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Author: Aaron Siskind
Publisher: Matrix Publishing Company
ISBN:
Category : Business & Economics
Languages : en
Pages : 88
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Book Description
Author: Aaron Siskind
Publisher: Matrix Publishing Company
ISBN:
Category : Business & Economics
Languages : en
Pages : 88
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Book Description
Author: Aaron Siskind
Publisher: Smithsonian Books (DC)
ISBN:
Category : Photography
Languages : en
Pages : 90
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Book Description
Originally published in 1981 as Harlem documents; photographs 1932-1940 and reprinted to accompany an exhibit at the Smithsonian (November 1990--March 1991). Includes eight stories of individuals in Harlem, first-person narratives collected as part of the Federal Writers Project, with contributions by now-famous writers such as Ralph Ellison and Richard Wright. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Aaron Siskind
Publisher:
ISBN: 9780936554068
Category :
Languages : en
Pages : 0
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Book Description
Author: Thomas J. Davis
Publisher: Bloomsbury Publishing USA
ISBN:
Category : History
Languages : en
Pages : 431
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Book Description
This book explores the transformative energy and excitement that African Americans expressed in aesthetic and civic currents that percolated during the opening of the 20th century and proved to be a force in the modernization of America. This engaging reference text represents the voices of the era in poetry and prose, in full or excerpted from anecdotes, editorials, essays, manifestoes, orations, and reminiscences, with appearances by major figures and often overlooked contributors to the Harlem Renaissance. Organized topically and, within topics, chronologically, the volume reaches beyond the typical representation of the spirit and substance of the movement, examinations of which are typically confined to the New York City community and from U.S. entry into World War I in 1917 to the depths of the Great Depression in 1935. It carries readers from the opening of the Harlem Renaissance, which began at the top of the 20th century, to its heights in the 1920s and '30s and through to its artistic and literary echoes in the shadows of World War II (1939–1945).
Author: Sara Blair
Publisher: Princeton University Press
ISBN: 9780691130873
Category : History
Languages : en
Pages : 392
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Book Description
The Harlem riot of 1935 not only signaled the end of the Harlem Renaissance; it made black America's cultural capital an icon for the challenges of American modernity. Luring photographers interested in socially conscious, journalistic, and aesthetic representation, post-Renaissance Harlem helped give rise to America's full-blown image culture and its definitive genre, documentary. The images made there in turn became critical to the work of black writers seeking to reinvent literary forms. Harlem Crossroads is the first book to examine their deep, sustained engagements with photographic practices. Arguing for Harlem as a crossroads between writers and the image, Sara Blair explores its power for canonical writers, whose work was profoundly responsive to the changing meanings and uses of photographs. She examines literary engagements with photography from the 1930s to the 1970s and beyond, among them the collaboration of Langston Hughes and Roy DeCarava, Richard Wright's uses of Farm Security Administration archives, James Baldwin's work with Richard Avedon, and Lorraine Hansberry's responses to civil rights images. Drawing on extensive archival work and featuring images never before published, Blair opens strikingly new views of the work of major literary figures, including Ralph Ellison's photography and its role in shaping his landmark novel Invisible Man, and Wright's uses of camera work to position himself as a modernist and postwar writer. Harlem Crossroads opens new possibilities for understanding the entangled histories of literature and the photograph, as it argues for the centrality of black writers to cultural experimentation throughout the twentieth century.
Author:
Publisher:
ISBN:
Category : New York (N.Y.)
Languages : en
Pages : 852
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Book Description
Author: Joseph B. Entin
Publisher: UNC Press Books
ISBN: 1469606615
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
Challenging the conventional wisdom that the 1930s were dominated by literary and photographic realism, Sensational Modernism uncovers a rich vein of experimental work by politically progressive artists. Examining images by photographers such as Weegee and Aaron Siskind and fiction by writers such as William Carlos Williams, Richard Wright, Tillie Olsen, and Pietro di Donato, Joseph Entin argues that these artists drew attention to the country's most vulnerable residents by using what he calls an "aesthetic of astonishment," focused on startling, graphic images of pain, injury, and prejudice. Traditional portrayals of the poor depicted stoic, passive figures of sentimental suffering or degraded but potentially threatening figures in need of supervision. Sensational modernists sought to shock middle-class audiences into new ways of seeing the nation's impoverished and outcast populations. The striking images these artists created, often taking the form of contorted or disfigured bodies drawn from the realm of the tabloids, pulp magazines, and cinema, represented a bold, experimental form of social aesthetics. Entin argues that these artists created a willfully unorthodox brand of vernacular modernism in which formal avant-garde innovations were used to delineate the conditions, contradictions, and pressures of life on the nation's fringes.
Author: Sara Blair
Publisher: Princeton University Press
ISBN: 0691130876
Category : History
Languages : en
Pages : 377
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Book Description
The Harlem riot of 1935 not only signaled the end of the Harlem Renaissance; it made black America's cultural capital an icon for the challenges of American modernity. Luring photographers interested in socially conscious, journalistic, and aesthetic representation, post-Renaissance Harlem helped give rise to America's full-blown image culture and its definitive genre, documentary. The images made there in turn became critical to the work of black writers seeking to reinvent literary forms. Harlem Crossroads is the first book to examine their deep, sustained engagements with photographic practices. Arguing for Harlem as a crossroads between writers and the image, Sara Blair explores its power for canonical writers, whose work was profoundly responsive to the changing meanings and uses of photographs. She examines literary engagements with photography from the 1930s to the 1970s and beyond, among them the collaboration of Langston Hughes and Roy DeCarava, Richard Wright's uses of Farm Security Administration archives, James Baldwin's work with Richard Avedon, and Lorraine Hansberry's responses to civil rights images. Drawing on extensive archival work and featuring images never before published, Blair opens strikingly new views of the work of major literary figures, including Ralph Ellison's photography and its role in shaping his landmark novel Invisible Man, and Wright's uses of camera work to position himself as a modernist and postwar writer. Harlem Crossroads opens new possibilities for understanding the entangled histories of literature and the photograph, as it argues for the centrality of black writers to cultural experimentation throughout the twentieth century.
Author: Sharifa Rhodes-Pitts
Publisher: Little Brown
ISBN: 031601723X
Category : History
Languages : en
Pages : 209
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Book Description
The author explores Harlem's legacy through the lives of people who lived there, both celebrities and everyday people, including her own experiences, in a book that looks at the growing gentrification of the culture-rich New York neighborhood.
Author: Erina Duganne
Publisher: UPNE
ISBN: 1584658029
Category : Photography
Languages : en
Pages : 250
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Book Description
A study of race and authenticity in the photography of the civil rights era and beyond
