Harper’s Weekly 1865 Part 2 - Andersonville PDF Download
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Author: Walt H. Sirene
Publisher: Walt H. Sirene
ISBN:
Category : History
Languages : en
Pages : 94
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Book Description
This is a selective collection of Harper’s Weekly woodcut images from throughout 1865 regarding cruelties at Andersonville. The original descriptions of illustrations of the jailor’s trial and rebel treatment of Union prisoners is presented. About This Document -- Several years ago, Fauquier resident Paul Mellon kindly gifted a collection of Harper’s Weekly news magazines to the Fauquier Historical Society. They are a great educational source of engraved images highlighting Civil War events published when most newspapers were only words. The images illuminate the story.
Author: Walt H. Sirene
Publisher: Walt H. Sirene
ISBN:
Category : History
Languages : en
Pages : 94
Get Book Here
Book Description
This is a selective collection of Harper’s Weekly woodcut images from throughout 1865 regarding cruelties at Andersonville. The original descriptions of illustrations of the jailor’s trial and rebel treatment of Union prisoners is presented. About This Document -- Several years ago, Fauquier resident Paul Mellon kindly gifted a collection of Harper’s Weekly news magazines to the Fauquier Historical Society. They are a great educational source of engraved images highlighting Civil War events published when most newspapers were only words. The images illuminate the story.
Author: Walt H. Sirene
Publisher: Walt H. Sirene
ISBN:
Category : History
Languages : en
Pages : 118
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Book Description
This is a selective collection of Harper’s Weekly woodcut Civil War images during the second half of 1865. The original descriptions of illustrations and events including Davis’ flight, devastation, Gen. Grant, Amy Spain, and Richmond recovering. Events resulting from horrors of Andersonville and trial of H. Wirz occurring during this period are in Part 2. About This Document -- Several years ago, Fauquier resident Paul Mellon kindly gifted a collection of Harper’s Weekly news magazines to the Fauquier Historical Society. They are a great educational source of engraved images highlighting Civil War events published when most newspapers were only words. The images illuminate the story.
Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 444
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Book Description
Author: William Marvel
Publisher: Univ of North Carolina Press
ISBN: 9780807857816
Category : History
Languages : en
Pages : 356
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Book Description
In this carefully researched and compelling revisionist account, William Marvel provides a comprehensive history of Andersonville Prison and conditions within it.
Author: Catherine Gourley
Publisher: Twenty-First Century Books ™
ISBN: 1467776327
Category : Young Adult Nonfiction
Languages : en
Pages : 196
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Book Description
The Confederate prison known as Andersonville existed for only the last fourteen months of the Civil War―but its well-documented legacy of horror has lived on in the diaries of its prisoners and the transcripts of the trial of its commandant. The diaries describe appalling conditions in which vermin-infested men were crowded into an open stockade with a single befouled stream as their water source. Food was scarce and medical supplies virtually nonexistent. The bodies of those who did not survive the night had to be cleared away each morning. Designed to house 10,000 Yankee prisoners, Andersonville held 32,000 during August 1864. Nearly a third of the 45,000 prisoners who passed through the camp perished. Exposure, starvation, and disease were the main causes, but excessively harsh penal practices and even violence among themselves contributed to the unprecedented death rate. At the end of the war, outraged Northerners demanded retribution for such travesties, and they received it in the form of the trial and subsequent hanging of Captain Henry Wirz, the prison’s commandant. The trial was the subject of legal controversy for decades afterward, as many people felt justice was ignored in order to appease the Northerners’ moral outrage over the horrors of Andersonville. The story of Andersonville is a complex one involving politics, intrigue, mismanagement, unfortunate timing, and, of course, people - both good and bad. Relying heavily on first-person reports and legal documents, author Catherine Gourley gives us a fascinating look into one of the most painful incidents of U.S. history.
Author: Henry Wirz
Publisher: Legare Street Press
ISBN: 9781017440324
Category :
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Allison M. Johnson
Publisher: LSU Press
ISBN: 0807171433
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
In The Scars We Carve: Bodies and Wounds in Civil War Print Culture, Allison M. Johnson considers the ubiquitous images of bodies—white and black, male and female, soldier and civilian—that appear throughout newspapers, lithographs, poems, and other texts circulated during and in the decades immediately following the Civil War. Rather than dwelling on the work of well-known authors, The Scars We Carve uncovers a powerful archive of Civil War–era print culture in which the individual body and its component parts, marked by violence or imbued with rhetorical power, testify to the horrors of war and the lasting impact of the internecine conflict. The Civil War brought about vast changes to the nation’s political, social, racial, and gender identities, and Johnson argues that print culture conveyed these changes to readers through depictions of nonnormative bodies. She focuses on images portrayed in the pages of newspapers and journals, in the left-handed writing of recent amputees who participated in penmanship contests, and in the accounts of anonymous poets and storytellers. Johnson reveals how allegories of the feminine body as a representation of liberty and the nation carved out a place for women in public and political realms, while depictions of slaves and black soldiers justified black manhood and citizenship in the midst of sectional crisis. By highlighting the extent to which the violence of the conflict marked the physical experience of American citizens, as well as the geographic and symbolic bodies of the republic, The Scars We Carve diverges from narratives of the Civil War that stress ideological abstraction, showing instead that the era’s print culture contains a literary and visual record of the war that is embodied and individualized.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 428
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Book Description
Author: Lorien Foote
Publisher: UNC Press Books
ISBN: 146966528X
Category : History
Languages : en
Pages : 313
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Book Description
During the Civil War, Union and Confederate politicians, military commanders, everyday soldiers, and civilians claimed their approach to the conflict was civilized, in keeping with centuries of military tradition meant to restrain violence and preserve national honor. One hallmark of civilized warfare was a highly ritualized approach to retaliation. This ritual provided a forum to accuse the enemy of excessive behavior, to negotiate redress according to the laws of war, and to appeal to the judgment of other civilized nations. As the war progressed, Northerners and Southerners feared they were losing their essential identity as civilized, and the attention to retaliation grew more intense. When Black soldiers joined the Union army in campaigns in South Carolina, Georgia, and Florida, raiding plantations and liberating enslaved people, Confederates argued the war had become a servile insurrection. And when Confederates massacred Black troops after battle, killed white Union foragers after capture, and used prisoners of war as human shields, Federals thought their enemy raised the black flag and embraced savagery. Blending military and cultural history, Lorien Foote's rich and insightful book sheds light on how Americans fought over what it meant to be civilized and who should be extended the protections of a civilized world.
Author: Penne L. Restad
Publisher: Oxford University Press
ISBN: 0195355091
Category : History
Languages : en
Pages : 240
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Book Description
The manger or Macy's? Americans might well wonder which is the real shrine of Christmas, as they take part each year in a mix of churchgoing, shopping, and family togetherness. But the history of Christmas cannot be summed up so easily as the commercialization of a sacred day. As Penne Restad reveals in this marvelous new book, it has always been an ambiguous meld of sacred thoughts and worldly actions-- as well as a fascinating reflection of our changing society. In Christmas in America, Restad brilliantly captures the rise and transformation of our most universal national holiday. In colonial times, it was celebrated either as an utterly solemn or a wildly social event--if it was celebrated at all. Virginians hunted, danced, and feasted. City dwellers flooded the streets in raucous demonstrations. Puritan New Englanders denounced the whole affair. Restad shows that as times changed, Christmas changed--and grew in popularity. In the early 1800s, New York served as an epicenter of the newly emerging holiday, drawing on its roots as a Dutch colony (St. Nicholas was particularly popular in the Netherlands, even after the Reformation), and aided by such men as Washington Irving. In 1822, another New Yorker named Clement Clarke Moore penned a poem now known as "'Twas the Night Before Christmas," virtually inventing the modern Santa Claus. Well-to-do townspeople displayed a German novelty, the decorated fir tree, in their parlors; an enterprising printer discovered the money to be made from Christmas cards; and a hodgepodge of year-end celebrations began to coalesce around December 25 and the figure of Santa. The homecoming significance of the holiday increased with the Civil War, and by the end of the nineteenth century a full- fledged national holiday had materialized, forged out of borrowed and invented custom alike, and driven by a passion for gift-giving. In the twentieth century, Christmas seeped into every niche of our conscious and unconscious lives to become a festival of epic proportions. Indeed, Restad carries the story through to our own time, unwrapping the messages hidden inside countless movies, books, and television shows, revealing the inescapable presence--and ambiguous meaning--of Christmas in contemporary culture. Filled with colorful detail and shining insight, Christmas in America reveals not only much about the emergence of the holiday, but also what our celebrations tell us about ourselves. From drunken revelry along colonial curbstones to family rituals around the tree, from Thomas Nast drawing the semiofficial portrait of St. Nick to the making of the film Home Alone, Restad's sparkling account offers much to amuse and ponder.
