Author: Shih-shan Susan Huang
Publisher: BRILL
ISBN: 9004700013
Category : History
Languages : en
Pages : 1069
Book Description
This comprehensive study explores the dynamic spread of Buddhist print culture in China and its Asian neighbors. It examines a vast selection of Buddhist printed images and texts, not merely as static cultural relics, but holistically within multicultural contexts related to other cultural products, and as objects on the move, transmitted across a sprawling web of transnational networks, “Buddhist Book Roads”. The author applies interdisciplinary and network approaches developed in art history, religious studies, digital humanities, and the history of the print and book culture to shed new light on Buddhist print culture from visual, textual, social, and religious perspectives.
The Dynamic Spread of Buddhist Print Culture
Author: Shih-shan Susan Huang
Publisher: BRILL
ISBN: 9004700013
Category : History
Languages : en
Pages : 1069
Book Description
This comprehensive study explores the dynamic spread of Buddhist print culture in China and its Asian neighbors. It examines a vast selection of Buddhist printed images and texts, not merely as static cultural relics, but holistically within multicultural contexts related to other cultural products, and as objects on the move, transmitted across a sprawling web of transnational networks, “Buddhist Book Roads”. The author applies interdisciplinary and network approaches developed in art history, religious studies, digital humanities, and the history of the print and book culture to shed new light on Buddhist print culture from visual, textual, social, and religious perspectives.
Publisher: BRILL
ISBN: 9004700013
Category : History
Languages : en
Pages : 1069
Book Description
This comprehensive study explores the dynamic spread of Buddhist print culture in China and its Asian neighbors. It examines a vast selection of Buddhist printed images and texts, not merely as static cultural relics, but holistically within multicultural contexts related to other cultural products, and as objects on the move, transmitted across a sprawling web of transnational networks, “Buddhist Book Roads”. The author applies interdisciplinary and network approaches developed in art history, religious studies, digital humanities, and the history of the print and book culture to shed new light on Buddhist print culture from visual, textual, social, and religious perspectives.
Handbook of the Colour Print in China, 1600-1800
Author: Anne Farrer
Publisher:
ISBN: 9789004471894
Category : Art
Languages : en
Pages : 0
Book Description
Handbook of the Colour Print in China 1600-1800' is a ground-breaking volume of collected research into colour woodblock printed imagery produced in early modern China. The emergence and development of colour woodblock imagery occurred first in book illustrations and then in single-sheet prints. 0Leading scholars of Chinese print culture trace the emergence of a sophisticated and fully developed colour woodblock print technology between the late Ming and mid-Qing. This volume examines the impact of colour prints on Qing visual culture through interdisciplinary studies investigating literary and artistic contexts, social and economic histories, and dating through European inventoried collections. 0Richly illustrated with full-colour reproductions, this volume is an essential contribution to the future study of Chinese print and book culture.
Publisher:
ISBN: 9789004471894
Category : Art
Languages : en
Pages : 0
Book Description
Handbook of the Colour Print in China 1600-1800' is a ground-breaking volume of collected research into colour woodblock printed imagery produced in early modern China. The emergence and development of colour woodblock imagery occurred first in book illustrations and then in single-sheet prints. 0Leading scholars of Chinese print culture trace the emergence of a sophisticated and fully developed colour woodblock print technology between the late Ming and mid-Qing. This volume examines the impact of colour prints on Qing visual culture through interdisciplinary studies investigating literary and artistic contexts, social and economic histories, and dating through European inventoried collections. 0Richly illustrated with full-colour reproductions, this volume is an essential contribution to the future study of Chinese print and book culture.
Subject Guide to Books in Print
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1680
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1680
Book Description
Encyclopedia of World Art
Author: Bernard S. Myers
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 922
Book Description
Subject matter consists of representational arts in the broadest sense, architecture, sculpture, painting, and other man-made objects with no limits as to time, place, or cultural environment.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 922
Book Description
Subject matter consists of representational arts in the broadest sense, architecture, sculpture, painting, and other man-made objects with no limits as to time, place, or cultural environment.
Willing's Press Guide and Advertisers' Directory and Handbook
Author:
Publisher:
ISBN:
Category : English newspapers
Languages : en
Pages : 1530
Book Description
Publisher:
ISBN:
Category : English newspapers
Languages : en
Pages : 1530
Book Description
A Manual of Marks on Pottery and Porcelain
Author: William Harcourt Hooper
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 256
Book Description
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 256
Book Description
Encyclopedia of World Art: Cossa to Eschatology
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 920
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 920
Book Description
Historical Painting Techniques, Materials, and Studio Practice
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
The Winterthur Museum Libraries Collection of Printed Books and Periodicals: General catalog
Author: Henry Francis du Pont Winterthur Museum. Libraries
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 520
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 520
Book Description
British Books in Print
Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1974
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1974
Book Description