Historical Harpsichord Technique PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Historical Harpsichord Technique PDF full book. Access full book title Historical Harpsichord Technique by Yonit Lea Kosovske. Download full books in PDF and EPUB format.
Author: Yonit Lea Kosovske
Publisher: Indiana University Press
ISBN: 0253001455
Category : Music
Languages : en
Pages : 238
Get Book
Book Description
Yonit Lea Kosovske surveys early music and writing about keyboard performance with the aim of facilitating the development of an expressive tone in the modern player. Reviewing the work of the pedagogues and performers of the late Renaissance through the late Baroque, she gives special emphasis to la douceur du toucher or a gentle touch. Other topics addressed include posture, early pedagogy, exercises, articulation, and fingering patterns. Illustrated with musical examples as well as photos of the author at the keyboard, Historical Harpsichord Technique can be used for individual or group lessons and for amateurs and professionals.
Author: Yonit Lea Kosovske
Publisher: Indiana University Press
ISBN: 0253001455
Category : Music
Languages : en
Pages : 238
Get Book
Book Description
Yonit Lea Kosovske surveys early music and writing about keyboard performance with the aim of facilitating the development of an expressive tone in the modern player. Reviewing the work of the pedagogues and performers of the late Renaissance through the late Baroque, she gives special emphasis to la douceur du toucher or a gentle touch. Other topics addressed include posture, early pedagogy, exercises, articulation, and fingering patterns. Illustrated with musical examples as well as photos of the author at the keyboard, Historical Harpsichord Technique can be used for individual or group lessons and for amateurs and professionals.
Author: Howard Schott
Publisher: Courier Corporation
ISBN: 9780486422343
Category : Music
Languages : en
Pages : 242
Get Book
Book Description
This concise volume offers both a practical manual for performers and an authoritative history of the instrument. Includes advice on mastering basic touch, fingering, articulation and phrasing, rhythm and tempo, ornaments, more.
Author: Ruth Nurmi
Publisher: Scarecrow Press
ISBN: 9780810818866
Category : Music
Languages : en
Pages : 276
Get Book
Book Description
Provides basic information on the harpsichord, best-known instrument of baroque music, including physical properties, kinds of harpsichords available, instruction on tuning and common maintenance problems, explanations of technique and fingering, tempo, registration, ensemble playing, and special notational problems.
Author: Richard Troeger
Publisher: Bloomington : Indiana University Press
ISBN:
Category : Music
Languages : en
Pages : 280
Get Book
Book Description
Author: Mark Kroll
Publisher: Scarecrow Press
ISBN: 9780810850323
Category : Music
Languages : en
Pages : 146
Get Book
Book Description
This book gives a practical method for playing the harpsichord in a way that was lost when the instrument was marginalized by the piano in the 19th century. Since a thorough knowledge of historical performance practice is such an important aspect of playing this repertoire, excerpts from relevant primary sources are given at the end of many of the lessons.
Author: Nancy Metzger
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 142
Get Book
Book Description
"Divided into two parts, the book combines Touch at the harpsichord, in part one, with Rhetoric at the keyboard (or, performance practice) in part two. The book is spiral bound and designed for use at the keyboard, with or without a teacher. It features 30 teaching pieces from the Bach/Ricci "Methode ou Receuil de Connaissances elementaires pour le piano forte ou clavecin" of 1786. Also featured are pieces to play by Louis & Francois Couperin, J. S. Bach and Georg Bohm. An appendix of recommended starting pieces follows. If you take the trouble to work with this book at a harpsichord, (especially if you use the recordings) your touch and knowledge of Baroque performance will improve."--Publisher's description.
Author: Igor Kipnis
Publisher: Routledge
ISBN: 1135949786
Category : Music
Languages : en
Pages : 571
Get Book
Book Description
The Harpsichord and Clavichord, An Encyclopedia includes articles on this family of instruments, including famous players, composers, instruments builders, the construction of the instruments, and related terminology. It is the first complete reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world. It completes the three-volume Encyclopedia of Keyboard Instruments.
Author: Joan Benson
Publisher: Indiana University Press
ISBN: 0253011647
Category : Music
Languages : en
Pages : 142
Get Book
Book Description
Written by Joan Benson, one of the champions of clavichord performance in the 20th century, Clavichord for Beginners is an exceptional method book for both practitioners and enthusiasts. In addition to detailing the historical origins of the instrument and the evolution of keyboard technique, the book describes the proper method for practicing fingering and articulation and emphasizes the importance of touch and sensitivity at the keyboard.
Author: François Couperin
Publisher:
ISBN:
Category : Harpsichord
Languages : en
Pages : 90
Get Book
Book Description
Author: Peter Watchorn
Publisher: Routledge
ISBN: 1351561960
Category : Music
Languages : en
Pages : 407
Get Book
Book Description
Isolde Ahlgrimm (1914-1995) was an important pioneer in the revival of Baroque and Classical keyboard instruments in her native city, Vienna, and later, throughout Europe and the United States. She trained as a pianist at the Musikakademie in Vienna under the instruction of Viktor Ebenstein, Emil von Sauer and Franz Schmidt. In 1934 she met the musical instrument collector, Dr Erich Fiala, whom she married in 1938. His activities opened up the world of early instruments to her. Using a 1790 fortepiano by Michael Rosenberger, Isolde Ahlgrimm began her career as a specialist on early keyboard instruments with the first in her notable series of Concerte f?r Kenner und Liebhaber, given in Vienna's Palais Palffy in February 1937. Ahlgrimm's career as a harpsichordist also began in 1937, when a new instrument was commissioned from the Ammer brothers in Eisenberg, Germany. In 1943 Ahlgrimm performed her first all-harpsichord programme, which consisted of the Goldberg Variations by J.S. Bach. From 1949 to 1956, she devoted herself to performing and recording nearly all of Bach's harpsichord music for the newly-founded Dutch label, Philips, presenting her new approach to the harpsichord to a wider audience. Ahlgrimm's performances of Baroque music represented a radical departure from the distinctly twentieth-century interpretations by the much more famous Wanda Landowska and her followers. Most obviously, Ahlgrimm's harpsichord performances eliminated frequent registration changes (her instrument had hand stops rather than pedals to change registers), and largely eschewed the massive ritardandi and other anachronistic performance practices that were hallmarks of Landowska's essentially Romantic style. Ahlgrimm researched and emphasized rhetorical traditions on which the music was based. This became more pronounced throughout the course of her later performing, writing and teaching career, and it was the beginning of an approach to the performance of eighteenth-century musi
