Harmony in Mendelssohn and Schumann PDF Download
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Author: David Damschroder
Publisher: Cambridge University Press
ISBN: 1108418031
Category : Music
Languages : en
Pages : 293
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Book Description
A creative and accessible harmonic analysis of major works by key composers, demonstrating innovative methods in harmonic theory with sound examples.
Author: David Damschroder
Publisher: Cambridge University Press
ISBN: 1108418031
Category : Music
Languages : en
Pages : 293
Get Book Here
Book Description
A creative and accessible harmonic analysis of major works by key composers, demonstrating innovative methods in harmonic theory with sound examples.
Author: David Damschroder
Publisher: Cambridge University Press
ISBN: 1316477924
Category : Music
Languages : en
Pages :
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Book Description
David Damschroder's ongoing reformulation of harmonic theory continues with a dynamic exploration of how Beethoven molded and arranged chords to convey bold conceptions. This book's introductory chapters are organized in the manner of a nineteenth-century Harmonielehre, with individual considerations of the tonal system's key features illustrated by easy-to-comprehend block-chord examples derived from Beethoven's piano sonatas. In the masterworks section that follows, Damschroder presents detailed analyses of movements from the symphonies, piano and violin sonatas, and string quartets, and compares his outcomes with those of other analysts, including William E. Caplin, Robert Gauldin, Nicholas Marston, William J. Mitchell, Frank Samarotto, and Janet Schmalfeldt. Expanding upon analytical practices from the eighteenth and nineteenth centuries and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis – both in terms of how Roman numerals are deployed and how musical processes are described in words.
Author: David Damschroder
Publisher: Cambridge University Press
ISBN: 1107108578
Category : Music
Languages : en
Pages : 313
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Book Description
Penetrating, innovative analyses of numerous compositions by Chopin, integrating Schenkerian principles and a fresh perspective on harmony.
Author: Robert Schumann
Publisher: Courier Corporation
ISBN: 0486143090
Category : Music
Languages : en
Pages : 226
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Book Description
Includes 61 important critical pieces Schumann wrote for the Neue Zeitschrift fur Musik, 1834–1844. Perceptive evaluations of Beethoven, Chopin, Schubert, other giants; also Spohr, Moscheles, Field, other minor masters. Annotated.
Author: Arnold Steinhardt
Publisher: Macmillan
ISBN: 9780374527006
Category : Biography & Autobiography
Languages : en
Pages : 324
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Book Description
The author tells of his own development as a student, "of how he and his intrepid colleagues were converted to chamber music ... [and of how] four individualists master and then overcome the confining demands of ensemble playing."--Jacket.
Author: David Damschroder
Publisher: Cambridge University Press
ISBN: 1107025346
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
Innovative analytical techniques provide a penetrating view of how Haydn and Mozart employ harmony in their compositions.
Author: John Daverio
Publisher: Oxford University Press, USA
ISBN: 0195091809
Category : Biography & Autobiography
Languages : en
Pages : 624
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Book Description
This work focuses on the work of the romantic composer Robert Schumann.
Author: John Stainer
Publisher: BoD – Books on Demand
ISBN: 3382185326
Category : Fiction
Languages : en
Pages : 213
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Book Description
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author: Harry Thacker Burleigh
Publisher: Legare Street Press
ISBN: 9781015647220
Category : History
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Yonatan Malin
Publisher: Oxford University Press
ISBN: 0199712921
Category : Music
Languages : en
Pages : 250
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Book Description
Qualities of motion and emotion in song come from poetic images, melody, harmony, and voice leading, but they also come from rhythm and meter-the flow and articulation of words and music in time. This book explores rhythm and meter in the nineteenth-century German Lied, including songs for voice and piano by Fanny Hensel née Mendelssohn, Franz Schubert, Robert Schumann, Johannes Brahms, and Hugo Wolf. The Lied, as a genre, is characterized especially by the fusion of poetry and music. Poetic meter itself has expressive qualities, and rhythmic variations contribute further to the modes of signification. These features often carry over into songs, even as they are set in the more strictly determined periodicities of musical meter. A new method of declamatory-schema analysis is presented to illustrate common possibilities for setting trimeter, tetrameter, and pentameter lines. Degrees of rhythmic regularity and irregularity are also considered. There has been a wealth of new work on metric theory and analysis in the past thirty years; here this research is reviewed and applied in song analysis. Topics include the nature of metric entrainment (drawing on music psychology), metric dissonance, hypermeter, and phrase rhythm. Whereas narrative accounts of the nineteenth-century Lied typically begin with Schubert, here forms of expansion and elision in songs by Hensel provide a point of departure. Repetition links up directly with motion in songs by Schubert, including his famous "Gretchen am Spinnrade." The doubling and reverberation of vocal melody creates a form of interiorized resonance in Schumann's songs. Brahms and Wolf are typically understood as polar opposites in the later nineteenth century; here the differences are clarified along with deeper affinities. Songs by both Brahms and Wolf may be understood as musical performances of poetic readings, and in this regard they both belong to a late period of cultural history.
