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Author: Emile Viard
Publisher:
ISBN: 9781584321644
Category : Art
Languages : en
Pages : 109
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Book Description
A collection of illustrated Haitian paintings by expatriate artists along with a profile of each artist's style, exhibit history, and personal statement.
Author: Emile Viard
Publisher:
ISBN: 9781584321644
Category : Art
Languages : en
Pages : 109
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Book Description
A collection of illustrated Haitian paintings by expatriate artists along with a profile of each artist's style, exhibit history, and personal statement.
Author: Elizabeth McAlister
Publisher: Univ of California Press
ISBN: 0520926749
Category : Religion
Languages : en
Pages : 295
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Book Description
Rara is a vibrant annual street festival in Haiti, when followers of the Afro-Creole religion called Vodou march loudly into public space to take an active role in politics. Working deftly with highly original ethnographic material, Elizabeth McAlister shows how Rara bands harness the power of Vodou spirits and the recently dead to broadcast coded points of view with historical, gendered, and transnational dimensions.
Author:
Publisher:
ISBN:
Category : Art, Haitian
Languages : en
Pages : 109
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Book Description
Author: Margarita Mooney
Publisher: Univ of California Press
ISBN: 0520260341
Category : Political Science
Languages : en
Pages : 310
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Book Description
"Margarita Mooney's path-breaking book, Faith Makes us Live, is the first-ever comparative study of how religious faith and practice affect immigrant adaptation and assimilation. Her imaginative analysis of Haitian immigrants in Miami, Montreal, and Paris shows how religious faith serves to mediate culturally between immigrants and their host societies, but also reveals that by itself faith is not enough to achieve successful integration. Host societies must also be receptive to the religious institutions that serve immigrants if integration is to be achieved. Her book is essential reading for students of both religion and immigration."—Douglas S. Massey, Princeton University "Margarita Mooney's research on Haitian Catholic immigrants in three settings is elegant in design, assiduous in execution, and compelling in presentation. Mooney's immigrants bring a deep piety with them across the ocean, but the different contexts of reception they encounter in Miami, Montreal, and Paris significantly influence their differential adaptation to their new homes in the U.S., Canada, and France. Faith Makes Us Live is an essential contribution to the growing body of literature on religion and immigration."—R. Stephen Warner, University of Illinois at Chicago "Faith Makes Us Live is one of those rare books that succeeds in making a valuable contribution on at least three fronts: it extends the literature on religion and immigration by showing how religious organizations serve as mediating structures between immigrants and their host communities, it demonstrates to scholars interested in faith-based service organizations that the larger relationships between church and state must be considered carefully through a comparative framework, and it provides students of religion with a compelling, up-close-and-personal account of how faith matters in the daily lives of Haitian immigrants."—Robert Wuthnow, Princeton University "What excites me most about Faith Makes Us Live is that it analyzes the role played by the Catholic Church in immigrant incorporation while taking into consideration the distinctive challenges met by Haitians in three societies that treat the poor, immigrants and people of color quite differently. The comparison between Miami, Paris, and Montreal is particularly felicitous given differences in the position and influence of the Church, the characteristics of the Haitian populations, and the public resources available to immigrants across these three contexts. By showing how religion sustains resilience and empowerment for a particularly vulnerable group of individuals, Mooney demonstrates the crucial role of meaning-making matters for immigrant incorporation."—Michele Lamont, Harvard University. "This book teaches us an important lesson: When immigrants are religious—and so many are—pragmatic cooperation between church and state can hasten their acculturation and improve their well-being. Faith Makes Us Live is essential reading for those who want to better understand the role of religion and religious institutions in immigrants' lives."—Mark Chaves, Duke University "An examplar of theory-driven ethnographic research. Professor Mooney provides an ambitious, comparative study at once rich in detail and grand in scope. By systematically comparing three countries on two continents, this book uncovers crucial patterns of relationships among church, state, and civil society and how they affect immigrants on the ground. This is what ethnography should be: rooted in the lived experience of everyday life and yet motivated by the need to understand human social processes in general."—Andy Perrin, University of North Carolina "Thoroughly sociological in design and analysis, this study opens new vistas for the field of religion and immigration. Leaving behind celebratory or critical accounts of the role of religious beliefs in the adaptation of immigrant minorities, Mooney makes clear that processes and outcomes depend on the interaction between religious institutions and the broader socio-political context. An original contribution, made even more valuable by its focus on one of the most downtrodden groups in the migrant world."—Alejandro Portes, Princeton University
Author: Michael Largey
Publisher: University of Chicago Press
ISBN: 0226468658
Category : History
Languages : en
Pages : 300
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Book Description
While the Haitian musical tradition is probably best known for the Vodou-inspired roots music that helped topple the two-generation Duvalier dictatorship, the nation’s troubled history of civil unrest and its tangled relationship with the United States is more intensely experienced through its art music, which combines French and German elements of classical music with Haiti's indigenous folk music. Vodou Nation examines art music by Haitian and African American composers who were inspired by Haiti’s history as a nation created by slave revolt. Around the time of the United States’s occupation of Haiti in 1915, African American composers began to incorporate Vodou-inspired musical idioms to showcase black artistry and protest white oppression. Together with Haitian musicians, these composers helped create what Michael Largey calls the “Vodou Nation,” an ideal vision of Haiti that championed its African-based culture as a bulwark against America’s imperialism. Highlighting the contributions of many Haitian and African American composers who wrote music that brought rhythms and melodies of the Vodou ceremony to local and international audiences, Vodou Nation sheds light on a black cosmopolitan musical tradition that was deeply rooted in Haitian culture and politics.
Author: Brandon R. Byrd
Publisher: University of Pennsylvania Press
ISBN: 0812296540
Category : History
Languages : en
Pages : 313
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Book Description
In The Black Republic, Brandon R. Byrd explores the ambivalent attitudes that African American leaders in the post-Civil War era held toward Haiti, the first and only black republic in the Western Hemisphere. Following emancipation, African American leaders of all kinds—politicians, journalists, ministers, writers, educators, artists, and diplomats—identified new and urgent connections with Haiti, a nation long understood as an example of black self-determination. They celebrated not only its diplomatic recognition by the United States but also the renewed relevance of the Haitian Revolution. While a number of African American leaders defended the sovereignty of a black republic whose fate they saw as intertwined with their own, others expressed concern over Haiti's fitness as a model black republic, scrutinizing whether the nation truly reflected the "civilized" progress of the black race. Influenced by the imperialist rhetoric of their day, many African Americans across the political spectrum espoused a politics of racial uplift, taking responsibility for the "improvement" of Haitian education, politics, culture, and society. They considered Haiti an uncertain experiment in black self-governance: it might succeed and vindicate the capabilities of African Americans demanding their own right to self-determination or it might fail and condemn the black diasporic population to second-class status for the foreseeable future. When the United States military occupied Haiti in 1915, it created a crisis for W. E. B. Du Bois and other black activists and intellectuals who had long grappled with the meaning of Haitian independence. The resulting demand for and idea of a liberated Haiti became a cornerstone of the anticapitalist, anticolonial, and antiracist radical black internationalism that flourished between World War I and World War II. Spanning the Reconstruction, post-Reconstruction, and Jim Crow eras, The Black Republic recovers a crucial and overlooked chapter of African American internationalism and political thought.
Author: Tatiana Flores
Publisher: Duke University Press
ISBN: 9781934491584
Category : Art
Languages : en
Pages : 319
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Book Description
Relational Undercurrents accompanies an exhibition by the same name that opens at the Museum of Latin American Art in Long Beach, California in September, 2017. The exhibition and edited volume call attention to the artistic production of the Caribbean islands and their diasporas, challenging the conventional geographic and conceptual boundaries of Latin America.
Author: Jenny Sharpe
Publisher: Northwestern University Press
ISBN: 0810141590
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
In this innovative study, Jenny Sharpe moves beyond the idea of art and literature as an alternative archive to the historical records of slavery and its aftermath. Immaterial Archives explores instead the intangible phenomena of affects, spirits, and dreams that Caribbean artists and writers introduce into existing archives. Through the works of Frantz Zéphirin, Edouard Duval-Carrié, M. NourbeSe Philip, Erna Brodber, and Kamau Brathwaite, Immaterial Archives examines silences as black female spaces, Afro-Creole sacred worlds as diasporic cartographies, and the imaginative conjoining of spirits with industrial technologies as disruptions of enlightened modernity.
Author: Lindsay J Twa
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409446727
Category : Art
Languages : en
Pages : 307
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Book Description
From the 1910s until the 1950s the Caribbean nation of Haiti drew the attention of many U.S. literary and artistic luminaries, yet while significant studies have been published on Haiti's history, none analyze visual representations with any depth. This book argues that choosing Haiti as subject matter was a highly charged decision by American artists to use their artwork to engage racial, social, and political issues. Twa scrutinizes photographs, illustrations, paintings, and theatre as well as textual and archival sources.
Author: Edwidge Danticat
Publisher: Soho Press
ISBN: 1569477485
Category : Social Science
Languages : en
Pages : 223
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Book Description
In five sections—Childhood, Migration, Half/First Generation, Return, and Future—the thirty-three contributors to this anthology write movingly, often hauntingly, of their lives in Haiti and the United States. Their dyaspora, much like a butterfly's fluctuating path, is a shifting landscape in which there is much travel between two worlds, between their place of origin and their adopted land. This compilation of essays and poetry brings together Haitian-Americans of different generations and backgrounds, linking the voices for whom English is a first language and others whose dreams will always be in French and Kreyòl. Community activists, scholars, visual artists and filmmakers join renowned journalists, poets, novelists and memoirists to produce a poignant portrayal of lives in transition. Edwidge Danticat, in her powerful introduction, pays tribute to Jean Dominique, a sometime participant in the Haitian dyaspora and a recent martyr to Haiti's troubled politics, and the many members of the dyaspora who refused to be silenced. Their stories confidently and passionately illustrate the joys and heartaches, hopes and aspirations of a relatively new group of immigrants belonging to two countries that have each at times maligned and embraced them.
