Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 280
Book Description
A History of Early Nineteenth Centry Drama 1800-1850
Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 280
Book Description
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 280
Book Description
A History of Early Nineteenth Century, Drama, 1800-1850: Hand list of plays produced between 1800 and 1850
Author: Allardyce Nicoll
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 340
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 340
Book Description
A History of Early Ninteenth Century Drama 1800-1850
Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 340
Book Description
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 340
Book Description
A History of English Drama 1660-1900
Author: Allardyce Nicoll
Publisher: Cambridge University Press
ISBN: 9780521109314
Category : Drama
Languages : en
Pages : 688
Book Description
Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.
Publisher: Cambridge University Press
ISBN: 9780521109314
Category : Drama
Languages : en
Pages : 688
Book Description
Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.
Staging the Peninsular War
Author: Susan Valladares
Publisher: Routledge
ISBN: 1317050711
Category : Performing Arts
Languages : en
Pages : 472
Book Description
From Napoleon's invasion of Portugal in 1807 to his final defeat at Waterloo, the English theatres played a crucial role in the mediation of the Peninsular campaign. In the first in-depth study of English theatre during the Peninsular War, Susan Valladares contextualizes the theatrical treatment of the war within the larger political and ideological axes of Romantic performance. Exploring the role of spectacle in the mediation of war and the links between theatrical productions and print culture, she argues that the popularity of theatre-going and the improvisation and topicality unique to dramatic performance make the theatre an ideal lens for studying the construction of the Peninsular War in the public domain. Without simplifying the complex issues involved in the study of citizenship, communal identities, and ideological investments, Valladares recovers a wartime theatre that helped celebrate military engagements, reform political sympathies, and register the public’s complex relationship with Britain’s military campaign in the Iberian Peninsula. From its nuanced reading of Richard Brinsley Sheridan's Pizarro (1799), to its accounts of wartime productions of Shakespeare, description of performances at the minor theatres, and detailed case study of dramatic culture in Bristol, Valladares’s book reveals how theatrical entertainments reflected and helped shape public feeling on the Peninsular campaign.
Publisher: Routledge
ISBN: 1317050711
Category : Performing Arts
Languages : en
Pages : 472
Book Description
From Napoleon's invasion of Portugal in 1807 to his final defeat at Waterloo, the English theatres played a crucial role in the mediation of the Peninsular campaign. In the first in-depth study of English theatre during the Peninsular War, Susan Valladares contextualizes the theatrical treatment of the war within the larger political and ideological axes of Romantic performance. Exploring the role of spectacle in the mediation of war and the links between theatrical productions and print culture, she argues that the popularity of theatre-going and the improvisation and topicality unique to dramatic performance make the theatre an ideal lens for studying the construction of the Peninsular War in the public domain. Without simplifying the complex issues involved in the study of citizenship, communal identities, and ideological investments, Valladares recovers a wartime theatre that helped celebrate military engagements, reform political sympathies, and register the public’s complex relationship with Britain’s military campaign in the Iberian Peninsula. From its nuanced reading of Richard Brinsley Sheridan's Pizarro (1799), to its accounts of wartime productions of Shakespeare, description of performances at the minor theatres, and detailed case study of dramatic culture in Bristol, Valladares’s book reveals how theatrical entertainments reflected and helped shape public feeling on the Peninsular campaign.
Ira Aldridge
Author: Bernth Lindfors
Publisher: University Rochester Press
ISBN: 1580463819
Category : Biography & Autobiography
Languages : en
Pages : 406
Book Description
The first widely available biography of this important black Victorian-age actor, Ira Aldridge: The Early Years, 1807-1833 details the early life and career of this New York-born thespian as he began to act on the British stage. Ira Aldridge: The Early Years, 1807-1833 chronicles the rise of one of the modern world's first black classical actors, as he ascended from an impoverished childhood in New York City to a career as a celebrated thespian onthe British stage. After a successful debut in London in 1825, Aldridge began touring the British provinces, billing himself grandiloquently as the "African Roscius," and attracting crowds with his powerful presence and style. He received accolades not only as a tragedian in classic roles such as Othello and Oroonoko but also as a comic actor in popular farces and musicals. In 1833, when a bill to abolish slavery was being debated in Parliament, he was called back to London to perform at one of the city's most prestigious theaters, where his appearance, now under his own name but also billed as "a native of Senegal," created a great deal of controversy. In dealing with Aldridge's emergence as a professional actor in the United Kingdom, Lindfors here records in detail the ups and downs of his itinerant existence in a world where no theatergoer had ever seen anyone like him on stage before. Aldridgewas genuinely a unique phenomenon in Britain at a pivotal point in history. Bernth Lindfors is Professor Emeritus of English and African Literatures, University of Texas at Austin, and editor of Ira Aldridge: The African Roscius (University of Rochester Press, 2007).
Publisher: University Rochester Press
ISBN: 1580463819
Category : Biography & Autobiography
Languages : en
Pages : 406
Book Description
The first widely available biography of this important black Victorian-age actor, Ira Aldridge: The Early Years, 1807-1833 details the early life and career of this New York-born thespian as he began to act on the British stage. Ira Aldridge: The Early Years, 1807-1833 chronicles the rise of one of the modern world's first black classical actors, as he ascended from an impoverished childhood in New York City to a career as a celebrated thespian onthe British stage. After a successful debut in London in 1825, Aldridge began touring the British provinces, billing himself grandiloquently as the "African Roscius," and attracting crowds with his powerful presence and style. He received accolades not only as a tragedian in classic roles such as Othello and Oroonoko but also as a comic actor in popular farces and musicals. In 1833, when a bill to abolish slavery was being debated in Parliament, he was called back to London to perform at one of the city's most prestigious theaters, where his appearance, now under his own name but also billed as "a native of Senegal," created a great deal of controversy. In dealing with Aldridge's emergence as a professional actor in the United Kingdom, Lindfors here records in detail the ups and downs of his itinerant existence in a world where no theatergoer had ever seen anyone like him on stage before. Aldridgewas genuinely a unique phenomenon in Britain at a pivotal point in history. Bernth Lindfors is Professor Emeritus of English and African Literatures, University of Texas at Austin, and editor of Ira Aldridge: The African Roscius (University of Rochester Press, 2007).
Dramatic Bibliography
Author:
Publisher: 清华大学出版社有限公司
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 344
Book Description
Publisher: 清华大学出版社有限公司
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 344
Book Description
The English Theatre and John Keats
Author: Harry R. Beaudry
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 274
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 274
Book Description
Leicester Museum, Art Gallery and Library Bulletin
Author:
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 688
Book Description
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 688
Book Description
Catalog of Printed Books of the Folger Shakespeare Library, Washington, D.C.
Author: Folger Shakespeare Library
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 692
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 692
Book Description