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Author: Hans Haacke
Publisher: MIT Press
ISBN: 0262336936
Category : Art
Languages : en
Pages : 343
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Book Description
Texts by Hans Haacke that range from straightforward descriptions of his artworks to wide-ranging reflections on the relationship between art and politics. Hans Haacke's art articulates the interdependence of multiple elements. An artwork is not merely an object but is also its context—the economic, social, and political conditions of the art world and the world at large. Among his best-known works are MoMA-Poll (1970), which polled museumgoers on their opinions about Nelson Rockefeller and the Nixon administration's Indochina policy; Gallery-Goers' Birthplace and Residence Profile (1969), which canvassed visitors to the Howard Wise Gallery in Manhattan; and the famously canceled 1971 solo exhibition at the Guggenheim Museum, which was meant to display, among other things, works on two New York real estate empires. This volume collects writings by Haacke that explain and document his practice. The texts, some of which have never before been published, run from straightforward descriptions to wide-ranging reflections and full-throated polemics. They include correspondence with MoMA and the Guggenheim and a letter refusing to represent the United States at the 1969 São Paulo Biennial; the title piece, “Working Conditions,” which discusses corporate influence on the art world; Haacke's thinking about “real-time social systems”; and texts written for museum catalogs on various artworks, including GERMANIA, in the German Pavilion of the 1993 Venice Biennial; DER BEVÖLKERUNG (To the Population) of 2000 at the Berlin Reichstag; Mixed Messages, an exhibition of objects from the Victoria and Albert Museum (2001); and Gift Horse, unveiled on the fourth plinth in Trafalgar Square in 2015.
Author: Hans Haacke
Publisher: MIT Press
ISBN: 0262336936
Category : Art
Languages : en
Pages : 343
Get Book Here
Book Description
Texts by Hans Haacke that range from straightforward descriptions of his artworks to wide-ranging reflections on the relationship between art and politics. Hans Haacke's art articulates the interdependence of multiple elements. An artwork is not merely an object but is also its context—the economic, social, and political conditions of the art world and the world at large. Among his best-known works are MoMA-Poll (1970), which polled museumgoers on their opinions about Nelson Rockefeller and the Nixon administration's Indochina policy; Gallery-Goers' Birthplace and Residence Profile (1969), which canvassed visitors to the Howard Wise Gallery in Manhattan; and the famously canceled 1971 solo exhibition at the Guggenheim Museum, which was meant to display, among other things, works on two New York real estate empires. This volume collects writings by Haacke that explain and document his practice. The texts, some of which have never before been published, run from straightforward descriptions to wide-ranging reflections and full-throated polemics. They include correspondence with MoMA and the Guggenheim and a letter refusing to represent the United States at the 1969 São Paulo Biennial; the title piece, “Working Conditions,” which discusses corporate influence on the art world; Haacke's thinking about “real-time social systems”; and texts written for museum catalogs on various artworks, including GERMANIA, in the German Pavilion of the 1993 Venice Biennial; DER BEVÖLKERUNG (To the Population) of 2000 at the Berlin Reichstag; Mixed Messages, an exhibition of objects from the Victoria and Albert Museum (2001); and Gift Horse, unveiled on the fourth plinth in Trafalgar Square in 2015.
Author: Massimiliano Gioni
Publisher: Phaidon Press
ISBN: 9780714879765
Category : Art
Languages : en
Pages : 0
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Book Description
A monograph surveying the storied career of German artist Hans Haacke, on the occasion of a major retrospective exhibition Born in Germany in 1936, Hans Haacke is known for his intellectual and politically engaged art that has long shed light on systems of power. A pioneer of institutional critique, conceptual art, and environmental art, Haacke creates incisive, often site-specific works that call upon the viewer to engage or participate and thereby question invisible structural dynamics at play in society. This book offers an opportunity to revisit the artist's thought-provoking career in light of contemporary culture.
Author: Hans Haacke
Publisher: Black Dog Pub Limited
ISBN: 9781907317644
Category : Art
Languages : en
Pages : 105
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Book Description
This book focuses on his site specific work Once upon a time... in the desacralised church of San Francesco in Como, Italy.
Author: Melissa Ho
Publisher: Princeton University Press
ISBN: 0691191182
Category : Art
Languages : en
Pages : 417
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Book Description
"Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, March 15, 2019 to August 18, 2019."
Author: Alexander Alberro
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 520
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Book Description
An anthology of writings and projects by artists from across Europe and throughout the Americas who developed and extended the genre of institutional critique.
Author: Suzie Attiwill
Publisher: Edinburgh University Press
ISBN: 1474429378
Category : Art
Languages : en
Pages : 243
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Book Description
First ever book-length study of Scotland's immigrant communities since 1945
Author: Steven Henry Madoff
Publisher: MIT Press
ISBN: 0262134934
Category : Art
Languages : en
Pages : 387
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Book Description
Leading international artists and art educators consider the challenges of art education in today's dramatically changed art world. The last explosive change in art education came nearly a century ago, when the German Bauhaus was formed. Today, dramatic changes in the art world—its increasing professionalization, the pervasive power of the art market, and fundamental shifts in art-making itself in our post-Duchampian era—combined with a revolution in information technology, raise fundamental questions about the education of today's artists. Art School (Propositions for the 21st Century) brings together more than thirty leading international artists and art educators to reconsider the practices of art education in academic, practical, ethical, and philosophical terms. The essays in the book range over continents, histories, traditions, experiments, and fantasies of education. Accompanying the essays are conversations with such prominent artist/educators as John Baldessari, Michael Craig-Martin, Hans Haacke, and Marina Abramovic, as well as questionnaire responses from a dozen important artists—among them Mike Kelley, Ann Hamilton, Guillermo Kuitca, and Shirin Neshat—about their own experiences as students. A fascinating analysis of the architecture of major historical art schools throughout the world looks at the relationship of the principles of their designs to the principles of the pedagogy practiced within their halls. And throughout the volume, attention is paid to new initiatives and proposals about what an art school can and should be in the twenty-first century—and what it shouldn't be. No other book on the subject covers more of the questions concerning art education today or offers more insight into the pressures, challenges, risks, and opportunities for artists and art educators in the years ahead. Contributors Marina Abramovic, Dennis Adams, John Baldessari, Ute Meta Bauer, Daniel Birnbaum, Saskia Bos, Tania Bruguera, Luis Camnitzer, Michael Craig-Martin, Thierry de Duve, Clémentine Deliss, Charles Esche, Liam Gillick, Boris Groys, Hans Haacke, Ann Lauterbach, Ken Lum, Steven Henry Madoff, Brendan D. Moran, Ernesto Pujol, Raqs Media Collective, Charles Renfro, Jeffrey T. Schnapp, Michael Shanks, Robert Storr, Anton Vidokle
Author: Hans Haacke
Publisher:
ISBN:
Category : Art and society
Languages : en
Pages : 0
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Book Description
Author: Wendy Doniger
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110454564
Category : Philosophy
Languages : en
Pages : 268
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Book Description
This collection demonstrates the range of approaches that some of the leading scholars of our day take to basic questions at the intersection of the natural and human worlds. The essays focus on three interlocking categories: Reason stakes a bigger territory than the enclosed yard of universal rules. Nature expands over a far larger region than an eternal category of the natural. And history refuses to be confined to claims of an unencumbered truth of how things happened.
Author: Hans Haacke
Publisher: MIT Press (MA)
ISBN:
Category : Architecture
Languages : en
Pages : 316
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Book Description
For the past fifteen years, Hans Haacke's work has been concerned with issues that are at the core of postmodern investigations - the nature of art as institution, the authorship of the artist, the social behavior of the art world, the network of cultural policies such as the role and function of the museum, the critic, and the public, and many other sociological problems. This book is based on a major retrospective exhibition of Haacke's work, the first in an American museum. The works selected show the different ways in which he has addressed the social and political concerns affecting art production. By laying bare the explicit functioning and interconnectedness of systems of finance, social organization, and representations, Haacke demonstrates how these employ art and other forms of presentation and representation as formalized means of power and coercion. In this important respect, his work has set a precedent for that of many younger, social concerned artists. A group of significant essays by Leo Steinberg, Fredric Jameson, Rosalyn Deutsche, and an introduction and overview by Brian Wallis place Haacke's work in a larger social and aesthetic context. Hans Haacke was born in Cologne, Germany, in 1936 and, since 1967, has taught at the Cooper Union in New York. Earlier retrospective exhibitions of his work have been held at the Museum of Modern Art, Oxford, the Tate Gallery, London, and museums in Berlin and Bern. His work has also been included in many major international group exhibitions, including the Tokyo Biennal, the Venice Biennale, and Documenta. Brian Wallis is Adjunct Curator at The New Museum of Contemporary Art, New York, and editor of Art after Modernism: Rethinking Representationand of the magazine Wedge. Hans Haackeis copublished with The New Museum of Contemporary Art and distributed by The MIT Press.
