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Author: Julian Young
Publisher: Cambridge University Press
ISBN: 9780521791762
Category : Philosophy
Languages : en
Pages : 206
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Book Description
This book, the first comprehensive study in English of Heidegger's philosophy of art, starts in the mid-1930s with Heidegger's discussion of the Greek temple and his Hegelian declaration that a great artwork gathers together an entire culture in affirmative celebration of its foundational 'truth', and that, by this criterion, art in modernity is 'dead'. His subsequent work on Hölderlin, whom he later identified as the decisive influence on his mature philosophy, led him into a passionate engagement with the art of Rilke, Cézanne, Klee and Zen Buddhism, liberating him not only from the overly restrictive conception of art of the mid-1930s but also from the disastrous politics of the period. Drawing on material hitherto unknown in the anglophone world, Young establishes a new account of Heidegger's philosophy of art and shows that his famous essay 'The Origin of the Work of Art' is its beginning, not its end.
Author: Julian Young
Publisher: Cambridge University Press
ISBN: 9780521791762
Category : Philosophy
Languages : en
Pages : 206
Get Book Here
Book Description
This book, the first comprehensive study in English of Heidegger's philosophy of art, starts in the mid-1930s with Heidegger's discussion of the Greek temple and his Hegelian declaration that a great artwork gathers together an entire culture in affirmative celebration of its foundational 'truth', and that, by this criterion, art in modernity is 'dead'. His subsequent work on Hölderlin, whom he later identified as the decisive influence on his mature philosophy, led him into a passionate engagement with the art of Rilke, Cézanne, Klee and Zen Buddhism, liberating him not only from the overly restrictive conception of art of the mid-1930s but also from the disastrous politics of the period. Drawing on material hitherto unknown in the anglophone world, Young establishes a new account of Heidegger's philosophy of art and shows that his famous essay 'The Origin of the Work of Art' is its beginning, not its end.
Author: Iain D. Thomson
Publisher: Cambridge University Press
ISBN: 1139498975
Category : Philosophy
Languages : en
Pages : 267
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Book Description
Heidegger, Art, and Postmodernity offers a radical new interpretation of Heidegger's later philosophy, developing his argument that art can help lead humanity beyond the nihilistic ontotheology of the modern age. Providing pathbreaking readings of Heidegger's 'The Origin of the Work of Art' and his notoriously difficult Contributions to Philosophy (From Enowning), this book explains precisely what postmodernity meant for Heidegger, the greatest philosophical critic of modernity, and what it could still mean for us today. Exploring these issues, Iain D. Thomson examines several postmodern works of art, including music, literature, painting and even comic books, from a post-Heideggerian perspective. Clearly written and accessible, this book will help readers gain a deeper understanding of Heidegger and his relation to postmodern theory, popular culture and art.
Author: Dr Aron Vinegar
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409456131
Category : Art
Languages : en
Pages : 378
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Book Description
Heidegger and the Work of Art History explores the impact and future possibilities of Heidegger’s philosophy for art history and visual culture in the 21st century. Scholars from the fields of art history, visual and material studies, design, philosophy, aesthetics and new media pursue diverse lines of thinking that have departed from Heidegger’s work in order to foster compelling new accounts of works of art and their historicity.
Author: Matthew Biro
Publisher:
ISBN: 9780521598347
Category : Art
Languages : en
Pages : 319
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Book Description
A study of the relationship between Anselm Kiefer and Martin Heidegger.
Author: Jules Simon
Publisher: Bloomsbury Publishing USA
ISBN: 1441131671
Category : Philosophy
Languages : en
Pages : 303
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Book Description
Two German philosophers working during the Weimar Republic in Germany, between the two World Wars, produced seminal texts that continue to resonate almost a hundred years later. Franz Rosenzweig-a Jewish philosopher, and Martin Heidegger-a philosopher who at one time was studying to become a Catholic priest, each in their own, particular way include in their writings powerful philosophies of art that, if approached phenomenologically and ethically, provide keys to understanding their radically divergent trajectories, both biographically and for their philosophical heritage. Simon provides a close reading of some of their essential texts-The Star of Redemption for Rosenzweig and Being and Time and The Origin of the Work of Art for Heidegger-in order to draw attention to how their philosophies of art can be understood to provide significant ethical directives.
Author: Andrew Mitchell
Publisher: Stanford University Press
ISBN: 0804775761
Category : Philosophy
Languages : en
Pages : 142
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Book Description
In the 1950s and 60s, Martin Heidegger turned to sculpture to rethink the relationship between bodies and space and the role of art in our lives. In his texts on the subject—a catalog contribution for an Ernst Barlach exhibition, a speech at a gallery opening for Bernhard Heiliger, a lecture on bas-relief depictions of Athena, and a collaboration with Eduardo Chillida—he formulates his later aesthetic theory, a thinking of relationality. Against a traditional view of space as an empty container for discrete bodies, these writings understand the body as already beyond itself in a world of relations and conceive of space as a material medium of relational contact. Sculpture shows us how we belong to the world, a world in the midst of a technological process of uprooting and homelessness. Heidegger suggests how we can still find room to dwell therein. Filled with illustrations of works that Heidegger encountered or considered, Heidegger Among the Sculptors makes a singular contribution to the philosophy of sculpture.
Author: Claude Cernuschi
Publisher: Lexington Books
ISBN: 1611475198
Category : Art
Languages : en
Pages : 349
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Book Description
This book investigates the writings and works of the American Abstract Expressionist artist Barnett Newman in light of ideas articulated by one of Germany's most important and influential philosophers: Martin Heidegger. At the intersection of art history and philosophy, an int...
Author: Michael E. Zimmerman
Publisher: Indiana University Press
ISBN: 9780253114686
Category : Philosophy
Languages : en
Pages : 340
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Book Description
"Writing in a lively and refreshingly clear American English, Zimmerman provides an uncompromisingly honest and judicious account... of Heidegger's views on technology and his involvement with National Socialism.... One of the most important books on Heidegger in recent years." -- John D. Caputo "... superb... " -- Thomas Sheehan, The New York Review of Books "... thorough and complex... " -- Choice "... excellent guide to Heidegger as eco-philosopher." -- Radical Philosophy "... engrossing, rich in substance... makes clear Heidegger's importance for the issue of technology, ethics, and politics." -- Religious Studies Review The relation between Martin Heidegger's understanding of technology and his affiliation with and conception of National Socialism is the leading idea of this fascinating and revealing book. Zimmerman shows that the key to the relation between Heidegger's philosophy and his politics was his concern with the nature of working and production.
Author: K. Harries
Publisher: Springer Science & Business Media
ISBN: 1402099894
Category : Philosophy
Languages : en
Pages : 205
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Book Description
In recent years there has been a great deal of talk about a possible death of art. As the title of Heidegger’s “The Origin of the Work of Art” suggests, the essay challenges such talk, just as it in turn is challenged by such talk, talk that is supported by the current state of the art-world. It was Hegel, who most profoundly argued that the shape of our modern world no longer permits us to grant art the significance it once possessed. Hegel’s proclamation of the end of art in its highest sense shadows this commentary, as it shadows Heidegger’s essay. Heidegger’s problematic turn from the philosopher Hegel to the poet Hölderlin is born of the conviction that we must not allow Hegel to here have the last word. At stake is the future of art. But more importantly, if we are to accept Heidegger’s argument, at stake is the future of humanity. But all who are eager to find in Heidegger’s essay pointers concerning where not just art, but we should be heading, should be made wary by Heidegger’s politicizing of art and aestheticizing of politics. Both remain temptations that demand a critical response. This commentary demonstrates the continued relevance of Heidegger’s reflections.
Author: Hendrik Auret
Publisher: Routledge
ISBN: 1351232770
Category : Architecture
Languages : en
Pages : 431
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Book Description
Christian Norberg-Schulz’s Interpretation of Heidegger’s Philosophy investigates the theoretical contribution of the world-renowned Norwegian architectural theorist Christian Norberg-Schulz (1926 – 2000) and considers his architectural interpretation of the writings of German philosopher Martin Heidegger. Though widely recognised as providing the most comprehensive reading of Heideggerian philosophy through the lens of architecture, this book argues that Norberg-Schulz neglected one of the key aspects of the philosopher’s contributions: the temporal nature of being-in-the-world as care. The undeveloped architectural implications of the ontological concept of care in his work prevented the fruition of his ultimate aim, transforming the ‘art of place’ into an ‘art of living’. This book seeks to realign Norberg-Schulz’s understanding of time as continuity and change to present a holistic approach grounded in Heidegger’s phenomenological philosophy; architecture as art of care. Aimed at academics and scholars in architectural theory, history and philosophy, Christian Norberg-Schulz’s Interpretation of Heidegger’s Philosophy surveys the implications and significance of the theorist’s works on architectural criticism in the late 20th century.
