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Author: George Van Eps
Publisher: Mel Bay Publications
ISBN: 9781562225759
Category :
Languages : en
Pages : 40
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Book Description
Author: George Van Eps
Publisher: Mel Bay Publications
ISBN: 9781562225759
Category :
Languages : en
Pages : 40
Get Book Here
Book Description
Author: George Van Eps
Publisher: Mel Bay Publications
ISBN: 160974876X
Category : Music
Languages : en
Pages : 329
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Book Description
The most in-depth, revolutionary presentation of the harmonic framework of music is applied to the guitar fingerboard ever presented. Leads to total mastery of harmonic and technical aspects of the guitar. The material in this landmark series of 3 massive volumes address virtually every aspect of playing jazz guitar representing the fruits of years of the author's investigation of harmony and fingerboard mobility. This series of books leads to total mastery of the harmonic and technical aspects of the guitar. In notation only.
Author: William Bay
Publisher:
ISBN: 0786667095
Category : Music
Languages : en
Pages : 3
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Book Description
A handy yet complete guide to 7-string jazz guitar chords. Shows rhythm chords with root, 3rd and 5th in the bass along with great sounding chord extensions ideal for rhythm or solo performance.
Author: George Van Eps
Publisher: Mel Bay Publications
ISBN: 1609740874
Category : Music
Languages : en
Pages : 383
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Book Description
The most in-depth, revolutionary presentation of the harmonic framework of music as applied to the guitar fingerboard ever presented. Leads to total mastery of harmonic and technical aspects of the guitar.
Author: Ted Greene
Publisher: Alfred Music
ISBN: 9781457455292
Category : Music
Languages : en
Pages : 116
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Book Description
Ted Greene’s Chord Chemistry was originally published in 1971 and has become the classic chord reference book for two generations of guitarists. Whether you are just beginning to search beyond basic barre chords or are already an advanced player looking for new sounds and ideas this is the book that will get you there. Designed to inspire creativity this book is a musical treasure chest filled with exciting new ideas and sounds.
Author: BEN. SCHWENDENER
Publisher:
ISBN: 9780984921676
Category :
Languages : en
Pages :
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Book Description
Organic Music Theory facilitates creative choices from naturally occurring-organic-and self-organized universal elements. The author clearly explains theory drawn from the modal period in jazz then expands it into a range of applications. This work addresses anyone sensing the existence of a larger realm of creative choice.
Author: Ted Greene
Publisher: Alfred Music Publishing
ISBN: 9780769209722
Category : Music
Languages : en
Pages : 140
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Book Description
A book that clearly explains the principles of jazz soloing. Logically organized, with hundreds of musical examples, this method is the result of many years of Ted's teaching and research.
Author: Howard Morgen
Publisher: Alfred Music Publishing
ISBN: 9780739049846
Category : Music
Languages : en
Pages : 196
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Book Description
In this definitive work, Howard Morgen demonstrates all the tools, techniques, and concepts to create masterful solo guitar arrangements. This one-of-a-kind book with enhanced CD features 19 full song arrangements based on 11 classic jazz standards, which are immediately applicable for professional usage. The enhanced CD features demonstrations by Howard Morgen and Howard Alden, 6 complete video performances, plus printable PDFs ---all accessible from your computer's CD-ROM drive. Titles: Round Midnight * Li'l Darlin' * The More I See You * Stardust * Alone Together * Speak Low * It's Only a Paper Moon * My Funny Valentine * Body and Soul * My Foolish Heart * Nice Work, If You Can Get It.
Author: Pupa U.P.A. Gilbert
Publisher: Academic Press
ISBN: 0128243481
Category : Science
Languages : en
Pages : 401
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Book Description
Physics in the Arts, Third Edition gives science enthusiasts and liberal arts students an engaging, accessible exploration of physical phenomena, particularly with regard to sound and light. This book offers an alternative route to science literacy for those interested in the arts, music and photography. Suitable for a typical course on sound and light for non-science majors, Gilbert and Haeberli's trusted text covers the nature of sound and sound perception as well as important concepts and topics such as light and light waves, reflection and refraction, lenses, the eye and the ear, photography, color and color vision, and additive and subtractive color mixing. Additional sections cover color generating mechanisms, periodic oscillations, simple harmonic motion, damped oscillations and resonance, vibration of strings, Fourier analysis, musical scales and musical instruments. - Winner of a 2022 Textbook Excellence Award (College) (Texty) from the Textbook and Academic Authors Association - Offers an alternative route to science literacy for those interested in the visual arts, music and photography - Includes a new and unique quantitative encoding approach to color vision, additive and subtractive color mixing, a section on a simplified approach to quantitative digital photography, how the ear-brain system works as a Fourier analyzer, and updated and expanded exercises and solutions - Provides a wealth of student resources including in-text solutions and online materials including demo and lecture videos, practice problems, and other useful files: https://www.elsevier.com/books-and-journals/book-companion/9780128243473 - Supplies teaching materials for qualified instructors, including chapter image banks, model homework sets, and model exams: ttps://educate.elsevier.com/book/details/9780128243473
Author: Jimmy Wyble
Publisher: Mel Bay Publications
ISBN: 1610654447
Category : Music
Languages : en
Pages : 97
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Book Description
This collection of etudes, written during the 1970's, was composed as a result of Jimmy Wyble's explorations into the musical worlds of counterpoint, harmony and chord melody improvisation for the jazz guitar. the right and left hand fingerings presented in this book were also developed as techniques needed to improvise jazz in two lines. Jimmy uses very standard jazz guitar chord shapes in these etudes; however, these shapes move through the harmony in lines rather than block chord structures. This broken chord technique creates a unique contrapuntal sound that separates Jimmy from the rest of the fingerstyle jazz guitar world. It is hoped that jazz and classical guitarists playing and working through these etudes will see many familiar chord shapes moving in new ways and creating new sounds. These new harmonic sounds combined with beautiful melodies will inspire any quitarist to new levels of musical creativity. Written in notation and tablature. 92 pages.
