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Author: Joseph Haydn
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 16
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Author: Bryan Proksch
Publisher: Boydell & Brewer
ISBN: 1580465129
Category : Music
Languages : en
Pages : 302
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Book Description
By the 1840s Joseph Haydn, who died in 1809 as the most celebrated composer of his generation, had degenerated into the bewigged Papa Haydn, a shallow placeholder in music history who merely invented the forms used by Beethoven.In a remarkable reversal, Haydn swiftly regained his former stature within the opening decades of the twentieth century. Reviving Haydn: New Appreciations in the Twentieth Century examines both the decline and the subsequent resurgence of Haydn's reputation in an effort to better understand the forces that shape critical reception on a broad scale. No single person or event marked the turning point for Haydn's reputation. Instead a broad resurgence reshaped opinion in Europe and the United States in short order. The Haydn revival engaged many of the music world's leading figures -- composers (Vincent d'Indy and Arnold Schoenberg), conductors (Arturo Toscanini), performers (Wanda Landowska), critics (Lawrence Gilman), and scholars (Heinrich Schenker and Donald Tovey) -- each of whom valued Haydn's music for specific reasons and used it to advance particular goals. Yet each advocated for a rehearing and rereading of the composer's works, calling for a new appreciation of Haydn's music. Bryan Proksch is Assistant Professor of Music History at Lamar University.
Author: James A. Grymes
Publisher: Bloomsbury Publishing USA
ISBN: 0313074402
Category : Music
Languages : en
Pages : 270
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Book Description
As a result of both his political reputation--destroyed by false charges of Nazism after World War II--and his rejection of avant-garde techniques, the recordings and compositions of Ernst von Dohnányi went largely ignored for most of the 20th century. In recent years, however, musicians have begun to revise their interpretations of 20th century music to include compositional and performance styles that, like Dohnányi's, adhered more closely to 19th century aesthetics. Although performers and audiences worldwide have started to rediscover his musical legacy, scholarship has not kept pace with their growing interest. This bio-bibliography corrects that. As the first scholarly examination in English of Dohnányi's life and work, it serves as the perfect introduction to an unfairly neglected 20th century artist. A brief but insightful biography is followed by a list of works that reflects the most current research of Dohnányi's creative output. It includes nearly 200 entries, each of which collects such information as the date of composition, the instrumentation of the work, the publisher of its first edition, the location of the manuscript, and the date and location of its premiere. The discography lists 400 sound recordings of the composer's work, and the annotated bibliography includes 500 entries, emphasizing performance reviews that offer substantial information about Dohnányi's works and style.
Author: Heinrich Schenker
Publisher: Pendragon Press
ISBN: 9781576470749
Category : Juvenile Nonfiction
Languages : en
Pages : 196
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Book Description
The first two volumes of Heinrich Schenker's masterwork Neue musikalische Theorien und Phantasien, Harmonielehren (1906), and Kontrapunkt (1910 and 1922), laid the foundations for the harmonic aspect of his theory. The specific voice-leading component was a later development, progressing with brilliance over the last 15 years of his life. It is in Free Composition (Freie Satz, 1935) that the idea of voice-leading receives its most detailed and precise formulation. Pendragon Press is honored to make this distinguished reprint available once again, with a new preface by Carl Schacter.
Author: Elaine Rochelle Sisman
Publisher: Harvard University Press
ISBN: 9780674383159
Category : Biography & Autobiography
Languages : en
Pages : 336
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Book Description
Sisman aims to demonstrate that it was Haydn's prophetic innovations that truly created the Classical variation. Her analysis reflects both the musical thinking of the Classical period and contemporary critical interests. The book offers a revaluation of t
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1264
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Author: Caroline Benser
Publisher: Scarecrow Press
ISBN: 0810881721
Category : Biography & Autobiography
Languages : en
Pages : 185
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Book Description
Benser explores the kaleidoscopic world of twenty-first-century pianism through a series of extended interviews with eight major pianists. Interviewees talk with Benser about such matters as their first experiences at the piano, the meaning of musicianship to them, and the joys and difficulties of a professional career doing what they love.
Author: Constantine Tung
Publisher: SUNY Press
ISBN: 9780887063909
Category : Performing Arts
Languages : en
Pages : 372
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Book Description
This is the first book ever published in the West on drama in the Peoples Republic of China. The plays, playwrights, theories, and performances range from the play that inflamed the Cultural Revolution to a post-Mao satiric drama that upset party leaders; from Jiang Qings drama theory for her model plays to the discovery of Bertolt Brecht; from the problems and dilemmas that confront theater reform in the post-Mao era to the performance of Ibsens Peer Gynt and Viennese operettas; and from a historical play glorifying Maos supremacy to a playwright calling for individualism and womens rights. This book not only depicts aspects of drama in the Peoples Republic of China, it also provides analyses of the political and social conditions that shaped and are represented in this drama.
Author: Laurel Parsons
Publisher: Oxford University Press
ISBN: 0190909277
Category : Music
Languages : en
Pages : 306
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Book Description
Through musical analysis of compositions written between the mid-twelfth to late nineteenth centuries, this volume celebrates the achievements of eight composers, all women: Hildegard of Bingen, Maddalena Casulana, Barbara Strozzi, Élisabeth Jacquet de la Guerre, Marianne Martines, Josephine Lang, Fanny Hensel, Clara Schumann, and Amy Beach. Written by outstanding music theorists and musicologists, the essays provide fascinating in-depth critical-analytic explorations of representative compositions, often linking analytical observations with questions of meaning and sociohistorical context. Each essay is introduced by a brief biographical sketch of the composer by the editors. The collection--Volume 1 in an unprecedented four-volume series of analytical studies on music by women composers--is designed to challenge and stimulate a wide range of readers. For academics, these thoughtful analytical essays can open new paths into unexplored research areas in the fields of music theory and musicology. Post-secondary instructors may be inspired by the insights offered in these essays to include new works in music theory and history courses at both graduate and upper-level undergraduate levels, or in courses on women and music. Finally, for soloists, ensembles, conductors, and music broadcasters, these detailed analyses can offer enriched understandings of this repertoire and suggest fresh, new programming possibilities to share with listeners.
Author: Benjamin A. Kolodziej
Publisher: Fortress Press
ISBN: 1506486177
Category : Music
Languages : en
Pages : 220
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Book Description
This is the tenth in a series of monographs--Shaping American Lutheran Church Music--published by the Center for Church Music, Concordia University Chicago, River Forest, Illinois., highlighting people, movements, and events that have helped to shape the course of church music among Lutherans in North America. In this volume, Benjamin A. Kolodziej uncovers and records the story of the Lutherans who undertook the daunting and uncertain work of carving out a new life in a new land, and of the music that accompanied them. The book is rich in historical and contextual detail, and Kolodziej overcomes the difficulty of delineating different Lutheran sects--immigrants aligned to whatever iteration of the Lutheran church was available, --to tell the stories of the church's past in clear and compelling prose. The book will be a great help to scholars, historians, and musicians alike.
Author: University of Michigan. School of Music
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 570
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