Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth-Century PDF Download
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Author: Egil Bakka
Publisher: Open Book Publishers
ISBN: 1783747358
Category : Music
Languages : en
Pages : 288
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Book Description
From ‘folk devils’ to ballroom dancers, Waltzing Through Europe explores the changing reception of fashionable couple dances in Europe from the eighteenth century onwards. A refreshing intervention in dance studies, this book brings together elements of historiography, cultural memory, folklore, and dance across comparatively narrow but markedly heterogeneous localities. Rooted in investigations of often newly discovered primary sources, the essays afford many opportunities to compare sociocultural and political reactions to the arrival and practice of popular rotating couple dances, such as the Waltz and the Polka. Leading contributors provide a transnational and affective lens onto strikingly diverse topics, ranging from the evolution of romantic couple dances in Croatia, and Strauss’s visits to Hamburg and Altona in the 1830s, to dance as a tool of cultural preservation and expression in twentieth-century Finland. Waltzing Through Europe creates openings for fresh collaborations in dance historiography and cultural history across fields and genres. It is essential reading for researchers of dance in central and northern Europe, while also appealing to the general reader who wants to learn more about the vibrant histories of these familiar dance forms.
Author: Egil Bakka
Publisher: Open Book Publishers
ISBN: 1783747358
Category : Music
Languages : en
Pages : 288
Get Book Here
Book Description
From ‘folk devils’ to ballroom dancers, Waltzing Through Europe explores the changing reception of fashionable couple dances in Europe from the eighteenth century onwards. A refreshing intervention in dance studies, this book brings together elements of historiography, cultural memory, folklore, and dance across comparatively narrow but markedly heterogeneous localities. Rooted in investigations of often newly discovered primary sources, the essays afford many opportunities to compare sociocultural and political reactions to the arrival and practice of popular rotating couple dances, such as the Waltz and the Polka. Leading contributors provide a transnational and affective lens onto strikingly diverse topics, ranging from the evolution of romantic couple dances in Croatia, and Strauss’s visits to Hamburg and Altona in the 1830s, to dance as a tool of cultural preservation and expression in twentieth-century Finland. Waltzing Through Europe creates openings for fresh collaborations in dance historiography and cultural history across fields and genres. It is essential reading for researchers of dance in central and northern Europe, while also appealing to the general reader who wants to learn more about the vibrant histories of these familiar dance forms.
Author: Alain Plantey
Publisher: Verlag Recht und Wirtschaft
ISBN: 9783800511273
Category : Arbitration and award
Languages : de
Pages : 520
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Author: British Library
Publisher:
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Languages : en
Pages : 616
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Author: Benson Latin American Collection
Publisher:
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Category : Catalogs, Union
Languages : en
Pages : 818
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Author: Herbert Minnemann
Publisher:
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Category : Brazil
Languages : de
Pages : 176
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Languages : de
Pages : 27
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![Handels- und Schiffahrts-Vertrag zwischen den Senaten der freien und Hansestädte Lübeck, Bremen und Hamburg und Sr. Majestät dem Kaiser von Brasilien [So Geschehen zu Rio de Janeiro, den Siebenzehnten des Monats November des Jahres Ein Tausend Acht Hundert Sieben und Zwanzig] PDF](https://books.google.com/books/content/images/frontcover/jHF4zwEACAAJ?fife=w80-h100)
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Languages : de
Pages : 0
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Languages : de
Pages : 27
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Category : Austria
Languages : de
Pages : 1654
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Book Description
Author: Derek B. Scott
Publisher: Oxford University Press
ISBN: 0199718830
Category : Music
Languages : en
Pages : 313
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Book Description
The phrase "popular music revolution" may instantly bring to mind such twentieth-century musical movements as jazz and rock 'n' roll. In Sounds of the Metropolis, however, Derek Scott argues that the first popular music revolution actually occurred in the nineteenth century, illustrating how a distinct group of popular styles first began to assert their independence and values. He explains the popular music revolution as driven by social changes and the incorporation of music into a system of capitalist enterprise, which ultimately resulted in a polarization between musical entertainment (or "commercial" music) and "serious" art. He focuses on the key genres and styles that precipitated musical change at that time, and that continued to have an impact upon popular music in the next century. By the end of the nineteenth century, popular music could no longer be viewed as watered down or more easily assimilated art music; it had its own characteristic techniques, forms, and devices. As Scott shows, "popular" refers here, for the first time, not only to the music's reception, but also to the presence of these specific features of style. The shift in meaning of "popular" provided critics with tools to condemn music that bore the signs of the popular-which they regarded as fashionable and facile, rather than progressive and serious. A fresh and persuasive consideration of the genesis of popular music on its own terms, Sounds of the Metropolis breaks new ground in the study of music, cultural sociology, and history.
