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Author: Yin Cao
Publisher: Thames & Hudson
ISBN: 9781741741438
Category : Art, Chinese
Languages : en
Pages : 0
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Book Description
Forewords / Michael Brand, Chen Chi-nan -- Heaven and earth in Chinese art / Yin Cao -- Nature in Chinese philosophy / Karyn Lai -- The workds of art -- Heaven and earth -- Seasons -- Places -- Landscape -- Humanity -- List of works and entries -- Timeline of Chinese dynasties -- Selected bibliography
Author: Yin Cao
Publisher: Thames & Hudson
ISBN: 9781741741438
Category : Art, Chinese
Languages : en
Pages : 0
Get Book Here
Book Description
Forewords / Michael Brand, Chen Chi-nan -- Heaven and earth in Chinese art / Yin Cao -- Nature in Chinese philosophy / Karyn Lai -- The workds of art -- Heaven and earth -- Seasons -- Places -- Landscape -- Humanity -- List of works and entries -- Timeline of Chinese dynasties -- Selected bibliography
Author: Robin R. Wang
Publisher: Cambridge University Press
ISBN: 1139536214
Category : Philosophy
Languages : en
Pages : 486
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Book Description
The concept of yinyang lies at the heart of Chinese thought and culture. The relationship between these two opposing, yet mutually dependent, forces is symbolized in the familiar black and white symbol that has become an icon in popular culture across the world. The real significance of yinyang is, however, more complex and subtle. This brilliant and comprehensive analysis by one of the leading authorities in the field captures the richness and multiplicity of the meanings and applications of yinyang, including its visual presentations. Through a vast range of historical and textual sources, the book examines the scope and role of yinyang, the philosophical significance of its various layers of meanings and its relation to numerous schools and traditions within Chinese (and Western) philosophy. By putting yinyang on a secure and clear philosophical footing, the book roots the concept in the original Chinese idiom, distancing it from Western assumptions, frameworks and terms, yet also seeking to connect its analysis to shared cross-cultural philosophical concerns.
Author: Lillian Lan-ying Tseng
Publisher: BRILL
ISBN: 1684175097
Category : Art
Languages : en
Pages : 479
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Book Description
Tian, or Heaven, had multiple meanings in early China. It had been used since the Western Zhou to indicate both the sky and the highest god, and later came to be regarded as a force driving the movement of the cosmos and as a home to deities and imaginary animals. By the Han dynasty, which saw an outpouring of visual materials depicting Heaven, the concept of Heaven encompassed an immortal realm to which humans could ascend after death. Using excavated materials, Lillian Tseng shows how Han artisans transformed various notions of Heaven—as the mandate, the fantasy, and the sky—into pictorial entities. The Han Heaven was not indicated by what the artisans looked at, but rather was suggested by what they looked into. Artisans attained the visibility of Heaven by appropriating and modifying related knowledge of cosmology, mythology, astronomy. Thus the depiction of Heaven in Han China reflected an interface of image and knowledge. By examining Heaven as depicted in ritual buildings, on household utensils, and in the embellishments of funerary settings, Tseng maintains that visibility can hold up a mirror to visuality; Heaven was culturally constructed and should be culturally reconstructed.
Author: Paul Moss
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 178
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Book Description
Author: Dave Alber
Publisher: Dave Alber
ISBN: 1497355206
Category : Antiques & Collectibles
Languages : en
Pages : 92
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Book Description
The Taotie Image in Chinese Art, Culture, and Cosmology by Dave Alber. The taotie, also known as the “beast mask”, is the most distinctive feature of Shang dynasty art. It is a fascinating motif in Chinese art and, for centuries, has inspired curiosity as to its meaning. In this book, cultural scholar, Dave Alber, explores the many meanings of the taotie image. • What was the meaning of the taotie among traditional Chinese art historians? • What is the taotie’s influence in Chinese art history? • What is the most probable cultural origin of the taotie? • What function did the taotie image serve in Shang dynasty cosmology and psychology? • What is the Pan-Asian diffusion of the original motif? • How does this art motif enrich our experience of Chinese architecture, history, and contemporary music? Dave Alber, MA originally presented the content of this book as a lecture at Henan Polytechnic University (HPU) in Mainland China. The Taotie Image in Chinese Art, Culture, and Cosmology is written in dual-language English and Chinese. Thus, it is a great tool for learning either English or Traditional Chinese. With almost one hundred photographs from Dave Alber’s travels in China and Asia, it is also an ideal book for studying Chinese and Pan-Asian art.
Author: John S. Major
Publisher: SUNY Press
ISBN: 9780791415863
Category : Science
Languages : en
Pages : 416
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Book Description
The Huainanzi has in recent years been recognized by scholars as one of the seminal works of Chinese thought at the beginning of the imperial era, a summary of the full flowering of early Taoist philosophy. This book presents a study of three key chapters of the Huainanzi, The Treatise on the Patterns of Heaven, The Treatise on Topography, and The Treatise on the Seasonal Rules, which collectively comprise the most comprehensive extant statement of cosmological thinking in the early Han period. Major presents, for the first time, full English translations of these treatises. He supplements the translations with detailed commentaries that clarify the sometimes arcane language of the text and presents a fascinating picture of the ancient Chinese view of how the world was formed and sustained, and of the role of humans in the cosmos.
Author: Bo Shi
Publisher: Shambhala Publications
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
A master calligrapher illuminates the fascinating history and development of the characters of the Chinese alphabet.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588395049
Category : Art
Languages : en
Pages : 210
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Book Description
"Featuring 70 works in various media--paintings, calligraphy, photographs, woodblock prints, video, and sculpture--that were created during the past three decades, Ink Art: Past as Present in Contemporary China will demonstrate how China's ancient pattern of seeking cultural renewal through the reinterpretation of past models remains a viable creative path. Although all of the artists have transformed their sources through new modes of expression, visitors will recognize thematic, aesthetic, or technical attributes in their creations that have meaningful links to China's artistic past. The exhibition will be organized thematically into four parts and will include such highlights as Xu Bing's dramatic Book from the Sky (ca. 1988), an installation that will fill an entire gallery; Family Tree (2000), a set of vivid photographs documenting a performance by Zhang Huan in which his facial features--and his identity--are obscured gradually by physiognomic texts that are inscribed directly onto his face; and Map of China (2006) by Ai Weiwei, which is constructed entirely of wood salvaged from demolished Qing dynasty temples." --
Author: Laura Hein
Publisher: U of M Center For Japanese Studies
ISBN: 1929280637
Category : Social Science
Languages : en
Pages : 175
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Book Description
Tomiyama Taeko, a Japanese visual artist born in 1921, is changing the way World War II is remembered in Japan, Asia, and the world. Her work deals with complicated moral and emotional issues of empire and war responsibility that cannot be summed up in simple slogans, which makes it compelling for more than just its considerable beauty. Japanese today are still grappling with the effects of World War II, and, largely because of the inconsistent and ambivalent actions of the government, they are widely seen as resistant to accepting responsibility for their nation’s violent actions against others during the decades of colonialism and war. Yet some individuals, such as Tomiyama, have produced nuanced and reflective commentaries on those experiences, and on the difficulty of disentangling herself from the priorities of the nation despite her lifelong political dissent. Tomiyama’s sophisticated visual commentary on Japan’s history—and on the global history in which Asia is embedded—provides a compelling guide through the difficult terrain of modern historical remembrance, in a distinctively Japanese voice.
Author: Lorenzo Sassoli de Bianchi
Publisher: Damiani Limited
ISBN:
Category : Art
Languages : en
Pages : 304
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Book Description
A distinguishing characteristic of contemporary Chinese art is a fusion between traditional Asian forms and references to Western art and pop culture. From Heaven to Earth features the work of 16 Chinese painters who exemplify this amalgam--Feng Zhengjie, Fu Hong, He Sen, Li Dafang, Li Songsong, Ma Liuming, Shi Xinning, Wang Xingwei, Wei Guangqing, Wu Yiming, Xie Nanxing, Yang Qian, Zeng Fanzhi, Zeng Hao, Zang Xiaotao and Zhou Tiehai--with full color images and text by art historian Lorenzo Sassoli de Bianchi. These artists evidence a precision derived from technical mastery, an inclination towards pop colors and a subtle irony, but their works defy categorization. The painters presented here do not share a precise common denominator. In fact, it is interesting to observe how each uses and interprets this genre in a most different way, thus making it very topical and loaded with countless possibilities.
