Harmonic Secrets of Arabic Music Scales with Two CDs PDF Download
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Author: Cameron Powers
Publisher:
ISBN: 9781933983165
Category :
Languages : en
Pages : 190
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Book Description
Author: Cameron Powers
Publisher:
ISBN: 9781933983165
Category :
Languages : en
Pages : 190
Get Book Here
Book Description
Author: Cameron Powers
Publisher: G. L. Design
ISBN: 9781933983196
Category : Maqām
Languages : en
Pages : 0
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Book Description
Finding and performing perfectly harmonious note intervals in Arabic music maqam systems. Knowledge of quartertones is not enough. This book explains how the maqamat follow the laws of acoustic physics and provide a history of clues given by traditional musicians which demonstrate that this knowledge was available by tuning with deep listening.
Author: Cameron Powers
Publisher: cameron powers
ISBN: 0974588245
Category : Maqām
Languages : en
Pages : 58
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Book Description
How to play Arabic music. Maqam structures with traditional quarter-tone intervals presented in easy-to-read formats. This book has become a widely-used standard for instrumentalists and singers who wish to enter the magical world of Arabic music.
Author: Cameron Powers
Publisher: G. L. Design
ISBN: 9781933983189
Category : Folk music
Languages : en
Pages : 0
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Book Description
By combining details of ancient Middle Eastern Musical Maqam teachings and the physics of Just Intonation, which describe perfect harmony, Powers is able to present a simple solution to these musical mysteries. These dozens of ancient musical scales can give a huge palette of musical colors with which to improvise and compose.
Author: Johnny Farraj
Publisher: Oxford University Press
ISBN: 019065838X
Category : Music
Languages : en
Pages : 481
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Book Description
What makes hundreds of listeners cheer ecstatically at the same instant during a live concert by Egyptian diva Umm Kulthum? What is the unspoken language behind a taqsim (traditional instrumental improvisation) that performers and listeners implicitly know? How can Arabic music be so rich and diverse without resorting to harmony? Why is it so challenging to transcribe Arabic music from a recording? Inside Arabic Music answers these and many other questions from the perspective of two "insiders" to the practice of Arabic music, by documenting a performance culture and a know-how that is largely passed on orally. Arabic music has spread across the globe, influencing music from Greece all the way to India in the mid-20th century through radio and musical cinema, and global popular culture through Raqs Sharqi, known as "Bellydance" in the West. Yet despite its popularity and influence, Arabic music, and the maqam scale system at its heart, remain widely misunderstood. Inside Arabic Music de-mystifies maqam with an approach that draws theory directly from practice, and presents theoretical insights that will be useful to practitioners, from the beginner to the expert - as well as those interested in the related Persian, Central Asian, and Turkish makam traditions. Inside Arabic Music's discussion of maqam and improvisation widens general understanding of music as well, by bringing in ideas from Saussurean linguistics, network theory, and Lakoff and Johnson's theory of cognition as metaphor, with an approach parallel to Gjerdingen's analysis of Galant-period music - offering a lens into the deeper relationships among music, culture, and human community.
Author: John Fauvel
Publisher: Oxford University Press, USA
ISBN: 9780199298938
Category : Mathematics
Languages : en
Pages : 208
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Book Description
From ancient Greek times, music has been seen as a mathematical art, and the relationship between mathematics and music has fascinated generations. This work links these two subjects in a manner that is suitable for students of both subjects, as well as the general reader with an interest in music.
Author: Gerhard Kubik
Publisher: Univ. Press of Mississippi
ISBN: 9781578061464
Category : Music
Languages : en
Pages : 268
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Book Description
In 1969 Gerhard Kubik chanced to encounter a Mozambican labor migrant, a miner in Transvaal, South Africa, tapping a cipendani, a mouth-resonated musical bow. A comparable instrument was seen in the hands of a white Appalachian musician who claimed it as part of his own cultural heritage. Through connections like these Kubik realized that the link between these two far-flung musicians is African-American music, the sound that became the blues. Such discoveries reveal a narrative of music evolution for Kubik, a cultural anthropologist and ethnomusicologist. Traveling in Africa, Brazil, Venezuela, and the United States, he spent forty years in the field gathering the material for Africa and the Blues. In this book, Kubik relentlessly traces the remote genealogies of African cultural music through eighteen African nations, especially in the Western and Central Sudanic Belt. Included is a comprehensive map of this cradle of the blues, along with 31 photographs gathered in his fieldwork. The author also adds clear musical notations and descriptions of both African and African American traditions and practices and calls into question the many assumptions about which elements of the blues were "European" in origin and about which came from Africa. Unique to this book is Kubik's insight into the ways present-day African musicians have adopted and enlivened the blues with their own traditions. With scholarly care but with an ease for the general reader, Kubik proposes an entirely new theory on blue notes and their origins. Tracing what musical traits came from Africa and what mutations and mergers occurred in the Americas, he shows that the African American tradition we call the blues is truly a musical phenomenon belonging to the African cultural world [Publisher description].
Author: Michael John Hewitt, Dr
Publisher:
ISBN: 9780957547001
Category : Chords (Music)
Languages : en
Pages : 320
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Book Description
This book is a must for musicians, composers and music producers who want to explore the fascinating variety of musical scales that are now used in world music. Included are hundreds of scales from around the world such as: major and minor scales of Western music, diatonic modes, pentatonic scales, scales used in jazz and bebop, artificial and synthetic scales, scales of Greek folk music, pentatonic scales of Japanese and Chinese music, Ethiopian kinit, African kora scales, scales of Indonesian gamelan music, equal tone scales of Thailand and Burma, musical scales of classical Indian music and more. Each scale is presented in multiple formats including guitar tab, keyboard, note names, staff and where appropriate, details of fine tuning. A transposition pattern is also given for each scale, which enables the musician to practise and play the scale in any key required. An explanation of each scale, together with a description of its characteristics is also provided."
Author: Dale Purves
Publisher: Harvard University Press
ISBN: 0674972961
Category : Science
Languages : en
Pages : 115
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Book Description
The universality of musical tones has long fascinated philosophers, scientists, musicians, and ordinary listeners. Why do human beings worldwide find some tone combinations consonant and others dissonant? Why do we make music using only a small number of scales out of the billions that are possible? Why do differently organized scales elicit different emotions? Why are there so few notes in scales? In Music as Biology, Dale Purves argues that biology offers answers to these and other questions on which conventional music theory is silent. When people and animals vocalize, they generate tonal sounds—periodic pressure changes at the ear which, when combined, can be heard as melodies and harmonies. Human beings have evolved a sense of tonality, Purves explains, because of the behavioral advantages that arise from recognizing and attending to human voices. The result is subjective responses to tone combinations that are best understood in terms of their contribution to biological success over evolutionary and individual history. Purves summarizes evidence that the intervals defining Western and other scales are those with the greatest collective similarity to the human voice; that major and minor scales are heard as happy or sad because they mimic the subdued and excited speech of these emotional states; and that the character of a culture’s speech influences the tonal palette of its traditional music. Rethinking music theory in biological terms offers a new approach to centuries-long debates about the organization and impact of music.
Author: Ross W. Duffin
Publisher: W. W. Norton & Company
ISBN: 0393075648
Category : Music
Languages : en
Pages : 197
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Book Description
"A fascinating and genuinely accessible guide....Educating, enjoyable, and delightfully unscary."—Classical Music What if Bach and Mozart heard richer, more dramatic chords than we hear in music today? What sonorities and moods have we lost in playing music in "equal temperament"—the equal division of the octave into twelve notes that has become our standard tuning method? Thanks to How Equal Temperament Ruined Harmony, "we may soon be able to hear for ourselves what Beethoven really meant when he called B minor 'black'" (Wall Street Journal).In this "comprehensive plea for more variety in tuning methods" (Kirkus Reviews), Ross W. Duffin presents "a serious and well-argued case" (Goldberg Magazine) that "should make any contemporary musician think differently about tuning" (Saturday Guardian). Some images in the ebook are not displayed owing to permissions issues.
