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Author: Donald F. McCallum
Publisher: University of Hawaii Press
ISBN: 0824831144
Category : Art
Languages : en
Pages : 354
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Book Description
In his detailed analysis of the four temples, McCallum considers historiographical issues, settings and layouts, foundations, tiles, relics, and icons and allows readers to follow their chronological evolutions.
Author: Donald F. McCallum
Publisher: University of Hawaii Press
ISBN: 0824831144
Category : Art
Languages : en
Pages : 354
Get Book Here
Book Description
In his detailed analysis of the four temples, McCallum considers historiographical issues, settings and layouts, foundations, tiles, relics, and icons and allows readers to follow their chronological evolutions.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 238
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Book Description
Author: Japan. Monbushō. Shūkyōkyoku
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 282
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Book Description
Author: Stephen Turnbull
Publisher: Bloomsbury Publishing
ISBN: 184908033X
Category : History
Languages : en
Pages : 66
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Book Description
From the 10th century onwards the great Japanese monastic foundations of Nara and Mount Hiei maintained large armies of warlike monks. The tempestuous political rivalries that developed between the different orders of monks and religiously inspired laymen ensured that their temples and monasteries had to be securely sited and robustly defended. This books recreates these enormous fortified monasteries and temples, tracing their development from the 10th century through to the Sengoku Jidai period and the rise of the power of the shogunate under Tokugawa Ieyasu.
Author: William M. Johnston
Publisher: Taylor & Francis
ISBN: 9781579580902
Category : History
Languages : en
Pages : 866
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Book Description
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Mikael S. Adolphson
Publisher: University of Hawaii Press
ISBN: 0824862813
Category : Art
Languages : en
Pages : 465
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Book Description
"This exceptionally rich set of essays substantially advances our understanding of the Heian era, presenting the period as more fascinating, multi-faceted, and integrated than it has ever been before. This volume marks a turning point in the study of early Japanese culture and will be indispensable for future explorations of the era." —Andrew Edmund Goble, University of Oregon "As a Japanese historian, I enthusiastically recommend Heian Japan, Centers and Peripheries, the first multi-author English-language academic work to offer a synthetic treatment of the Heian period. Japan’s emperor system is the last remaining sovereignty of its kind in human history, and this volume is indispensable when considering what sovereignty itself means in the present. To that end, the classical patterns established in the Heian period are superbly analyzed in this volume through the dual approach of ‘centers and peripheries.’" —Hotate Michihisa, Historiographical Institute, University of Tokyo The first three centuries of the Heian period (794–1086) saw some of its most fertile innovations and epochal achievements in Japanese literature and the arts. It was also a time of important transitions in the spheres of religion and politics, as aristocratic authority was consolidated in Kyoto, powerful court factions and religious institutions emerged, and adjustments were made in the Chinese-style system of ruler-ship. At the same time, the era’s leaders faced serious challenges from the provinces that called into question the primacy and efficiency of the governmental system and tested the social/cultural status quo. Heian Japan, Centers and Peripheries, the first book of its kind to examine the early Heian from a wide variety of multidisciplinary perspectives, offers a fresh look at these seemingly contradictory trends. Essays by fourteen leading American, European, and Japanese scholars of art history, history, literature, and religions take up core texts and iconic images, cultural achievements and social crises, and the ever-fascinating patterns and puzzles of the time. The authors tackle some of Heian Japan’s most enduring paradigms as well as hitherto unexplored problems in search of new ways of understanding the currents of change as well as the processes of institutionalization that shaped the Heian scene, defined the contours of its legacies, and make it one of the most intensely studied periods of the Japanese past. Contributors: Ryûichi Abé, Mikael Adolphson, Bruce Batten, Robert Borgen, Wayne Farris, Karl Friday, G. Cameron Hurst III, Edward Kamens, D. Max Moerman, Samuel Morse, Joan R. Piggott, Fukutò Sanae, Ivo Smits, Charlotte von Verschuer.
Author: Allan G. Grapard
Publisher: Univ of California Press
ISBN: 0520910362
Category : Religion
Languages : en
Pages : 310
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Book Description
The Protocol of the Gods is a pioneering study of the history of relations between Japanese native institutions (Shinto shrines) and imported Buddhist institutions (Buddhist temples). Using the Kasuga Shinto shrine and the Kofukuji Buddhist temple, one of the oldest and largest of the shrine-temple complexes, Allan Grapard characterizes what he calls the combinatory character of pre-modern Japanese religiosity. He argues that Shintoism and Buddhism should not be studied in isolation, as hitherto supposed. Rather, a study of the individual and shared characteristics of their respective origins, evolutions, structures, and practices can serve as a model for understanding the pre-modern Japanese religious experience. Spanning the years from a period before historical records to the forcible separation of the Kasuga-Kofukuji complex by the Meiji government in 1868, Grapard presents a wealth of little-known material. He includes translations of rare texts and provides new, accessible translations of familiar documents.
Author: Wybe Kuitert
Publisher: University of Hawaii Press
ISBN: 9780824823122
Category : Gardening
Languages : en
Pages : 328
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Book Description
"Revised and updated, Themes in the History of Japanese Garden Art presents new interpretations of the evolution of Japanese garden art. Its depth and much-needed emphasis on a practical context for garden creation will appeal to art and literary historians as well as scholars, students, and appreciators of garden and landscape art, Asian and Western."--BOOK JACKET.
Author: Mikael S. Adolphson
Publisher: University of Hawaii Press
ISBN: 9780824823344
Category : History
Languages : en
Pages : 484
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Book Description
The political influence of temples in premodern Japan, most clearly manifested in divine demonstrations—where rowdy monks and shrine servants brought holy symbols to the capital to exert pressure on courtiers—has traditionally been condemned and is poorly understood. In an impressive examination of this intriguing aspect of medieval Japan, the author employs a wide range of previously neglected sources to argue that religious protest was a symptom of political factionalism in the capital rather than its cause. It is his contention that religious violence can be traced primarily to attempts by secular leaders to rearrange religious and political hierarchies to their own advantage, thereby leaving disfavored religious institutions to fend for their accustomed rights and status. In this context, divine demonstrations became the preferred negotiating tool for monastic complexes. For almost three centuries, such strategies allowed a handful of elite temples to maintain enough of an equilibrium to sustain and defend the old style of rulership even against the efforts of the Ashikaga Shogunate in the mid-fourteenth century. By acknowledging temples and monks as legitimate co-rulers, The Gates of Power provides a new synthesis of Japanese rulership from the late Heian (794–1185) to the early Muromachi (1336–1573) eras, offering a unique and comprehensive analysis that brings together the spheres of art, religion, ideas, and politics in medieval Japan.
Author: Robert Treat Paine
Publisher: Yale University Press
ISBN: 9780300053333
Category : Art
Languages : en
Pages : 530
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Book Description
Once slighted as mere copying from China, the arts of Japan are now seen as a unique alternation of advances and withdrawals. At times the islanders produced Chinese-style works of great beauty, unmatched on the continent. When they chose to be independent, their art differs at every level. Sculpture, and even more painting, are concrete, sensuous, and emotional, speaking directly to all.
