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Author: Bernard Harrison
Publisher: Cambridge University Press
ISBN: 9780521477437
Category : Music
Languages : en
Pages : 138
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Book Description
Haydn's Symphonies Nos. 82-7 are seminal works in Haydn's output and mark a new level of compositional attainment, launching the important cycle of mature Haydn symphonies written for an international audience. Three chapters of the book deal with the reception of Haydn's symphonies in Paris, documenting the extent to which they dominated the repertoire of important public concert series. The aesthetic basis of Haydn's reception in Paris in the 1780s is considered in discussions of the notions of 'popular' and 'learned' taste and such notions inform the commentaries on the symphonies themselves. Thus as well as discussing technical features of Symphonies Nos. 82-7, broader concerns include the relationship between orchestral splendour and eighteenth-century notions of beauty; the relationship between genius, originality and convention; irony and humour; and the updating of popular orchestral taste.
Author: Bernard Harrison
Publisher: Cambridge University Press
ISBN: 9780521477437
Category : Music
Languages : en
Pages : 138
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Book Description
Haydn's Symphonies Nos. 82-7 are seminal works in Haydn's output and mark a new level of compositional attainment, launching the important cycle of mature Haydn symphonies written for an international audience. Three chapters of the book deal with the reception of Haydn's symphonies in Paris, documenting the extent to which they dominated the repertoire of important public concert series. The aesthetic basis of Haydn's reception in Paris in the 1780s is considered in discussions of the notions of 'popular' and 'learned' taste and such notions inform the commentaries on the symphonies themselves. Thus as well as discussing technical features of Symphonies Nos. 82-7, broader concerns include the relationship between orchestral splendour and eighteenth-century notions of beauty; the relationship between genius, originality and convention; irony and humour; and the updating of popular orchestral taste.
Author: Nicholas Temperley
Publisher: Cambridge University Press
ISBN: 9780521378659
Category : Music
Languages : en
Pages : 148
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Book Description
Haydn's Creation is one of the great masterpieces of the classical period. In this absorbing and original account the author places the work within the oratorio tradition, contrasting the theological and literary character of the English libretto with the Viennese milieu of the first performances. The complete text is provided in both English and German versions as a reference point for discussion of the design of the work and the musical treatment of the words. A more detailed musical chapter examines the work through the movement types it employs - arias and ensembles, recitative and choruses - distinguishing the Handelian model from Haydn's own classical idiom. Nicholas Temperley also discusses the changing performance traditions of this work, surveys the critical reception throughout its history and quotes from the most signifcant critical literature of the nineteenth and twentieth centuries.
Author: Caryl Clark
Publisher: Cambridge University Press
ISBN: 9781107129016
Category : Music
Languages : en
Pages : 524
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Book Description
For well over two hundred years, Joseph Haydn has been by turns lionized and misrepresented - held up as celebrity, and disparaged as mere forerunner or point of comparison. And yet, unlike many other canonic composers, his music has remained a fixture in the repertoire from his day until ours. What do we need to know now in order to understand Haydn and his music? With over eighty entries focused on ideas and seven longer thematic essays to bring these together, this distinctive and richly illustrated encyclopedia offers a new perspective on Haydn and the many cultural contexts in which he worked and left his indelible mark during the Enlightenment and beyond. Contributions from sixty-seven scholars and performers in Europe, the Americas, and Oceania, capture the vitality of Haydn studies today - its variety of perspectives and methods - and ultimately inspire further exploration of one of western music's most innovative and influential composers.
Author: Joseph Haydn
Publisher: Courier Corporation
ISBN: 0486406970
Category : Music
Languages : en
Pages : 386
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Book Description
It was in his monumental 12 "London" symphonies, composed between 1791 and 1795, that Haydn shaped the early form of the symphony and set the standard for later composers. According to the "New Grove's Dictionary of Music and Musicians," the appeal of these works stems from their stature as "grand" symphonies, embodying a "broader presentation of musical ideas" and "themes and motifs of a basic simplicity and immediate appeal." The present volume contains the last six symphonies in the series, including the lively "Military" Symphony (No. 100), the delightful "Clock" Symphony (No. 101), and the world-famous "London" Symphony (No. 104). Scores included in this volume are Symphony No. 99 in E-flat Major; Symphony No. 100 in G Major ("Military"); Symphony No. 101 in D Major ("The Clock"); Symphony No. 102 in B-flat Major; Symphony No. 103 in E-flat Major ("Dumroll"); and Symphony No. 104 in D Major ("London"). The attractive qualities of these works have made them perennial favorites with musicians and concertgoers for over two hundred years. Now music lovers can study and enjoy the elegant structure and polished orchestration of these enduring masterpieces in this authoritative full-score edition.
Author: Franz Joseph Haydn
Publisher: Courier Corporation
ISBN: 0486244458
Category : Music
Languages : en
Pages : 305
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Book Description
Full score of symphonies Nos. 88 through 92. Large, readable noteheads, ample margins for fingerings, and extensive Editor's Commentary.
Author: Mary Kathleen Hunter
Publisher: Cambridge University Press
ISBN: 1107015146
Category : Literary Criticism
Languages : en
Pages : 363
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Book Description
Haydn is enjoying renewed appreciation: this book explores fresh approaches to his music and the cultural forces affecting it.
Author: Joseph Haydn
Publisher: Courier Dover Publications
ISBN: 048681338X
Category : Music
Languages : en
Pages : 305
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Book Description
Commissioned in 1786, these six symphonies were created for an extraordinarily large Paris-based orchestra of both professional and amateur players. Reproduced from the authoritative Breitkopf & Härtel editions.
Author: Charles Rosen
Publisher: W. W. Norton & Company
ISBN: 9780393040203
Category : Music
Languages : en
Pages : 564
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Book Description
Presents a detailed analysis of the musical styles and forms developed by Mozart, Haydn, and Beethoven.
Author: W. Dean Sutcliffe
Publisher: Cambridge University Press
ISBN: 9780521580526
Category : Music
Languages : en
Pages : 368
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Book Description
The advances in Haydn scholarship would have been unthinkable to earlier generations, who honoured the composer more in word than in deed. Haydn Studies deals with many aspects of a composer who is perennially fresh, concentrating principally on matters of reception, style and aesthetics and presenting many interesting readings of the composer's work. Haydn has never played a major role in accounts of cultural history and has never achieved the emblematic status accorded to composers such as Beethoven, Debussy and Stravinsky, in spite of his radical creative agenda: this volume broadens the base of our understanding of the composer.
Author: Timothy Jones
Publisher: Cambridge University Press
ISBN: 9780521598590
Category : Music
Languages : en
Pages : 164
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Book Description
Even in Beethoven's day the 'Moonlight' Sonata was a popular favourite. This 1999 book provides an accessible introduction to the Sonatas Opp. 27 and 31 (including The 'Moonlight' and 'The Tempest'), aimed at pianists, students, and music lovers. It begins with the works' historical background - the emergence of a 'piano culture' at the end of the eighteenth century, Beethoven's aristocratic milieu in Vienna, and his oft-quoted intention to follow a new compositional path. An account of the sonatas' genesis is followed by a discussion of their reception history, including a survey of changing performing styles since the mid-nineteenth century. The concept of the Sonata quasi una Fantasia is examined in relation to the cult of artistic sensibility in early-nineteenth-century Vienna. The study concludes with a critical introduction to each sonata.
