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Author: Jim Dine
Publisher: New York : Dutton
ISBN:
Category : Happening (Art)
Languages : en
Pages : 300
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Book Description
In this book, Michael Kirby sets out to define and describe those curious performances which have taken on the name of happenings. The descriptions-in words and pictures-are illuminating. The introduction traces the influences--of action painting, surrealism, abstract expressionism, Dadaism, W.C. Fields, and the Marx Brothers--upon the form of happenings. More informative is the section in which five makers of happenings state the aims and devices of their creations. These statements are followed by the scripts of happenings and by long meticulous descriptions of the performance of each happening. The performances which are described have been liberally illustrated with photographs which give an excellent idea of the appearance of the production(s).
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 288
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Book Description
Author: Jim Dine
Publisher: New York : Dutton
ISBN:
Category : Happening (Art)
Languages : en
Pages : 300
Get Book Here
Book Description
In this book, Michael Kirby sets out to define and describe those curious performances which have taken on the name of happenings. The descriptions-in words and pictures-are illuminating. The introduction traces the influences--of action painting, surrealism, abstract expressionism, Dadaism, W.C. Fields, and the Marx Brothers--upon the form of happenings. More informative is the section in which five makers of happenings state the aims and devices of their creations. These statements are followed by the scripts of happenings and by long meticulous descriptions of the performance of each happening. The performances which are described have been liberally illustrated with photographs which give an excellent idea of the appearance of the production(s).
Author: Lisa Saltzman
Publisher: UPNE
ISBN: 9781584655169
Category : Art
Languages : en
Pages : 310
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Book Description
Essays exploring the role of trauma in modern art.
Author: Laurel Jean Fredrickson
Publisher: Bloomsbury Publishing USA
ISBN: 1501332325
Category : Art
Languages : en
Pages : 303
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Book Description
Combining a broad overview of Jean-Jacques Lebel's coming-of-age among Surrealists and his rupture with the movement, Laurel Jean Fredrickson focuses on two landmark happenings in this book: the first, “Funeral of the Thing of Tinguely” (1960), and the most scandalous, “120 Minutes dedicated to the Divine Marquis” (1966). This study illustrates the development and significance of French happenings in relation to cultural and political changes of the 1960s. Research in Lebel's archives, and others like the Archives nationale d'outre-mer are indispensable in the telling of this extraordinary historical and theoretical narrative. It illuminates sensitive, often veiled dimensions of postwar French society, from torture during the Algerian War, to government censorship, to the sexual politics of nudity in art. This volume shows how Lebel synthesized the lessons of Dada and surrealism and 1960s experimentalism, electrified by political radicalism, to participate in shaping the erotics and forms of revolution in May 1968.
Author: Simon Anderson
Publisher: Rutgers University Press
ISBN: 9780813526096
Category : Architecture
Languages : en
Pages : 256
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Book Description
By constantly challenging one another to take art "Off Limits," George Brecht, Geoffrey Hendricks, Allan Kaprow, Roy Lichtenstein, Lucas Samaras, George Segal, Robert Watts, and Robert Whitman defied the art world, bringing Abstract Expressionism to a screeching halt and setting the stage for the art of the rest of the century. Off Limits accompanies a major exhibition of the same title at The Newark Museum, February 18 - May 16, 1999.
Author: Meredith Morse
Publisher: MIT Press
ISBN: 0262548933
Category : Art
Languages : en
Pages : 269
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Book Description
An innovative analysis of Simone Forti's interdisciplinary art, viewing her influential 1960s “dance constructions” as negotiating the aesthetic strategies of John Cage and Anna Halprin. Simone Forti's art developed within the overlapping circles of New York City's advanced visual art, dance, and music of the early 1960s. Her “dance constructions” and related works of the 1960s were important for both visual art and dance of the era. Artists Robert Morris and Yvonne Rainer have both acknowledged her influence. Forti seems to have kept one foot inside visual art's frames of meaning and the other outside them. In Soft Is Fast, Meredith Morse adopts a new way to understand Forti's work, based in art historical analysis but drawing upon dance history and cultural studies and the history of American social thought. Morse argues that Forti introduced a form of direct encounter that departed radically from the spectatorship proposed by Minimalism, and prefigured the participatory art of recent decades. Morse shows that Forti's work negotiated John Cage's ideas of sound, score, and theater through the unique approach to movement, essentially improvisational and grounded in anatomical exploration, that she learned from performer and teacher Ann (later Anna) Halprin. Attentive to Robert Whitman's and La Monte Young's responses to Cage, Forti reshaped Cage's concepts into models that could accommodate Halprin's charged spaces and imagined, interpenetrative understanding of other bodies. Morse considers Forti's use of sound and her affective use of materials as central to her work; examines Forti's text pieces, little discussed in art historical literature; analyzes Huddle, considered one of Forti's signature works; and explicates Forti's later improvisational practice. Forti has been relatively overlooked by art historians, perhaps because of her work's central concern with modes of feeling and embodiment, unlike other art of the 1960s, which was characterized by strategies of depersonalization and affectlessness. Soft Is Fast corrects this critical oversight.
Author: Rhys Davies
Publisher: Cambridge Scholars Publishing
ISBN: 144387020X
Category : Art
Languages : en
Pages : 259
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Book Description
There’s nothing pure about modernism. For all the later critical emphasis upon “medium specificity”, modernist artists in their own times revel in the exchange of motifs and tropes from one kind of art to another; they revel in staging events where different media play crucial roles alongside each other, where different media interfere with each other, to spark new and surprising experiences for their audiences. This intermediality and multi-media activity is the subject of this important collection of essays. The authoritative contributions cover the full historical span of modernism, from its emergence in the early twentieth century to its after-shocks in the 1960s. Studies include Futurism’s struggle to create an art of noise for the modern age; the radical experiments with poetry; painting and ballet staged in Paris in the early 1920s; the relationship of poetry to painting in the work of a neglected Catalan artist in the 1930s; the importance of architecture to new conceptions of performance in 1960s “Happenings”; and the complex exchange between film, music and sadomasochism that characterises Andy Warhol's “Exploding Plastic Inevitable”.
Author: John Freeman
Publisher: Bloomsbury Publishing
ISBN: 1350315893
Category : Performing Arts
Languages : en
Pages : 366
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Book Description
Contemporary theatre is going through a period of unparalleled excitement and challenge. Terms like 'postmodern' and 'postdramatic' have their own contested and defended histories, while notions of truth in verbatim theatre are open to serious critical challenge. Theatre writing can result in no words being spoken and nothing appearing on the page, and productions are stretching the boundaries of space, place and context like never before. This revised and significantly expanded edition of New Performance/New Writing explores immersive and solo theatre, autoethnography, applied drama, performance writing, plot, story, narrative and devising. It presents an invaluable response to questions that arise from new theatre, prompting active reading that enhances classroom and workshop learning, and improves productivity in rehearsal. Each chapter explores a key aspect of theatre study, while an extensive timeline of theatre events gives a broad overview of its evolution. Case studies on practitioners as diverse as Kneehigh, Punchdrunk, Mark Ravenhill and Forced Entertainment are scattered throughout the book, along with detailed suggestions for workshops, which encourage readers to test some of the book's ideas in practice.
Author: Gerd Hurm
Publisher: Peter Lang
ISBN: 9783039109364
Category : Foreign Language Study
Languages : en
Pages : 298
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Book Description
The figure of the rebel of the 1950s shaped the imagination of the American post-war generation. Yet the notoriety of the rebel resides uneasily beside that of the conformist, ironically one of the other central figures of the decade. This collection of essays, which originated at an international conference in Trier, Germany, in 2005, sets out to explain the multiple representations of rebellion and affirmation in 1950s American culture. It explores the ways in which rebellion was 'contained' and also disruptive during this pivotal decade of American ascendance on the global scene. In a series of essays written by prominent American Studies scholars in the United States and Germany, the collection explores the meaning of rebellion in the 1950s and its role in shaping theological, literary and cultural discourses.
Author: Laura Cull Ó Maoilearca
Publisher: Springer
ISBN: 1137291915
Category : Performing Arts
Languages : en
Pages : 290
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Book Description
Theatres of Immanence: Deleuze and the Ethics of Performance is the first monograph to provide an in-depth study of the implications of Deleuze's philosophy for theatre and performance. Drawing from Goat Island, Butoh, Artaud and Kaprow, as well from Deleuze, Bergson and Laruelle, the book conceives performance as a way of thinking immanence.
