Heinrich Von Kleist's Poetics of Passivity (Studies in German Literature, Linguistics, and Culture) PDF Download
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Author: Steven R. Huff
Publisher: Studies in German Literature L
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 248
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Book Description
"This book scrutinizes for the first time a key element in Kleist's thought and poetic process: his obsession with the problem of passivity. Scholars have long been attracted to the dynamic, larger-than-life characters in Kleist's fiction and drama, overlooking the fact that Kleist's works often turn on moments of stasis, as these same protagonists are suddenly and sometimes brutally rendered passive. Through a careful, historically grounded, and original investigation incorporating extensive primary research in late-Enlightenment natural philosophy and eighteenth-century medical practices, the study sheds light on these nodal points in Kleist's work, contending that these structures of passivity are so pervasive and so systematic in his work that they can justifiably and profitably be viewed as constituting a kind of poetics."--BOOK JACKET.
Author: Steven R. Huff
Publisher: Studies in German Literature L
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 248
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Book Description
"This book scrutinizes for the first time a key element in Kleist's thought and poetic process: his obsession with the problem of passivity. Scholars have long been attracted to the dynamic, larger-than-life characters in Kleist's fiction and drama, overlooking the fact that Kleist's works often turn on moments of stasis, as these same protagonists are suddenly and sometimes brutally rendered passive. Through a careful, historically grounded, and original investigation incorporating extensive primary research in late-Enlightenment natural philosophy and eighteenth-century medical practices, the study sheds light on these nodal points in Kleist's work, contending that these structures of passivity are so pervasive and so systematic in his work that they can justifiably and profitably be viewed as constituting a kind of poetics."--BOOK JACKET.
Author: Steven Howe
Publisher: Camden House
ISBN: 1571135545
Category : Biography & Autobiography
Languages : en
Pages : 250
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Book Description
By reconsidering Kleist's reception of Rousseau and placing it in historical context, this book sheds new light on a range of political and ethical issues at play in Kleist's work. Heinrich von Kleist is renowned as an author who posed a radical challenge to the orthodoxies of his age. Today, his works are frequently seen to relentlessly deconstruct the paradigms of Idealism and to reflect a Romantic, even postmodern, perspective on the ambiguities of the world. Such a view fails, however, to do full justice to the more complex manner in which Kleist articulates the tensions between the securities of Enlightenment thought and the anxieties of the revolutionary age. Steven Howe offers a new angle on Kleist's dialogue with the Enlightenment by reconsidering his investment in the philosophy of Jean-Jacques Rousseau. Where previous critics have trivialized this as intense but fleeting and born of personal identification, Howe here establishes Rousseau's importance as a lasting source of inspiration for the violent constellations of Kleist's fiction. Taking account of both Rousseau'scritique of modernity and his later propositions for working toward the Enlightenment promise of emancipation, the book locates a mode of discourse which, placed in the historical context of the French Revolution and Napoleonic Wars, sheds new light on the political and ethical issues at play in Kleist's work. Steven Howe is Associate Research Fellow at the University of Exeter, UK. He is co-editor, with Ricarda Schmidt and Seán Allan, of Heinrich von Kleist: Konstruktive und Destruktive Funktionen von Gewalt (forthcoming, 2012).
Author: Arthur James Wells
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 2744
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Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 612
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Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 606
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Book Description
Author: Siegfried Mews
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Nicholas Boyle
Publisher: Oxford University Press, USA
ISBN: 0199206597
Category : Fiction
Languages : en
Pages : 185
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Book Description
German writers, be it Goethe, Nietzsche, Marx, Brecht or Mann, have had a profound influence on the modern world. This Very Short Introduction illuminates the particular character and power of German literature, and examines its impact on the wider cultural world.
Author: Lorella Bosco
Publisher: Cambridge Scholars Publishing
ISBN: 1527560643
Category : Literary Criticism
Languages : en
Pages : 178
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Book Description
The recent emergence of the discipline of literary animal studies regards literature in itself as constitutive element of a history of knowledge. The discipline has led not only to the expansion of the corpus of texts traditionally connected with animals, but also established new concepts and methods for revising conventional cultural dichotomies (subject and object, human and animal). The 10 essays collected in this volume are devoted to a wide range of case studies on the relationship between animality and poetics in German-language literature since the 19th century. They display a variety of theoretical and methodological approaches to a number of texts packed with references to animals, considered not primarily as objects of literature, but as agents endowed with an active role in the production of literature, and which have left repressed or forgotten traces in texts.
Author: Jane O. Newman
Publisher: Cornell University Press
ISBN: 0801461367
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
In Benjamin’s Library, Jane O. Newman offers, for the first time in any language, a reading of Walter Benjamin’s notoriously opaque work, Origin of the German Tragic Drama that systematically attends to its place in discussions of the Baroque in Benjamin’s day. Taking into account the literary and cultural contexts of Benjamin’s work, Newman recovers Benjamin’s relationship to the ideologically loaded readings of the literature and political theory of the seventeenth-century Baroque that abounded in Germany during the political and economic crises of the Weimar years. To date, the significance of the Baroque for Origin of the German Tragic Drama has been glossed over by students of Benjamin, most of whom have neither read it in this context nor engaged with the often incongruous debates about the period that filled both academic and popular texts in the years leading up to and following World War I. Armed with extraordinary historical, bibliographical, philological, and orthographic research, Newman shows the extent to which Benjamin participated in these debates by reconstructing the literal and figurative history of sixteenth- and seventeenth-century books that Benjamin analyzes and the literary, art historical and art theoretical, and political theological discussions of the Baroque with which he was familiar. In so doing, she challenges the exceptionalist, even hagiographic, approaches that have become common in Benjamin studies. The result is a deeply learned book that will infuse much-needed life into the study of one of the most influential thinkers of the twentieth century.
Author: Günter Blamberger
Publisher:
ISBN: 9783846765746
Category : Anxiety in literature
Languages : en
Pages : 0
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Book Description
Kleist has fascinated readers like no other German writer. How did a one-time soldier with an unremarkable literary education become one of the greatest innovators of German literature? What allows for the tragedy of his life? In what ways does his work speak to us today? In his great biography Günter Blamberger gives us a new Kleist: Unlike conventional approaches, he does not try to understand Kleist's life from the perspective of its end--from the perspective of his suicide as the final catastrophe of a life in permanent crisis. Rather, he remains at eye-level with Kleist's present, narrating from the perspective of Kleist's experience--in the moment with him--capturing the unsettling or the astonishing in each phase of his life, the explosive nature of each one of his risky experiments in living and writing. The result is an indispensable work of German literary history--a vivid, captivating biography of one of the greatest literary geniuses of all time.
