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Author: Maurice Willson Disher
Publisher:
ISBN:
Category : Clowns
Languages : en
Pages : 484
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Book Description
Author: Maurice Willson Disher
Publisher:
ISBN:
Category : Clowns
Languages : en
Pages : 484
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Book Description
Author: Sidney Jackson Jowers
Publisher: Routledge
ISBN: 1136746420
Category : Art
Languages : en
Pages : 542
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Book Description
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Author:
Publisher:
ISBN:
Category : Press
Languages : en
Pages : 744
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Book Description
Author:
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ISBN:
Category : London (England)
Languages : en
Pages : 684
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Book Description
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ISBN:
Category : Union catalogs
Languages : en
Pages : 624
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Book Description
Author:
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ISBN:
Category : Actors
Languages : en
Pages : 524
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Book Description
Author: Daniel O'Brien
Publisher: Springer Nature
ISBN: 3030741427
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
If films drawing on Middle East tropes often highlight white Westerners, figures such as Sinbad and the Thief of Bagdad embody a counter-tradition of protagonists, derived from Islamic folklore and history, who are portrayed as ‘Other’ to Western audiences. In Muslim Heroes on Screen, Daniel O’Brien explores the depiction of these characters in Euro-American cinema from the silent era to the present day. Far from being mere racial masquerade, these screen portrayals are more complex and nuanced than is generally allowed, not least in terms of the shifting concepts and assumptions that inform their Muslim identity. Using films ranging from Douglas Fairbanks’ The Thief of Bagdad, The 7th Voyage of Sinbad, El Cid, Kingdom of Heaven and The Message to The Wind and the Lion, O’Brien considers how the representational strategies of Western filmmakers may transcend such Muslim stereotypes as fanatic antagonists or passive victims. These figures possess a cultural significance which cannot be fully appreciated by Euro-American audiences without reference to their distinction as Muslim heroes and the implications and resonances of an Islamicized protagonist.
Author: G.E. Wickens
Publisher: Springer Science & Business Media
ISBN: 1402064314
Category : Science
Languages : en
Pages : 535
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Book Description
This is the only comprehensive account of all eight species in the genus Adansonia. It describes the historical background from the late Roman period to the present. It covers the extraordinary variety of economic uses of baobabs. There are also appendices on vernacular names, gazetteer, economics, nutrition and forest mensuration. This book fills a gap in the botanical literature. It deals with a genus that has fascinated and intrigued scientists and lay persons for centuries.
Author: Wesley Hyatt
Publisher:
ISBN: 9780823083152
Category : Television broadcasting
Languages : en
Pages : 0
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Book Description
"Five-decade chronicle of television history [covering] ... all daytime programs that aired for three or more weeks on a commercial network between 1947 and 1996, plus 100 nationally syndicated shows from the same period ... . [Includes] cartoons, children's programs, game shows, news shows, soap operas, sports programs, [and] talk shows ... . Provides the dates each show aired, a synosis of its plot, its principal cast members, and other pertinent information"--Back cover.
Author: Jack Zipes
Publisher: Routledge
ISBN: 1135204349
Category : Literary Criticism
Languages : en
Pages : 350
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Book Description
In his latest book, fairy tales expert Jack Zipes explores the question of why some fairy tales "work" and others don't, why the fairy tale is uniquely capable of getting under the skin of culture and staying there. Why, in other words, fairy tales "stick." Long an advocate of the fairy tale as a serious genre with wide social and cultural ramifications, Jack Zipes here makes his strongest case for the idea of the fairy tale not just as a collection of stories for children but a profoundly important genre. Why Fairy Tales Stick contains two chapters on the history and theory of the genre, followed by case studies of famous tales (including Cinderella, Snow White, and Bluebeard), followed by a summary chapter on the problematic nature of traditional storytelling in the twenty-first century.
