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Author: David Damschroder
Publisher: Cambridge University Press
ISBN: 1107108578
Category : Music
Languages : en
Pages : 313
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Book Description
Penetrating, innovative analyses of numerous compositions by Chopin, integrating Schenkerian principles and a fresh perspective on harmony.
Author: David Damschroder
Publisher: Cambridge University Press
ISBN: 1107108578
Category : Music
Languages : en
Pages : 313
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Book Description
Penetrating, innovative analyses of numerous compositions by Chopin, integrating Schenkerian principles and a fresh perspective on harmony.
Author: David Damschroder
Publisher: Cambridge University Press
ISBN: 1316477924
Category : Music
Languages : en
Pages :
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Book Description
David Damschroder's ongoing reformulation of harmonic theory continues with a dynamic exploration of how Beethoven molded and arranged chords to convey bold conceptions. This book's introductory chapters are organized in the manner of a nineteenth-century Harmonielehre, with individual considerations of the tonal system's key features illustrated by easy-to-comprehend block-chord examples derived from Beethoven's piano sonatas. In the masterworks section that follows, Damschroder presents detailed analyses of movements from the symphonies, piano and violin sonatas, and string quartets, and compares his outcomes with those of other analysts, including William E. Caplin, Robert Gauldin, Nicholas Marston, William J. Mitchell, Frank Samarotto, and Janet Schmalfeldt. Expanding upon analytical practices from the eighteenth and nineteenth centuries and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis – both in terms of how Roman numerals are deployed and how musical processes are described in words.
Author: Dmitri Tymoczko
Publisher: OUP USA
ISBN: 0195336674
Category : Mathematics
Languages : en
Pages : 469
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Book Description
In this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.
Author: Robert W. Wason
Publisher: Boydell & Brewer
ISBN: 1580465757
Category : Music
Languages : en
Pages : 515
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Book Description
The first detailed study of Schenker's pathbreaking 1906 treatise, showing how it reflected 2500 years of thinking about harmony and presented a vigorous reaction to Austro-Germanic music theory ca. 1900.
Author: David Damschroder
Publisher: Cambridge University Press
ISBN: 1107025346
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
Innovative analytical techniques provide a penetrating view of how Haydn and Mozart employ harmony in their compositions.
Author: Sol Berkowitz
Publisher: Prentice Hall
ISBN:
Category : Music
Languages : en
Pages : 248
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Book Description
Author: Peter Sabbagh
Publisher: Universal-Publishers
ISBN: 9781581125955
Category : Music
Languages : en
Pages : 188
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Book Description
In the history of music there are seldom as rapid musical developments as we can find in Scriabin's works. In only 31 years Scriabin made a breathtaking development: in his early works he still uses a romantic tonal language, while his later works are far-reaching into the 20th century. Scriabin's development is gradual and consequent, each step can be derived from the preceding, thus connecting the music of the 19th and 20th centuries. He can be regarded as a key composer of his age.Harmony is the central factor in Scriabin's musical thinking. From harmony everything else is developed. It defines the form, also the melody and tone systems are developed from it.This book is concerned with the following basic issues: Which elements in Scriabin's harmony are new, and what has been derived from the tradition? Why is the development in Scriabin's works consequent, once started, why did it have to follow a certain course? Is there something elemental in Scriabin's way of thinking that pushes ahead this development?
Author: Edward Blickstein
Publisher: Scarecrow Press
ISBN: 0810884976
Category : Music
Languages : en
Pages : 489
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Book Description
Vladimir de Pachmann was perhaps history’s most notorious pianist. Widely regarded as the greatest player of Chopin’s works, Pachmann embedded comedic elements—be it fiddling with his piano bench or flirting with the audience—within his classic piano recitals to alleviate his own anxiety over performing. But this wunderkind, whose admirers included Franz Liszt and music critic James Gibbons Huneker (who cheekily nicknamed Pachmann the “Chopinzee”), would by the turn of the century find his antics on the concert stage scorned by critics and out of fashion with listeners, burying his pianistic legacy. In Chopin’s Prophet: The Life of Pianist Vladimir de Pachmann, the first biography ever of this remarkable figure, Edward Blickstein and Gregor Benko explore the private and public lives of this master pianist, surveying his achievements within the context of contemporary critical opinion and preserving his legacy as one of the last great Romantic pianists of his time. Chopin’s Prophet paints a colorful portrait of classical piano performance and celebrity at the turn of the 20th century while also documenting Pachmann’s attraction to men, which ultimately ended his marriage but was overlooked by his audiences. As the authors illustrate, Pachmann lived in a radically different world of music making, one in which eccentric personality and behavior fit into a much more flexible, and sometimes mysterious, musical community, one where standards were set not by certified experts with degrees but by the musicians themselves. Detailing the evolution of concert piano playing style from the era of Chopin until World War I, Chopin’s Prophet tells the fantastic and true story of an artist of and after his time.
Author: Ross W. Duffin
Publisher: W. W. Norton & Company
ISBN: 0393075648
Category : Music
Languages : en
Pages : 197
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Book Description
"A fascinating and genuinely accessible guide....Educating, enjoyable, and delightfully unscary."—Classical Music What if Bach and Mozart heard richer, more dramatic chords than we hear in music today? What sonorities and moods have we lost in playing music in "equal temperament"—the equal division of the octave into twelve notes that has become our standard tuning method? Thanks to How Equal Temperament Ruined Harmony, "we may soon be able to hear for ourselves what Beethoven really meant when he called B minor 'black'" (Wall Street Journal).In this "comprehensive plea for more variety in tuning methods" (Kirkus Reviews), Ross W. Duffin presents "a serious and well-argued case" (Goldberg Magazine) that "should make any contemporary musician think differently about tuning" (Saturday Guardian). Some images in the ebook are not displayed owing to permissions issues.
Author: John Rink
Publisher: Cambridge University Press
ISBN: 9780521034333
Category : Music
Languages : en
Pages : 272
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Book Description
'A book that no serious student should be without... refreshingly sane.' Jeremy Siepmann, Classical Music 'An immensely valuable and well-researched book.' Stephen Haylett, BBC Music Magazine 'Intermittently engrossing...' Susan Bradshaw, Musical Times.
