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Author: Charlotte Elizabeth
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 412
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Book Description
Author: Charlotte Elizabeth
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 412
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Book Description
Author: Charlotte Elizabeth
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 528
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Book Description
Author: Charlotte Elizabeth
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 524
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Book Description
Author: Joseph Kestner
Publisher: Taylor & Francis
ISBN: 1000653056
Category : Literary Criticism
Languages : en
Pages : 203
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Book Description
The social novel in nineteenth-century Britain has been considered the effort of a predominantly male canon of writers. In this ground-breaking study, originally published in 1985, Joseph Kestner challenges that assumption, arguing that it was a succession of female writers – women often meriting only a footnote in literary history – who initiated and advanced the tradition of using narrative fiction to register protest, expose abuses, and promote reform. Kestner explores the contributions to Victorian social policy by the fiction of these neglected authors (Hannah More, Elizabeth Stone, Frances Trollope, Charlotte Tonna, Camilla Toulmin, Geraldine Jewsbury, Fanny Mayne, Julia Kavanagh, Dinah Mulock Craik) as well as more prominent female authors (Maria Edgeworth, Harriet Martineau, Elizabeth Gaskell, Charlotte Brontë, George Eliot) and male writers (Charles Dickens, Benjamin Disraeli, G. M. W. Reynolds, John Galt, Charles Kingsley). This is an important work for every scholar, student, and reader of nineteenth-century literature and history, women’s studies, and sociology. Kestner’s book will encourage a reappraisal of women writers and their role in Victorian Britain and advance a long-needed reassessment of the traditional canon of nineteenth-century literature. In rediscovering the literary and social contribution of these undervalued writers, Kestner provides a chronological assessment of the female social narrative. Tracing the form from its inception in the late eighteenth century to its evolution in the 1830s and 1840s and to its maturation in the 1850s and 1860s, he reveals the continuity of a developing literary tradition that included early writers like More and later practitioners like Tonna, Stone, Jewsbury, and Mayne. In the process Kestner establishes a new basis for assessing major writers such as Eliot and Gaskell. In consciously using fiction for social protest purposes, these novelists were responding to a society marked by transition. Their common emphasis was on the plight of the disenfranchised in a new era and the need for manifold reforms in such areas as housing, labor legislation, education, childcare, access to employment, sanitation, and marital law. Reform was necessary as England evolved from an agricultural to an industrial economic system. Kestner uses evidence such as Parliamentary investigations and early social reporting by James Kay, William Cooke Taylor, Peter Gaskell, and others to assess the validity of the protests of these novelists. Their impassioned novels supplemented the legislative findings of male-dominated Parliamentary committees and reached an audience, often specifically addressed as female, that government documents could not. Galvanizing readers through their narratives, the socially conscious female writers gained new political influence that contributed to legislative process. These writers also won artistic ground, commanding a serious literary attention and respect never before accorded women writers. It is that serious literary status, Kestner argues, unjustly neglected for so long, that must be reclaimed today as we rethink and revise our view of Victorian fiction.
Author: James R. Simmons, Jr
Publisher: Broadview Press
ISBN: 9781551112725
Category : Biography & Autobiography
Languages : en
Pages : 500
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Book Description
Factory Lives contains four works of great importance in the field of nineteenth-century working-class autobiography: John Brown’s A Memoir of Robert Blincoe; William Dodd’s A Narrative of the Experience and Sufferings of William Dodd; Ellen Johnston’s “Autobiography”; and James Myles’s Chapters in the Life of a Dundee Factory Boy. This Broadview edition also includes a remarkably rich selection of historical documents that provide context for these works. Appendices include contemporary responses to the autobiographies, debates on factory legislation, transcripts of testimony given before parliamentary committees on child labour, and excerpts from literary works on factory life by Harriet Martineau, Frances Trollope, and Elizabeth Barrett Browning, among others.
Author: Edmund Yates
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 200
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Book Description
Author: Patrick Brantlinger
Publisher: John Wiley & Sons
ISBN: 0470997206
Category : Literary Criticism
Languages : en
Pages : 528
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Book Description
The Companion to the Victorian Novel provides contextual and critical information about the entire range of British fiction published between 1837 and 1901. Provides contextual and critical information about the entire range of British fiction published during the Victorian period. Explains issues such as Victorian religions, class structure, and Darwinism to those who are unfamiliar with them. Comprises original, accessible chapters written by renowned and emerging scholars in the field of Victorian studies. Ideal for students and researchers seeking up-to-the-minute coverage of contexts and trends, or as a starting point for a survey course.
Author:
Publisher:
ISBN:
Category : Christianity
Languages : en
Pages : 730
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Book Description
Author: Stephen Knight
Publisher: Taylor & Francis
ISBN: 1040025889
Category : Literary Criticism
Languages : en
Pages : 182
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Book Description
English Industrial Fiction of the Mid-Nineteenth Century discusses the valuable fiction written in mid-nineteenth-century Britain which represents the situations of the new breed of industrial workers, both the mostly male factory workers who operated in the oppressive mills of the midlands and north and, in other stories, the oppressed seamstresses who worked mostly in London in very poor and low-paid conditions. Beginning with a general introduction to workers’ fiction at the start of the period, this volume charts the rise of an identifiable genre of industrial fiction and the development of a substantial mode of seamstress fiction through the 1840s, including an analysis of novels by Benjamin Disraeli, Charles Kingsley, Elizabeth Gaskell and Charles Dickens, and more briefly Charlotte Bronte, Geraldine Jewsbury and George Eliot. This volume is essential reading for students and scholars of industrial fiction and nineteenth-century Britain, or those with an interest in the relationship between literature, society and politics.
Author: Christine L. Krueger
Publisher: University of Virginia Press
ISBN: 0813928974
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
Taking her title from the British term for legal study, "to read for the law," Christine L. Krueger asks how "reading for the law" as literary history contributes to the progressive educational purposes of the Law and Literature movement. She argues that a multidisciplinary "historical narrative jurisprudence" strengthens narrative legal theorists' claims for the transformative powers of stories by replacing an ahistorical opposition between literature and law with a history of their interdependence, and their embeddedness in print culture. Focusing on gender and feminist advocacy in the long nineteenth century, Reading for the Law demonstrates the relevance of literary history to feminist jurisprudence and suggests how literary history might contribute to other forms of "outsider jurisprudence." Krueger develops this argument across discussions of key jurisprudential concepts: precedent, agency, testimony, and motive. She draws from a wide range of literary, legal, and historical sources, from the early modern period through the Victorian age, as well as from contemporary literary, feminist, and legal theory. Topics considered include the legacy of witchcraft prosecutions, the evolution of the Reasonable Man standard of evidence in lunacy inquiries, the fate of female witnesses and pro se litigants, advocacy for female prisoners and infanticide defendants, and defense strategies for men accused of indecent assault and sodomy. The saliency of the nineteenth-century British literary culture stems in part from its place in a politico-legal tradition that produces the very conditions of narrative legal theorists’ aspirations for meaningful social transformation in modern, multicultural democracies.
