Handbook to Bach's Sacred Cantata Texts PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Handbook to Bach's Sacred Cantata Texts PDF full book. Access full book title Handbook to Bach's Sacred Cantata Texts by Melvin P. Unger. Download full books in PDF and EPUB format.
Author: Melvin P. Unger
Publisher: Scarecrow Press
ISBN: 1461659051
Category : Music
Languages : en
Pages : 796
Get Book Here
Book Description
The German church cantata of the eighteenth century was the culmination of a long tradition of Lutheran "sermon music" that used the proclamation, amplification, and interpretation of scripture to teach and persuade the listener. Bach's cantatas also served this didactic purpose and typically incorporate numerous allusions to scriptural passages or themes in their librettos. Unfortunately, many of these passages remain obscure to the twentieth-century musician because they demand a much closer familiarity with the Bible than is common today. The Handbook to Bach's Sacred Cantata Texts identifies scriptural references for the wording, imagery, and themes that Bach's listeners would have known. In addition, the religious or literary theme of each text is summarized within the specific context of the cantata as a whole. With interlinear translations and a full complement of indexes.
Author: Melvin P. Unger
Publisher: Scarecrow Press
ISBN: 1461659051
Category : Music
Languages : en
Pages : 796
Get Book Here
Book Description
The German church cantata of the eighteenth century was the culmination of a long tradition of Lutheran "sermon music" that used the proclamation, amplification, and interpretation of scripture to teach and persuade the listener. Bach's cantatas also served this didactic purpose and typically incorporate numerous allusions to scriptural passages or themes in their librettos. Unfortunately, many of these passages remain obscure to the twentieth-century musician because they demand a much closer familiarity with the Bible than is common today. The Handbook to Bach's Sacred Cantata Texts identifies scriptural references for the wording, imagery, and themes that Bach's listeners would have known. In addition, the religious or literary theme of each text is summarized within the specific context of the cantata as a whole. With interlinear translations and a full complement of indexes.
Author: Alfred Dürr
Publisher: Oxford University Press
ISBN: 0198167075
Category : Music
Languages : en
Pages : 984
Get Book Here
Book Description
This is the only English translation of this important book by the world's most distinguished Bach scholar.
Author: Melvin P. Unger
Publisher: Scarecrow Press
ISBN: 9780810852983
Category : Music
Languages : en
Pages : 156
Get Book Here
Book Description
This book explores the dramatic thrust of each of Bach's four major works for choir and orchestra: Christmas Oratorio, St. John Passion, St. Matthew Passion, and Mass in B Minor. It guides the reader, movement by movement, through each work with an integrated presentation of commentary and text translation that pays particular attention to the interaction of text and music, suggesting reasons for Bach's musical choices.
Author: Christoph Wolff
Publisher: W. W. Norton & Company
ISBN: 9780393041064
Category : Music
Languages : en
Pages : 252
Get Book Here
Book Description
The cantatas of Johann Sebastian Bach are among the best known and most frequently performed musical works of the Baroque period. In an illuminating discussion of the musical, literary, aesthetic, and theological aspects of the composers early cantatas, leading Bach scholars place the works in their historical and biographical context. 85 photos.
Author: Mark Ringer
Publisher: Rowman & Littlefield
ISBN: 1538135574
Category : Music
Languages : en
Pages : 233
Get Book Here
Book Description
Bach’s Operas of the Soul is the first introduction to Bach’s sacred cantatas for the general music lover. In clear and accessible language, Mark Ringer examines this vast output of masterpieces as the great musical dramatic creations that they. Bach’s sacred cantatas represent an almost superhuman artistic and spiritual achievement, arguably the richest investment by a great composer within a single genre. But outside of a handful of pieces, they remain a closed book to a majority of serious listeners already familiar with Bach’s large-scale religious works. Nevertheless, the same musical-dramatic genius of Bach’s Passions is fully evident in virtually all of the composer's sacred cantatas. Ringer approaches the sacred cantatas as sermons in musical-dramatic form, un-staged operas, planned for each occasion of the church year. Bach’s era relished dramatic contrast, and his use of the human voice offers a constantly changing pallet of vocal colors. The singers play ‘roles’ throughout the cantatas from penitent sinner, to ardent believer, to Christ himself. This book is accompanied by online audio tracks of select Bach canatatas from the Naxos music library. It will be of use to readers interested in opera and vocal music who have already come to love Bach’s Passions and who want to familiarize themselves with this wide array of masterpieces.
Author: Eric Thomas Chafe
Publisher: Oxford University Press, USA
ISBN: 0190217294
Category : Music
Languages : en
Pages : 633
Get Book Here
Book Description
Although beloved by performers and audiences alike, music scholars have generally viewed J.S. Bach's Ich hatte viel Bekümmernis in meinem Herzen (Cantata 21) as one of the composer's weaker compositions. In Tears into Wine, renowned Bach scholar Eric Chafe challenges the scholarly consensus, arguing that Cantata 21 is an exceptionally carefully designed work, and that it displays a convergence of musical structure and theological purpose that is paradigmatic of Bach's sacred work as a whole.
Author: Daniel R. Melamed
Publisher: Oxford University Press
ISBN: 0195122313
Category : Music
Languages : en
Pages : 202
Get Book Here
Book Description
Subjects covered include bibliographic tools of Bach research and sources of literature; Bach's family; Bach biographies; places Bach lived and worked; Bach's teaching; the liturgy; Bach source studies and the transmission of his music; repertory and editions; genres and individual vocal and instrumental works; performance practice; the reception and analysis of Bach's music; and many others.
Author: Marissen
Publisher: Oxford University Press
ISBN: 0197669492
Category : Music
Languages : en
Pages : 201
Get Book Here
Book Description
Many scholars and music lovers hold that J.S. Bach is a modern figure, as his music seems to speak directly to the aesthetic, spiritual, or emotional concerns of today's listeners. But, by eighteenth-century standards, Bach and his music in fact reflected and forcefully promoted a premodern world and life view. In Bach against Modernity, author Michael Marissen offers a new look at Bach that considers problems of inattentiveness to historical considerations in academic and popular writing about Bach's relation to the present. He also puts forward interpretive reassessments of key individual works by Bach and examines problems in modern comprehension of the partly archaic German texts that Bach set to music. Lastly, he explores Bach's music in relation to premodern versus enlightened attitudes toward Jews and Judaism and enquires into the theological character of Bach's secular instrumental music. Throughout, the book provides overlooked or misunderstood evidence of Bach's private engagement with religious and social issues that he also addressed in his public vocal compositions. Marissen ultimately argues that, while we are free to make use of Bach and his music in whatever ways we find fitting, we ought also to guard against miscasting Bach in our own ideological image and proclaiming the authenticity of that image, and hence its prestige value, in support of our own agendas.
Author: Mark A. Peters
Publisher: Rowman & Littlefield
ISBN: 1498554962
Category : Music
Languages : en
Pages : 355
Get Book Here
Book Description
Compositional Choices and Meaning in the Vocal Music of J. S. Bach collects seventeen essays by leading Bach scholars. The authors each address in some way such questions of meaning in J. S. Bach’s vocal compositions—including his Passions, Masses, Magnificat, and cantatas—with particular attention to how such meaning arises out of the intentionality of Bach’s own compositional choices or (in Part IV in particular) how meaning is discovered, and created, through the reception of Bach’s vocal works. And the authors do not consider such compositional choices in a vacuum, but rather discuss Bach’s artistic intentions within the framework of broader cultural trends—social, historical, theological, musical, etc. Such questions of compositional choice and meaning frame the four primary approaches to Bach’s vocal music taken by the authors in this volume, as seen across the book’s four parts: Part I: How might the study of historical theology inform our understanding of Bach’s compositional choices in his music for the church (cantatas, Passions, masses)? Part II: How can we apply traditional analytical tools to understand better how Bach’s compositions were created and how they might have been heard by his contemporaries? Part III: What we can understand anew through the study of Bach’s self-borrowing (i.e., parody), which always changed the earlier meaning of a composition through changes in textual content, compositional characteristics, the work’s context within a larger composition, and often the performance context (from court to church, for example)? Part IV: What can the study of reception teach us about a work’s meaning(s) in Bach’s time, during the time of his immediate successors, and at various points since then (including our present)? The chapters in this volume thus reflect the breadth of current Bach research in its attention not only to source study and analysis, but also to meanings and contexts for understanding Bach’s compositions.
Author: Andre Pirro
Publisher: Rowman & Littlefield
ISBN: 1442232919
Category : Music
Languages : en
Pages : 517
Get Book Here
Book Description
The Aesthetic of Johann Sebastian Bach (L’Esthéthique de Jean-Sébastien Bach), by the celebrated French musicologist André Pirro (1869‒1943), was originally published in 1907 and reissued in 1973. It is offered here for the first time in English, as translated by Joe Armstrong. Pirro’s work is based primarily on an examination of the close relationships between language and music in Bach’s vocal works and provides us with an extensive and well-researched “lexicon” of the expressive resources of Bach and his contemporaries. Pirro’s study thus serves as a still sound basis for understanding and interpreting Bach’s instrumental works. Pirro’s engaging analysis that has informed and even moved discerning readers for more than a century. This translation introduces his work to a new audience of performers, music teachers and their students, composers, musicologists, and all who wish to have a greater understanding of the expressive import of Bach’s music.
