Author: Myer Jack Landa
Publisher: London : P.S. King
ISBN:
Category : Drama
Languages : en
Pages : 350
Book Description
Examines the portrayal of the Jew in British drama, as well as Jewish dramatic works and Jewish actors who were prominent on the Jewish and non-Jewish stage. Discusses, with particular emphasis, antisemitic depictions of the Jew from the Middle Ages to the present, including the passion plays, Marlowe's "The Jew of Malta", Shakespeare's "The Merchant of Venice", the figures of Judas and of the Wandering Jew, Richard Cumberland's "The Jew" as an attempt to counter the antisemitic depictions (produced in 1794), and several works of the 19th century. The 19th century saw the development of sympathetic depictions of Jews as well, and of a thriving Jewish theater (both in English and Yiddish).
The Jew in Drama
Author: Myer Jack Landa
Publisher: London : P.S. King
ISBN:
Category : Drama
Languages : en
Pages : 350
Book Description
Examines the portrayal of the Jew in British drama, as well as Jewish dramatic works and Jewish actors who were prominent on the Jewish and non-Jewish stage. Discusses, with particular emphasis, antisemitic depictions of the Jew from the Middle Ages to the present, including the passion plays, Marlowe's "The Jew of Malta", Shakespeare's "The Merchant of Venice", the figures of Judas and of the Wandering Jew, Richard Cumberland's "The Jew" as an attempt to counter the antisemitic depictions (produced in 1794), and several works of the 19th century. The 19th century saw the development of sympathetic depictions of Jews as well, and of a thriving Jewish theater (both in English and Yiddish).
Publisher: London : P.S. King
ISBN:
Category : Drama
Languages : en
Pages : 350
Book Description
Examines the portrayal of the Jew in British drama, as well as Jewish dramatic works and Jewish actors who were prominent on the Jewish and non-Jewish stage. Discusses, with particular emphasis, antisemitic depictions of the Jew from the Middle Ages to the present, including the passion plays, Marlowe's "The Jew of Malta", Shakespeare's "The Merchant of Venice", the figures of Judas and of the Wandering Jew, Richard Cumberland's "The Jew" as an attempt to counter the antisemitic depictions (produced in 1794), and several works of the 19th century. The 19th century saw the development of sympathetic depictions of Jews as well, and of a thriving Jewish theater (both in English and Yiddish).
Chapters on Jewish Literature
Author: Israel Abrahams
Publisher:
ISBN:
Category : Hebrew literature
Languages : en
Pages : 308
Book Description
Bibliography at end of each chapter.
Publisher:
ISBN:
Category : Hebrew literature
Languages : en
Pages : 308
Book Description
Bibliography at end of each chapter.
The American Hebrew
Author:
Publisher:
ISBN:
Category : Jews
Languages : en
Pages : 116
Book Description
Publisher:
ISBN:
Category : Jews
Languages : en
Pages : 116
Book Description
Jewish Drama & Theatre
Author: Eli Rozik
Publisher: Liverpool University Press
ISBN: 178284094X
Category : Performing Arts
Languages : en
Pages : 301
Book Description
Jewish drama and theatre has followed a tortuous path from extreme rabbinical intolerance to eventual secular liberalism, with its openness to the heritages of both Judaism as a culture and prominent foreign cultures, to the extent of multicultural integration. No wonder, therefore, that since biblical times until the seventeenth century there are only examples of tangential theatre practices. This initial intolerance, shared by the Church, was rooted in pagan connotations of theatre rather than in the neutral nature of the theatre medium, capable of formulating and communicating contrasting thoughts. Whereas by the tenth century the Church understood that theatre could be harnessed to its own ends, Jewish theatre was only created seven centuries later through spontaneous and amateurish theatrical practices, such as the Yiddish purim-shpil and the purim-rabbi. Due to their carnivalesque and cathartic nature these practices were tolerated by the rabbinical establishment, albeit only during the Purim holiday. But as a result, Jewish drama and theatre were created and emerged despite rabbinical antagonism. Under the influence of the Jewish Enlightenment, Yiddish-speaking theatres were increasingly established, a trend that became central in the cultural enterprise of the Jews in Israel. This process involved a renewed use of Hebrew as a spoken language, and the transition from a profound religious identity to a secular Jewish one, characterised by a basic liberalism to the extent of openness to cultures traditionally perceived as archetypal enemies of Judaism. This book sets out to analyse play-scripts and performance-texts produced in the Israeli theatre in order to illustrate these trends, and concludes that only a liberal society can bring about the full realisation of theatre's potentialities.
Publisher: Liverpool University Press
ISBN: 178284094X
Category : Performing Arts
Languages : en
Pages : 301
Book Description
Jewish drama and theatre has followed a tortuous path from extreme rabbinical intolerance to eventual secular liberalism, with its openness to the heritages of both Judaism as a culture and prominent foreign cultures, to the extent of multicultural integration. No wonder, therefore, that since biblical times until the seventeenth century there are only examples of tangential theatre practices. This initial intolerance, shared by the Church, was rooted in pagan connotations of theatre rather than in the neutral nature of the theatre medium, capable of formulating and communicating contrasting thoughts. Whereas by the tenth century the Church understood that theatre could be harnessed to its own ends, Jewish theatre was only created seven centuries later through spontaneous and amateurish theatrical practices, such as the Yiddish purim-shpil and the purim-rabbi. Due to their carnivalesque and cathartic nature these practices were tolerated by the rabbinical establishment, albeit only during the Purim holiday. But as a result, Jewish drama and theatre were created and emerged despite rabbinical antagonism. Under the influence of the Jewish Enlightenment, Yiddish-speaking theatres were increasingly established, a trend that became central in the cultural enterprise of the Jews in Israel. This process involved a renewed use of Hebrew as a spoken language, and the transition from a profound religious identity to a secular Jewish one, characterised by a basic liberalism to the extent of openness to cultures traditionally perceived as archetypal enemies of Judaism. This book sets out to analyse play-scripts and performance-texts produced in the Israeli theatre in order to illustrate these trends, and concludes that only a liberal society can bring about the full realisation of theatre's potentialities.
Jewish Literature
Author: Israel Abrahams
Publisher:
ISBN:
Category :
Languages : en
Pages : 290
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 290
Book Description
Hebrew humour
Author: Joseph Chotzner
Publisher:
ISBN:
Category :
Languages : en
Pages : 202
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 202
Book Description
Encyclopaedia of Religion and Ethics
Author: James Hastings
Publisher:
ISBN:
Category : Ethics
Languages : en
Pages : 934
Book Description
Publisher:
ISBN:
Category : Ethics
Languages : en
Pages : 934
Book Description
The Jewish Encyclopedia
Author: Isidore Singer
Publisher:
ISBN:
Category : Jews
Languages : en
Pages : 710
Book Description
Publisher:
ISBN:
Category : Jews
Languages : en
Pages : 710
Book Description
Jewish Literature and Other Essays
Author: Gustav Karpeles
Publisher:
ISBN:
Category : Jewish literature
Languages : en
Pages : 432
Book Description
Publisher:
ISBN:
Category : Jewish literature
Languages : en
Pages : 432
Book Description
Landmark Yiddish Plays
Author:
Publisher: State University of New York Press
ISBN: 079148162X
Category : Literary Criticism
Languages : en
Pages : 366
Book Description
Offering snapshots of a pivotal era in which the Jews of Europe made the transition from a traditional to a more modern world, the Yiddish plays translated and collected here wrestle with issues that continue to concern us today: changing gender roles, generational conflict, class divisions, and religious persecution. In their introduction to the volume, Joel Berkowitz and Jeremy Dauber place the plays in the context of the development of modern drama and Yiddish drama and examine their treatment of social, political, and religious issues. The many ways in which the plays address these issues make them transcend their own time, exciting a new generation of readers and theatergoers.
Publisher: State University of New York Press
ISBN: 079148162X
Category : Literary Criticism
Languages : en
Pages : 366
Book Description
Offering snapshots of a pivotal era in which the Jews of Europe made the transition from a traditional to a more modern world, the Yiddish plays translated and collected here wrestle with issues that continue to concern us today: changing gender roles, generational conflict, class divisions, and religious persecution. In their introduction to the volume, Joel Berkowitz and Jeremy Dauber place the plays in the context of the development of modern drama and Yiddish drama and examine their treatment of social, political, and religious issues. The many ways in which the plays address these issues make them transcend their own time, exciting a new generation of readers and theatergoers.