Author: David P. Schroeder
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 238
Book Description
IntroductionPart I Haydn and Enlightened Though 1. Haydn and Shaftesbury: Music and Morality2. Pre-English Literary Influences3. The Lodge `Zur wahren Eintracht'4. Opera, Rhetoric, and Rittergedichte5. String Quartets, Op. 33: `A New and Special Way'6. Theory versus Practice: Aesthetics and Instrumental Music7. Symphonies Ascent: Pre-Paris to the Loge OlympiquePart II Audience Receptionand England 8. The Composer-Audience Relationship9. Haydn and the English AudiencePart III The Symphonies 10. Symphonic Intelligibility and Sonata Form11. Melodic Sources and Musical Images12. Symphonies and t.
Haydn and the Enlightenment
Author: David P. Schroeder
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 238
Book Description
IntroductionPart I Haydn and Enlightened Though 1. Haydn and Shaftesbury: Music and Morality2. Pre-English Literary Influences3. The Lodge `Zur wahren Eintracht'4. Opera, Rhetoric, and Rittergedichte5. String Quartets, Op. 33: `A New and Special Way'6. Theory versus Practice: Aesthetics and Instrumental Music7. Symphonies Ascent: Pre-Paris to the Loge OlympiquePart II Audience Receptionand England 8. The Composer-Audience Relationship9. Haydn and the English AudiencePart III The Symphonies 10. Symphonic Intelligibility and Sonata Form11. Melodic Sources and Musical Images12. Symphonies and t.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 238
Book Description
IntroductionPart I Haydn and Enlightened Though 1. Haydn and Shaftesbury: Music and Morality2. Pre-English Literary Influences3. The Lodge `Zur wahren Eintracht'4. Opera, Rhetoric, and Rittergedichte5. String Quartets, Op. 33: `A New and Special Way'6. Theory versus Practice: Aesthetics and Instrumental Music7. Symphonies Ascent: Pre-Paris to the Loge OlympiquePart II Audience Receptionand England 8. The Composer-Audience Relationship9. Haydn and the English AudiencePart III The Symphonies 10. Symphonic Intelligibility and Sonata Form11. Melodic Sources and Musical Images12. Symphonies and t.
The Haydn Economy
Author: Nicholas Mathew
Publisher: University of Chicago Press
ISBN: 0226819841
Category : Music
Languages : en
Pages : 252
Book Description
Analyzing the final three decades of Haydn’s career, this book uses the composer as a prism through which to examine urgent questions across the humanities. In this far-reaching work of music history and criticism, Nicholas Mathew reimagines the world of Joseph Haydn and his contemporaries, with its catastrophic upheavals and thrilling sense of potential. In the process, Mathew tackles critical questions of particular moment: how we tell the history of the European Enlightenment and Romanticism; the relation of late eighteenth-century culture to incipient capitalism and European colonialism; and how the modern market and modern aesthetic values were—and remain—inextricably entwined. The Haydn Economy weaves a vibrant material history of Haydn’s career, extending from the sphere of the ancient Esterházy court to his frenetic years as an entrepreneur plying between London and Vienna to his final decade as a venerable musical celebrity, during which he witnessed the transformation of his legacy by a new generation of students and acolytes, Beethoven foremost among them. Ultimately, Mathew asserts, Haydn’s historical trajectory compels us to ask what we might retain from the cultural and political practices of European modernity—whether we can extract and preserve its moral promise from its moral failures. And it demands that we confront the deep histories of capitalism that continue to shape our beliefs about music, sound, and material culture.
Publisher: University of Chicago Press
ISBN: 0226819841
Category : Music
Languages : en
Pages : 252
Book Description
Analyzing the final three decades of Haydn’s career, this book uses the composer as a prism through which to examine urgent questions across the humanities. In this far-reaching work of music history and criticism, Nicholas Mathew reimagines the world of Joseph Haydn and his contemporaries, with its catastrophic upheavals and thrilling sense of potential. In the process, Mathew tackles critical questions of particular moment: how we tell the history of the European Enlightenment and Romanticism; the relation of late eighteenth-century culture to incipient capitalism and European colonialism; and how the modern market and modern aesthetic values were—and remain—inextricably entwined. The Haydn Economy weaves a vibrant material history of Haydn’s career, extending from the sphere of the ancient Esterházy court to his frenetic years as an entrepreneur plying between London and Vienna to his final decade as a venerable musical celebrity, during which he witnessed the transformation of his legacy by a new generation of students and acolytes, Beethoven foremost among them. Ultimately, Mathew asserts, Haydn’s historical trajectory compels us to ask what we might retain from the cultural and political practices of European modernity—whether we can extract and preserve its moral promise from its moral failures. And it demands that we confront the deep histories of capitalism that continue to shape our beliefs about music, sound, and material culture.
Haydn and the Enlightenment
Author: David P. Schroeder
Publisher: Oxford : Clarendon Press ; New York : Oxford University Press
ISBN:
Category : Business & Economics
Languages : en
Pages : 240
Book Description
This book challenges the widely held view of Haydn as an inspired instrumental musician who composed in isolation from eighteenth-century enlightened thinking. Schroeder presents Haydn as a culturally and politically sensitive representative of the Age of Enlightenment, arguing that Haydn's awareness of contemporary aesthetic opinion and the tenets of the Enlightenment are reflected by the transformation in his compositional style. He explores Haydn's relationship with his audience, and suggests that Haydn was well acquainted with the contemporary view that works of art should serve a moral function, pointing to numerous instances in the late symphonies where this end is effectively pursued.
Publisher: Oxford : Clarendon Press ; New York : Oxford University Press
ISBN:
Category : Business & Economics
Languages : en
Pages : 240
Book Description
This book challenges the widely held view of Haydn as an inspired instrumental musician who composed in isolation from eighteenth-century enlightened thinking. Schroeder presents Haydn as a culturally and politically sensitive representative of the Age of Enlightenment, arguing that Haydn's awareness of contemporary aesthetic opinion and the tenets of the Enlightenment are reflected by the transformation in his compositional style. He explores Haydn's relationship with his audience, and suggests that Haydn was well acquainted with the contemporary view that works of art should serve a moral function, pointing to numerous instances in the late symphonies where this end is effectively pursued.
The Secular City
Author: T. D. Hemming
Publisher: University of Exeter Press
ISBN: 9780859894166
Category : History
Languages : en
Pages : 268
Book Description
The City is for the Enlightenment a central preoccupation, that social space where both the utopian and the pragmatic concerns of the eighteenth century come together in a typical tension. Unlike St Augustine's Civitas Dei, this is to be a city of men and women, planning their social geometry, interacting commercially, elaborating, as far as possible, human and secular principles of justice. This collection of specially commissioned essays, all by distinguished eighteenth-century specialists, charts the process from a variety of angles.
Publisher: University of Exeter Press
ISBN: 9780859894166
Category : History
Languages : en
Pages : 268
Book Description
The City is for the Enlightenment a central preoccupation, that social space where both the utopian and the pragmatic concerns of the eighteenth century come together in a typical tension. Unlike St Augustine's Civitas Dei, this is to be a city of men and women, planning their social geometry, interacting commercially, elaborating, as far as possible, human and secular principles of justice. This collection of specially commissioned essays, all by distinguished eighteenth-century specialists, charts the process from a variety of angles.
The Cambridge Companion to Haydn
Author: Caryl Clark
Publisher: Cambridge University Press
ISBN: 1139827227
Category : Music
Languages : en
Pages : 354
Book Description
This Companion provides an accessible and up-to-date introduction to the musical work and cultural world of Joseph Haydn. Readers will gain an understanding of the changing social, cultural, and political spheres in which Haydn studied, worked, and nurtured his creative talent. Distinguished contributors provide chapters on Haydn and his contemporaries, his working environments in Eisenstadt and Eszterháza, and humor and exoticism in Haydn's oeuvre. Chapters on the reception of his music explore keyboard performance practices, Haydn's posthumous reputation, sound recordings and images of his symphonies. The book also surveys the major genres in which Haydn wrote, including symphonies, string quartets, keyboard sonatas and trios, sacred music, miscellaneous vocal genres, and operas composed for Eszterháza and London.
Publisher: Cambridge University Press
ISBN: 1139827227
Category : Music
Languages : en
Pages : 354
Book Description
This Companion provides an accessible and up-to-date introduction to the musical work and cultural world of Joseph Haydn. Readers will gain an understanding of the changing social, cultural, and political spheres in which Haydn studied, worked, and nurtured his creative talent. Distinguished contributors provide chapters on Haydn and his contemporaries, his working environments in Eisenstadt and Eszterháza, and humor and exoticism in Haydn's oeuvre. Chapters on the reception of his music explore keyboard performance practices, Haydn's posthumous reputation, sound recordings and images of his symphonies. The book also surveys the major genres in which Haydn wrote, including symphonies, string quartets, keyboard sonatas and trios, sacred music, miscellaneous vocal genres, and operas composed for Eszterháza and London.
The Orchestral Revolution
Author: Emily I. Dolan
Publisher: Cambridge University Press
ISBN: 1107028256
Category : Music
Languages : en
Pages : 305
Book Description
This book explores the relationship between the history of orchestration and the development of modern musical aesthetics in the Enlightenment. Using Haydn as a focal point, it examines how the consolidation of the modern orchestra radically altered how people listened to and thought about the expressive capacity of instruments.
Publisher: Cambridge University Press
ISBN: 1107028256
Category : Music
Languages : en
Pages : 305
Book Description
This book explores the relationship between the history of orchestration and the development of modern musical aesthetics in the Enlightenment. Using Haydn as a focal point, it examines how the consolidation of the modern orchestra radically altered how people listened to and thought about the expressive capacity of instruments.
The Darnton Debate
Author: Voltaire Foundation
Publisher:
ISBN:
Category : History
Languages : en
Pages : 326
Book Description
Ever since Professor Robert Darnton aroused the interest of all Enlightenment scholars with the publication of 'The High Enlightenment and the low-life literature in pre-revolutionary France' in 1971, he has been in the forefront of debate about that period and the French Revolution which followed it. His work has long been an indispensable study for all those who ponder on the nature and evolution of these great movements. By the mid 1990s, however, it was apparent that Darnton's far-reaching conclusions on the relationship of the Enlightenment to the Revolution, together with his historical accounts of printed works and the mentalités of the eighteenth century, merited a comprehensive debate on his whole uvre. The present collection sparks off that debate. The contributors to this volume were invited freely to address any particular aspect of Robert Darnton's researches or to discuss the whole trust of his thinking about the past. Darnton readily agreed to this proposal, encouraging the editor to send invitations to long-standing critics just as much as to more sympathetic readers. The essays collected here respond to the original request, in diverse ways. Taking up a whole spectrum of positions about Darnton's work, they attempt an answer based on deep reflection or assiduous source-research or both. In a coda to the volume Robert Darnton responds robustly to the various readings of his work. In places he seeks to rescue it from what he considers to be false interpretations and to set the record straight. But his essay is not just a rebuttal. It moves the debate on, bringing new insights and information not previously published. His conclusion are as flexible open-ended as one could wish, and in line with which they have been richly plumbed in his writings. The threads running through the various essays are drawn together by a comprehensive index of eighteenth-century persons and writings.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 326
Book Description
Ever since Professor Robert Darnton aroused the interest of all Enlightenment scholars with the publication of 'The High Enlightenment and the low-life literature in pre-revolutionary France' in 1971, he has been in the forefront of debate about that period and the French Revolution which followed it. His work has long been an indispensable study for all those who ponder on the nature and evolution of these great movements. By the mid 1990s, however, it was apparent that Darnton's far-reaching conclusions on the relationship of the Enlightenment to the Revolution, together with his historical accounts of printed works and the mentalités of the eighteenth century, merited a comprehensive debate on his whole uvre. The present collection sparks off that debate. The contributors to this volume were invited freely to address any particular aspect of Robert Darnton's researches or to discuss the whole trust of his thinking about the past. Darnton readily agreed to this proposal, encouraging the editor to send invitations to long-standing critics just as much as to more sympathetic readers. The essays collected here respond to the original request, in diverse ways. Taking up a whole spectrum of positions about Darnton's work, they attempt an answer based on deep reflection or assiduous source-research or both. In a coda to the volume Robert Darnton responds robustly to the various readings of his work. In places he seeks to rescue it from what he considers to be false interpretations and to set the record straight. But his essay is not just a rebuttal. It moves the debate on, bringing new insights and information not previously published. His conclusion are as flexible open-ended as one could wish, and in line with which they have been richly plumbed in his writings. The threads running through the various essays are drawn together by a comprehensive index of eighteenth-century persons and writings.
Haydn
Author: DavidWyn Jones
Publisher: Routledge
ISBN: 1351564064
Category : History
Languages : en
Pages : 555
Book Description
This volume brings together a selection of the most stimulating and influential writing on Haydn and his music in the English language. Written by a range of established and younger scholars it probes a variety of aesthetic, biographical, compositional, performance and reception issues. A specially written introduction summarizes the significance of each essay, directs the reader to appropriate complementary material and seeks the common ground between the essays; to assist with consistent referencing the individual essays retain their original pagination. This representative compendium of Haydn research provides the opportunity to explore the intellectual diversity of recent scholarship and is an indispensable publication for students of Haydn, whether new or old, amateur or professional.
Publisher: Routledge
ISBN: 1351564064
Category : History
Languages : en
Pages : 555
Book Description
This volume brings together a selection of the most stimulating and influential writing on Haydn and his music in the English language. Written by a range of established and younger scholars it probes a variety of aesthetic, biographical, compositional, performance and reception issues. A specially written introduction summarizes the significance of each essay, directs the reader to appropriate complementary material and seeks the common ground between the essays; to assist with consistent referencing the individual essays retain their original pagination. This representative compendium of Haydn research provides the opportunity to explore the intellectual diversity of recent scholarship and is an indispensable publication for students of Haydn, whether new or old, amateur or professional.
The Cambridge Haydn Encyclopedia
Author: Caryl Clark
Publisher: Cambridge University Press
ISBN: 9781107129016
Category : Music
Languages : en
Pages : 524
Book Description
For well over two hundred years, Joseph Haydn has been by turns lionized and misrepresented - held up as celebrity, and disparaged as mere forerunner or point of comparison. And yet, unlike many other canonic composers, his music has remained a fixture in the repertoire from his day until ours. What do we need to know now in order to understand Haydn and his music? With over eighty entries focused on ideas and seven longer thematic essays to bring these together, this distinctive and richly illustrated encyclopedia offers a new perspective on Haydn and the many cultural contexts in which he worked and left his indelible mark during the Enlightenment and beyond. Contributions from sixty-seven scholars and performers in Europe, the Americas, and Oceania, capture the vitality of Haydn studies today - its variety of perspectives and methods - and ultimately inspire further exploration of one of western music's most innovative and influential composers.
Publisher: Cambridge University Press
ISBN: 9781107129016
Category : Music
Languages : en
Pages : 524
Book Description
For well over two hundred years, Joseph Haydn has been by turns lionized and misrepresented - held up as celebrity, and disparaged as mere forerunner or point of comparison. And yet, unlike many other canonic composers, his music has remained a fixture in the repertoire from his day until ours. What do we need to know now in order to understand Haydn and his music? With over eighty entries focused on ideas and seven longer thematic essays to bring these together, this distinctive and richly illustrated encyclopedia offers a new perspective on Haydn and the many cultural contexts in which he worked and left his indelible mark during the Enlightenment and beyond. Contributions from sixty-seven scholars and performers in Europe, the Americas, and Oceania, capture the vitality of Haydn studies today - its variety of perspectives and methods - and ultimately inspire further exploration of one of western music's most innovative and influential composers.
Cherubino's Leap
Author: Richard Kramer
Publisher: University of Chicago Press
ISBN: 022637789X
Category : History
Languages : en
Pages : 241
Book Description
Contents -- Acknowledgments -- Preface -- Preliminaries -- 1. The Chromatic Moment in Enlightenment Thought -- Moments Musicaux -- 2. The Fugal Moment: On a Few Bars in Mozart's Quintet in C Major, K. 515 -- 3. Hearing the Silence: On a Much-Theorized Moment in a Sonata by Emanuel Bach -- The Klopstock Moment -- 4. Oden von Klopstock in Musik gesetzt ... -- 5. Composing Klopstock: Gluck contra Bach -- 6. Beethoven: In Search of Klopstock -- Dramma per Musica -- 7. Anagnorisis: Gluck and the Theater of Recognition -- 8. Cherubino's Leap -- 9. Konstanze's Tears -- Works Cited -- Index
Publisher: University of Chicago Press
ISBN: 022637789X
Category : History
Languages : en
Pages : 241
Book Description
Contents -- Acknowledgments -- Preface -- Preliminaries -- 1. The Chromatic Moment in Enlightenment Thought -- Moments Musicaux -- 2. The Fugal Moment: On a Few Bars in Mozart's Quintet in C Major, K. 515 -- 3. Hearing the Silence: On a Much-Theorized Moment in a Sonata by Emanuel Bach -- The Klopstock Moment -- 4. Oden von Klopstock in Musik gesetzt ... -- 5. Composing Klopstock: Gluck contra Bach -- 6. Beethoven: In Search of Klopstock -- Dramma per Musica -- 7. Anagnorisis: Gluck and the Theater of Recognition -- 8. Cherubino's Leap -- 9. Konstanze's Tears -- Works Cited -- Index