and promotion of modernist writing. It shows how and why the Homeric epics served both modernist formal experimentation, including Pound's poetics of the fragment and Joyce's sprawling epic novel, and sociopolitical critiques, including H.D.'s analyses of the cultural origins of twentieth-century wars and Mandelstam's poetic defiance of the totalitarian Stalinist regime. The book counters a long critical tradition that has recruited Homer to consolidate, champion and, more recently, chastise an elitist, masculine modernist canon. Departing from the tradition of reading these texts in isolation as mythic engagements with the Homeric epics, Leah Flack argues that ongoing dialogues with Homer helped these writers to mount their distinct visions of a cosmopolitan post-war culture that would include them as artists working on the margins of the Western literary tradition.
Author: Ruby Blondell
Publisher: Oxford University Press
ISBN: 0190263539
Category : History
Languages : en
Pages : 308
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Book Description
Helen of Troy engages with the ancient origins of the persistent anxiety about female beauty, focusing on this key figure from ancient Greek culture in a way that both extends our understanding of that culture and provides a useful perspective for reconsidering aspects of our own.
Author: John E. Thorburn
Publisher: Infobase Publishing
ISBN: 0816074984
Category : Literary Criticism
Languages : en
Pages : 689
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Book Description
Surveys important Greek and Roman authors, plays, characters, genres, historical figures and more.
Author: Jennifer R. March
Publisher: Oxbow Books
ISBN: 1782976361
Category : History
Languages : en
Pages : 544
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Book Description
Jenny March’s acclaimed Dictionary of Classical Mythology, first published in 1998 but long out of print, has been extensively revised and expanded including a completely new set of beautiful line-drawing illustrations for this Oxbow edition. It is a comprehensive A – Z guide to Greek and Roman mythology. All major myths, legends and fables are here, including gods and goddesses, heroes and villains, dangerous women, legendary creatures and monsters. Characters such as Achilles and Odysseus have extensive entries, as do epic journeys and heroic quests, like that of Jason and the Argonauts to win the Golden Fleece, all alongside a plethora of information on the creation of the cosmos, the many metamorphoses of gods and humans, and the Trojan War, plus more minor figures – nymphs, seers, kings, rivers, to name but a few. In this superbly authoritative work the myths are brilliantly retold, along with any major variants, and with extensive translations from ancient authors that give life to the narratives and a sense of the vibrant cultures that shaped the development of classical myth. The 172 illustrations give visual immediacy to the words, by showing how ancient artists perceived their gods and heroes. The impact of myths on ancient art is also explored, as is and their influence in the postclassical arts, emphasising the ongoing inspiration afforded by the ancient myths. Also included are two maps of the ancient world, a list of the ancient sources and their chronology, the more important genealogies, and an index of recurrent mythical motifs.
Author: Terry E. Smith
Publisher: University of Chicago Press
ISBN: 9780226763859
Category : Art
Languages : en
Pages : 328
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Book Description
Impossible Presence brings together new work in film studies, critical theory, art history, and anthropology for a multifaceted exploration of the continuing proliferation of visual images in the modern era. It also asks what this proliferation—and the changing technologies that support it—mean for the ways in which images are read today and how they communicate with viewers and spectators. Framed by Terry Smith's introduction, the essays focus on two kinds of strangeness involved in experiencing visual images in the modern era. The first, explored in the book's first half, involves the appearance of oddities or phantasmagoria in early photographs and cinema. The second type of strangeness involves art from marginalized groups and indigenous peoples, and the communicative formations that result from the trafficking of images between people from vastly different cultures. With a stellar list of contributors, Impossible Presence offers a wide-ranging look at the fate of the visual image in modernity, modern art, and popular culture. Contributors: Jean Baudrillard Marshall Berman Jeremy Gilbert-Rolfe Elizabeth Grosz Tom Gunning Peter Hutchings Fred R. Myers Javier Sanjines Richard Shiff Hugh J. Silverman Terry Smith
Author: Matthew Gumpert
Publisher: University of Wisconsin Pres
ISBN: 029917123X
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
History is a love story: a tale of desire and jealousy, abandonment and fidelity, abduction and theft, rupture and reconciliation. This contention is central to Grafting Helen, Matthew Gumpert's original and dazzling meditation on Helen of Troy as a crucial anchor for much of Western thought and literature. Grafting Helen looks at "classicism"—the privileged rhetorical language for describing cultural origins in the West—as a protracted form of cultural embezzlement. No coin in the realm has been more valuable, more circulated, more coveted, or more counterfeited than the one that bears the face of Helen of Troy. Gumpert uncovers Helen as the emblem for the past as something to be stolen, appropriated, imitated, extorted, and coveted once again. Tracing the figure of Helen from its classical origins through the Middle Ages, the French Renaissance, and the modern era, Gumpert suggests that the relation of current Western culture to the past is not like the act of coveting; it is the act of coveting, he argues, for it relies on the same strategies, the same defenses, the same denials, and the same delusions.
