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Author: Betty K. Staley
Publisher: Rudolf Steiner College Press
ISBN: 9780945803270
Category : Africa
Languages : en
Pages : 404
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Book Description
Author: Betty K. Staley
Publisher: Rudolf Steiner College Press
ISBN: 9780945803270
Category : Africa
Languages : en
Pages : 404
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Book Description
Author: Angela Zusman
Publisher:
ISBN: 9780988763111
Category : African American men
Languages : en
Pages : 183
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Book Description
What is it like being a young African American man? The media repeats the same stereotypes again and again, yet the reality is much more diverse. This eye-opening and beautifully presented book shares the voices and images of a group of young black men in Oakland, interviewed by their peers in a groundbreaking oral history project. The youth share their wisdom on a range of questions, organized by theme and accompanied by portrait photography and materials for further reflection. For students, educators, policy makers, and those who want to gain a better understanding of modern African American culture.
Author: Thomas Albert Hale
Publisher:
ISBN: 9780253334589
Category : Folklore
Languages : en
Pages : 438
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Book Description
A comprehensive illustrated portrait of griots and griottes including extensive reference materials.
Author: Melissa Thackway
Publisher: Indiana University Press
ISBN: 9780253216427
Category : History
Languages : en
Pages : 244
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Book Description
"Filmmakers in sub-Saharan Francophone Africa have been using cinema since independence in the Sixties to challenge existing Western stereotypes of the continent. The author shows how directors working in a postcolonial context that has inevitably influence film agendas and styles have produced a range of alternative, challenging representations"--Page 4 of cover.
Author: Michael Stocker
Publisher: Springer Science & Business Media
ISBN: 1461472857
Category : Nature
Languages : en
Pages : 214
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Book Description
Throughout history, hearing and sound perception have been typically framed in the context of how sound conveys information and how that information influences the listener. "Hear Where We Are" inverts this premise and examines how humans and other hearing animals use sound to establish acoustical relationships with their surroundings. This simple inversion reveals a panoply of possibilities by which we can re-evaluate how hearing animals use, produce, and perceive sound. Nuance in vocalizations become signals of enticement or boundary setting; silence becomes a field ripe in auditory possibilities; predator/prey relationships are infused with acoustic deception, and sounds that have been considered territorial cues become the fabric of cooperative acoustical communities. This inversion also expands the context of sound perception into a larger perspective that centers on biological adaptation within acoustic habitats. Here, the rapid synchronized flight patterns of flocking birds and the tight maneuvering of schooling fish becomes an acoustic engagement. Likewise, when stridulating crickets synchronize their summer evening chirrups, it has more to do with the ‘cricket community’ monitoring their collective boundaries rather than individual crickets establishing ‘personal’ territory or breeding fitness. In "Hear Where We Are" the author continuously challenges many of the bio-acoustic orthodoxies, reframing the entire inquiry into sound perception and communication. By moving beyond our common assumptions, many of the mysteries of acoustical behavior become revealed, exposing a fresh and fertile panorama of acoustical experience and adaptation.
Author: James Naremore
Publisher: Univ of California Press
ISBN: 0520960955
Category : Biography & Autobiography
Languages : en
Pages : 264
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Book Description
In the first book devoted to Charles Burnett, a crucial figure in the history of American cinema often regarded as the most influential member of the L.A. Rebellion group of African American filmmakers, James Naremore provides a close critical study of all Burnett’s major pictures for movies and television, including Killer of Sheep, To Sleep with Anger, The Glass Shield, Nightjohn, The Wedding, Nat Turner: A Troublesome Property, and Warming by the Devil’s Fire. Having accessed new information and rarely seen material, Naremore shows that Burnett’s career has developed against the odds and that his artistry, social criticism, humor, and commitment to what he calls “symbolic knowledge” have given his work enduring value for American culture.
Author: Kolski Horwitz
Publisher: African Books Collective
ISBN: 1990922430
Category : Drama
Languages : en
Pages : 202
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Book Description
The four plays that make up this collection Thabo Mbeki and Other Nightmares by Tsepo wa-Mamatu; Circles by Tau Maserumule; Comrade Babble by Allan Kolski Horwitz; My Life in the Bush of Ghosts by Lesego Rampolokeng/Liepollo Rantekoa, Stacy Hardy and Jaco Bouwer; The Life and Times of Brett Kebble by Patrick Bond, have, as a linking thread, their confrontation with the ongoing corruption and mismanagement that characterizes the not-so-new liberated South Africa. Stylistically quite different, each breaks new ground in presenting these debilitating features and while tackling political themes head-on, never degenerates into mere sloganeering or counter-propaganda. Indeed, they take contemporary South African playwriting to new heights of 'committed theatre'.
Author: Mecca Jamilah Sullivan
Publisher: University of Illinois Press
ISBN: 0252052897
Category : Social Science
Languages : en
Pages : 191
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Book Description
Winner of the Modern Language Association (MLA)’s William Sanders Scarborough Prize From Audre Lorde, Ntozake Shange, and Bessie Head, to Zanele Muholi, Suzan-Lori Parks, and Missy Elliott, Black women writers and artists across the African Diaspora have developed nuanced and complex creative forms. Mecca Jamilah Sullivan ventures into the unexplored spaces of black women’s queer creative theorizing to learn its languages and read the textures of its forms. Moving beyond fixed notions, Sullivan points to a space of queer imagination where black women invent new languages, spaces, and genres to speak the many names of difference. Black women’s literary cultures have long theorized the complexities surrounding nation and class, the indeterminacy of gender and race, and the multiple meanings of sexuality. Yet their ideas and work remain obscure in the face of indifference from Western scholarship. Innovative and timely, The Poetics of Difference illuminates understudied queer contours of black women’s writing.
Author: Djibril Tamsir Niane
Publisher:
ISBN:
Category : Legends
Languages : en
Pages : 120
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Book Description
The son of Sogolon, the hunchback princess, and Maghan, known as "the handsome", Sundiata grew up to fulfill the prophesies of the soothsayers that he would unite the twelve kingdoms of Mali into one of the most powerful empires ever known in Africa, which at its peak stretched right across the savanna belt from the shores of the Atlantic to the dusty walls of Timbuktu. Retold by generations of griots, the guardians of African culture, this oral tradition has been handed down from the thirteenth century and captures all the mystery and majesty of medieval African kingship. It is an epic tale, part history and part legend.
Author: Adam J. Banks
Publisher: SIU Press
ISBN: 0809390620
Category : Language Arts & Disciplines
Languages : en
Pages : 207
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Book Description
Scholar Adam J. Banks offers a mixtape of African American digital rhetoric in his innovative study Digital Griots: African American Rhetoric in a Multimedia Age. Presenting the DJ as a quintessential example of the digital griot-high-tech storyteller-this book shows how African American storytelling traditions and their digital manifestations can help scholars and teachers shape composition studies, thoroughly linking oral, print, and digital production in ways that centralize African American discursive practices as part of a multicultural set of ideas and pedagogical commitments. DJs are models of rhetorical excellence; canon makers; time binders who link past, present, and future in the groove and mix; and intellectuals continuously interpreting the history and current realities of their communities in real time. Banks uses the DJ's practices of the mix, remix, and mixtape as tropes for reimagining writing instruction and the study of rhetoric. He combines many of the debates and tensions that mark black rhetorical traditions and points to ways for scholars and students to embrace those tensions rather than minimize them. This commitment to both honoring traditions and embracing futuristic visions makes this text unique, as do the sites of study included in the examination: mixtape culture, black theology as an activist movement, everyday narratives, and discussions of community engagement. Banks makes explicit these connections, rarely found in African American rhetoric scholarship, to illustrate how competing ideologies, vernacular and academic writing, sacred and secular texts, and oral, print, and digital literacies all must be brought together in the study of African American rhetoric and in the teaching of culturally relevant writing. A remarkable addition to the study of African American rhetorical theory and composition studies, Digital Griots: African American Rhetoric in a Multimedia Age will compel scholars and students alike to think about what they know of African American rhetoric in fresh and useful ways.
