Hegel's Art History and the Critique of Modernity PDF Download
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Author: Beat Wyss
Publisher: Cambridge University Press
ISBN: 9780521066808
Category : Art
Languages : en
Pages : 0
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Book Description
In this study, Beat Wyss provides a critical analysis of Hegel's theories of art history. Analogous to his philosophy of history, Hegel viewed the history of art in dialectical terms: With its origins in the Ancient Near East, Western art culminated in Classical Greece, but began its decline already in the Hellenistic period. Yet, as Wyss posits, art refuses its programmed demise. He highlights the political dimension of this contradiction, showing the implications of theories that subordinate art to the will of absolute rule.
Author: Beat Wyss
Publisher: Cambridge University Press
ISBN: 9780521066808
Category : Art
Languages : en
Pages : 0
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Book Description
In this study, Beat Wyss provides a critical analysis of Hegel's theories of art history. Analogous to his philosophy of history, Hegel viewed the history of art in dialectical terms: With its origins in the Ancient Near East, Western art culminated in Classical Greece, but began its decline already in the Hellenistic period. Yet, as Wyss posits, art refuses its programmed demise. He highlights the political dimension of this contradiction, showing the implications of theories that subordinate art to the will of absolute rule.
Author: Eva Geulen
Publisher: Stanford University Press
ISBN: 9780804744249
Category : Philosophy
Languages : en
Pages : 220
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Book Description
Since Hegel, the idea of an end of art has become a staple of aesthetic theory. This book analyzes its role and its rhetoric in Hegel, Nietzsche, Benjamin, Adorno, and Heidegger in order to account for the topic's enduring persistence. In addition to providing a general overview of the main thinkers of post-Idealist German aesthetics, the book explores the relationship between tradition and modernity. For despite the differences that distinguish one philosopher's end of art from another's, all authors treated here turn the end of art into an occasion to thematize and to reflect on the very thing that modernism cannot or should not be: tradition. As a discourse, the end of art is one of our modern traditions.
Author: William Desmond
Publisher: State University of New York Press
ISBN: 1438400926
Category : Philosophy
Languages : en
Pages : 246
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Book Description
Art and the Absolute restores Hegel's aesthetics to a place of central importance in the Hegelian system. In so doing, it brings Hegel into direct relation with the central thrust of contemporary philosophy. The book draws on the astonishing scope and depths of Hegel's Lectures on Aesthetics, exploring the multifaceted issue of art and the absolute. Why does Hegel ascribe absoluteness to art? What can such absoluteness mean? How does it relate to religion and philosophy? How does Hegel's view of art illuminate the contemporary absence of the absolute? Art and the Absolute argues that these aesthetic questions are not mere theoretical conundrums for abstract analysis. It argues that Hegel's understanding of art can provide an indispensable hermeneutic relevant to current controversies. Art and the Absolute explores the intricacies of Hegel's aesthetic thought, communicating its contemporary relevance. It shows how for Hegel art illuminates the other areas of significant human experience such as history, religion, politics, literature. Against traditional, closed views, the result is a challenge to re-read Hegel's aesthetic philosophy.
Author: Benjamin Rutter
Publisher: Cambridge University Press
ISBN: 113948978X
Category : Philosophy
Languages : en
Pages :
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Book Description
Debates over the 'end of art' have tended to obscure Hegel's work on the arts themselves. Benjamin Rutter opens this study with a defence of art's indispensability to Hegel's conception of modernity; he then seeks to reorient discussion toward the distinctive values of painting, poetry, and the novel. Working carefully through Hegel's four lecture series on aesthetics, he identifies the expressive possibilities particular to each medium. Thus, Dutch genre scenes animate the everyday with an appearance of vitality; metaphor frees language from prose; and Goethe's lyrics revive the banal routines of love with imagination and wit. Rutter's important study reconstructs Hegel's view not only of modern art but of modern life and will appeal to philosophers, literary theorists, and art historians alike.
Author: Douglas Moggach
Publisher: Northwestern University Press
ISBN: 0810127296
Category : Art
Languages : en
Pages : 369
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Book Description
The period from 1780 to 1850 witnessed an unprecedented explosion of philosophical creativity in the German territories. In the thinking of Kant, Schiller, Fichte, Hegel, and the Hegelian school, new theories of freedom and emancipation, new conceptions of culture, society, and politics, arose in rapid succession. The members of the Hegelian school, forming around Hegel in Berlin and most active in the 1830’s and 1840’s, are often depicted as mere epigones, whose writings are at best of historical interest. In Politics, Religion, and Art: Hegelian Debates, Douglas Moggach moves the discussion past the Cold War–era dogmas that viewed the Hegelians as proto-Marxists and establishes their importance as innovators in the fields of theology, aesthetics, and ethics and as creative contributors to foundational debates about modernity, state, and society.
Author: Thomas A. Lewis
Publisher: Oxford University Press, USA
ISBN: 0199595593
Category : History
Languages : en
Pages : 292
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Book Description
This study analyzes Hegel's philosophy of religion in relation to ongoing debates about the relation between religion and politics as well as the history of their conceptualization in the modern West. Lewis argues that recent non-traditional, more Kantian interpretations of Hegel's project open up a new understanding of his treatment of religion.
Author: Timothy C. Luther
Publisher: Lexington Books
ISBN: 0739129791
Category : Liberty
Languages : en
Pages : 413
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Book Description
Hegel's enduring importance lies in the fact that his philosophy sheds light on many contemporary problems; his conception of freedom enables us to reconcile many of the differences that divide liberalism and communitarianism. While liberalism tends to overemphasize the individual and devalue the community, communitarianism tends to do the reverse. One of his central aims is to integrate liberalism's concern for the political rights and interests of individuals within the framework of a community. As Hegel's Critique of Modernity demonstrates, Hegel strove to discover social structures that would allow individuals to escape the alienation that characterizes contemporary life. He sought a method of reconciling his contemporaries to the modern world by overcoming the things that split the self from the social world-that is, a place where people are at home in the social world. A sense of estrangement is all too common, even for those who enjoy more personal freedom and material abundance than ever thought possible. While Hegel is speaking directly to and about his contemporaries, their social world bears much is common with ours. Consequently, his attempt to reconcile philosophical and social contradictions can elucidate our own condition. While the modern world reflects important contributions, the advent of modern liberalism leads to excessive individualism that fragments social life, leaving individuals disconnected and adrift from meaningful social life. The major goal of Hegel's political philosophy is to reconcile the individual with his or her political community in a way that overcomes the alienation of modern life. Book jacket.
Author: Robert B. Pippin
Publisher: University of Chicago Press
ISBN: 022607952X
Category : Art
Languages : en
Pages : 178
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Book Description
In his Berlin lectures on fine art, Hegel argued that art involves a unique form of aesthetic intelligibility—the expression of a distinct collective self-understanding that develops through historical time. Hegel’s approach to art has been influential in a number of different contexts, but in a twist of historical irony Hegel would die just before the most radical artistic revolution in history: modernism. In After the Beautiful, Robert B. Pippin, looking at modernist paintings by artists such as Édouard Manet and Paul Cézanne through Hegel’s lens, does what Hegel never had the chance to do. While Hegel could never engage modernist painting, he did have an understanding of modernity, and in it, art—he famously asserted—was “a thing of the past,” no longer an important vehicle of self-understanding and no longer an indispensable expression of human meaning. Pippin offers a sophisticated exploration of Hegel’s position and its implications. He also shows that had Hegel known how the social institutions of his day would ultimately fail to achieve his own version of genuine equality, a mutuality of recognition, he would have had to explore a different, new role for art in modernity. After laying this groundwork, Pippin goes on to illuminate the dimensions of Hegel’s aesthetic approach in the path-breaking works of Manet, the “grandfather of modernism,” drawing on art historians T. J. Clark and Michael Fried to do so. He concludes with a look at Cézanne, the “father of modernism,” this time as his works illuminate the relationship between Hegel and the philosopher who would challenge Hegel’s account of both modernity and art—Martin Heidegger. Elegantly inter-weaving philosophy and art history, After the Beautiful is a stunning reassessment of the modernist project. It gets at the core of the significance of modernism itself and what it means in general for art to have a history. Ultimately, it is a testament, via Hegel, to the distinctive philosophical achievements of modernist art in the unsettled, tumultuous era we have inherited.
Author: Timothy C. Luther
Publisher: Lexington Books
ISBN: 0739129813
Category : Political Science
Languages : en
Pages : 414
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Book Description
Hegel's enduring importance lies in the fact that his philosophy sheds light on many contemporary problems; his conception of freedom enables us to reconcile many of the differences that divide liberalism and communitarianism. While liberalism tends to overemphasize the individual and devalue the community, communitarianism tends to do the reverse. One of his central aims is to integrate liberalism's concern for the political rights and interests of individuals within the framework of a community. He tries to reconcile the individual and community in a way that creates the proper mix of liberty and authority. One of Hegel's goals is to discover social structures that will allow individuals to escape the alienation that characterizes contemporary life. He sought a method of reconciling his contemporaries to the modern world by overcoming the things that split the self from the social world; that is, a place where people are at home in the social world. A sense of estrangement is all too common, even for those who enjoy more personal freedom and material abundance than ever thought possible. While Hegel is speaking directly to and about his contemporaries, their social world bears much in common with ours. Consequently, his attempt to reconcile philosophical and social contradictions can elucidate our own condition. While the modern world reflects important contributions, the advent of modern liberalism leads to excessive individualism that fragments social life, leaving individuals disconnected and adrift from meaningful social life. The major goal of Hegel's political philosophy is to reconcile the individual with his or her political community in a way that overcomes the alienation of modern life.
Author: Andrew W. Hass
Publisher: Bloomsbury Publishing
ISBN: 0857728490
Category : Philosophy
Languages : en
Pages : 242
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Book Description
Why is the philosopher Hegel returning as a potent force in contemporary thinking? Why, after a long period when Hegel and his dialectics of history have seemed less compelling than they were for previous generations of philosophers, is study of Hegel again becoming important? Fashionable contemporary theorists like Francis Fukuyama and Slavoj Zizek, as well as radical theologians like Thomas Altizer, have all recently been influenced by Hegel, the philosopher whose philosophy now seems somehow perennial- or, to borrow an idea from Nietzsche-eternally returning. Exploring this revival via the notion of 'negation' in Hegelian thought, and relating such negativity to sophisticated ideas about art and artistic creation, Andrew W. Hass argues that the notion of Hegelian negation moves us into an expansive territory where art, religion and philosophy may all be radically conceived and broken open into new forms of philosophical expression. The implications of such a revived Hegelian philosophy are, the author argues, vast and current. Hegel thereby becomes the philosopher par excellence who can address vital issues in politics, economics, war and violence, leading to a new form of globalised ethics. Hass makes a bold and original contribution to religion, philosophy, art and the history of ideas.
