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Author: Robert S. Nelson
Publisher: University of Chicago Press
ISBN: 9780226571713
Category : Architecture
Languages : en
Pages : 316
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Book Description
Hagia Sophia, the Church of Holy Wisdom, sits majestically atop the plateau that commands the straits separating Europe and Asia. Located near the acropolis of the ancient city of Byzantium, this unparalleled structure has enjoyed an extensive and colorful history, as it has successively been transformed into a cathedral, mosque, monument, and museum. In Hagia Sophia, 1850-1950, Robert S. Nelson explores its many lives. Built from 532 to 537 as the Cathedral of Constantinople, Hagia Sophia was little studied and seldom recognized as a great monument of world art until the nineteenth century, and Nelson examines the causes and consequences of the building's newly elevated status during that time. He chronicles the grand dome's modern history through a vibrant cast of characters—emperors, sultans, critics, poets, archaeologists, architects, philanthropists, and religious congregations—some of whom spent years studying it, others never visiting the building. But as Nelson shows, they all had a hand in the recreation of Hagia Sophia as a modern architectural icon. By many means and for its own purposes, the West has conceptually transformed Hagia Sophia into the international symbol that it is today. While other books have covered the architectural history of the structure, this is the first study to address its status as a modern monument. With his narrative of the building's rebirth, Nelson captures its importance for the diverse communities that shape and find meaning in Hagia Sophia. His book will resonate with cultural, architectural, and art historians as well as with those seeking to acquaint themselves with the modern life of an inspired and inspiring building.
Author: Robert S. Nelson
Publisher: University of Chicago Press
ISBN: 9780226571713
Category : Architecture
Languages : en
Pages : 316
Get Book Here
Book Description
Hagia Sophia, the Church of Holy Wisdom, sits majestically atop the plateau that commands the straits separating Europe and Asia. Located near the acropolis of the ancient city of Byzantium, this unparalleled structure has enjoyed an extensive and colorful history, as it has successively been transformed into a cathedral, mosque, monument, and museum. In Hagia Sophia, 1850-1950, Robert S. Nelson explores its many lives. Built from 532 to 537 as the Cathedral of Constantinople, Hagia Sophia was little studied and seldom recognized as a great monument of world art until the nineteenth century, and Nelson examines the causes and consequences of the building's newly elevated status during that time. He chronicles the grand dome's modern history through a vibrant cast of characters—emperors, sultans, critics, poets, archaeologists, architects, philanthropists, and religious congregations—some of whom spent years studying it, others never visiting the building. But as Nelson shows, they all had a hand in the recreation of Hagia Sophia as a modern architectural icon. By many means and for its own purposes, the West has conceptually transformed Hagia Sophia into the international symbol that it is today. While other books have covered the architectural history of the structure, this is the first study to address its status as a modern monument. With his narrative of the building's rebirth, Nelson captures its importance for the diverse communities that shape and find meaning in Hagia Sophia. His book will resonate with cultural, architectural, and art historians as well as with those seeking to acquaint themselves with the modern life of an inspired and inspiring building.
Author: Przemyslaw Marciniak
Publisher: Routledge
ISBN: 1134808380
Category : Art
Languages : en
Pages : 343
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Book Description
Studies on the reception of the classical tradition are an indispensable part of classical studies. Understanding the importance of ancient civilization means also studying how it was used subsequently. This kind of approach is still relatively rare in the field of Byzantine Studies. This volume, which is the result of the range of interests in (mostly) non-English-speaking research communities, takes an important step to filling this gap by investigating the place and dimensions of ’Byzantium after Byzantium’. This collection of essays uses the idea of ’reception-theory’ and expands it to show how European societies after Byzantium have responded to both the reality, and the idea of Byzantine Civilisation. The authors discuss various forms of Byzantine influence in the post-Byzantine world from architecture to literature to music to the place of Byzantium in modern political debates (e.g. in Russia). The intentional focus of the present volume is on those aspects of Byzantine reception less well-known to English-reading audiences, which accounts for the inclusion of Bulgarian, Czech, Polish and Russian perspectives. As a result this book shows that although so-called 'Byzantinism' is a pan-European phenomenon, it is made manifest in local/national versions. The volume brings together specialists from various countries, mainly Byzantinists, whose works focus not only on Byzantine Studies (that is history, literature and culture of the Byzantine Empire), but also on the influence of Byzantine culture on the world after the Fall of Constantinople.
Author: Robert S. Nelson
Publisher: University of Chicago Press
ISBN: 0226571580
Category : Architecture
Languages : en
Pages : 354
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Book Description
How do some monuments become so socially powerful that people seek to destroy them? After ignoring monuments for years, why must we now commemorate public trauma, but not triumph, with a monument? To explore these and other questions, Robert S. Nelson and Margaret Olin assembled essays from leading scholars about how monuments have functioned throughout the world and how globalization has challenged Western notions of the "monument." Examining how monuments preserve memory, these essays demonstrate how phenomena as diverse as ancient drum towers in China and ritual whale-killings in the Pacific Northwest serve to represent and negotiate time. Connecting that history to the present with an epilogue on the World Trade Center, Monuments and Memory, Made and Unmade is pertinent not only for art historians but for anyone interested in the turbulent history of monuments—a history that is still very much with us today. Contributors: Stephen Bann, Jonathan Bordo, Julia Bryan-Wilson, Jas Elsner, Tapati Guha-Thakurta, Robert S. Nelson, Margaret Olin, Ruth B. Phillips, Mitchell Schwarzer, Lillian Lan-ying Tseng, Richard Wittman, Wu Hung
Author: Steven Fine
Publisher: BRILL
ISBN: 9004370099
Category : Religion
Languages : en
Pages : 398
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Book Description
Jewish Religious Architecture explores ways that Jews have expressed their tradition in brick and mortar and wood, in stone and word and spirit. This volume stretches from the biblical Tabernacle to Roman Jerusalem, synagogues spanning two millenia and on to contemporary Judaism. Social historians, cultural historians, art historians and philologists have come together here to present this extraordinary architectural tradition. The multidisciplinary approach employed in Jewish Religious Architecture reveals deep continuities over time, together with the distinctly local— sometimes in surprising ways.
Author: Robert G. Ousterhout
Publisher: Oxford University Press
ISBN: 0190272740
Category : Architecture
Languages : en
Pages : 810
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Book Description
Aside from Hagia Sophia, the monuments of the Byzantine East are poorly understood today. This is in sharp contrast to the well-known architectural marvels of Western Europeâs Middle Ages. In this landmark survey, distinguished art historian Robert Ousterhout introduces readers to the rich and diverse architectural traditions of the medieval Eastern Mediterranean. The focus of the book is the Byzantine (or East Roman) Empire (324-1453 CE), with its capital in Constantinople, although the framework expands chronologically to include the foundations of Christian architecture in Late Antiquity and the legacy of Byzantine culture after the fall of Constantinople in 1453. Geographically broad as well, this study includes architectural developments in areas of Italy, the Caucasus, the Near East, the Balkans, and Russia, as well as related developments in early Islamic architecture. Alternating chapters that address chronological or regionally-based developments with thematic studies that focus on the larger cultural concerns, the book presents the architectural developments in a way that makes them accessible, interesting, and intellectually stimulating. In doing so, it also explains why medieval architecture in the East followed such a different trajectory from that of the West. Lavishly illustrated with hundreds of color photographs, maps, and line drawings, Eastern Medieval Architecture will establish Byzantine traditions to be as significant and admirable as those more familiar examples in Western Europe, and serve as an invaluable resource for anyone interested in architectural history, Byzantium, and the Middle Ages.
Author: Emilie M. van Opstall
Publisher: BRILL
ISBN: 9004369007
Category : Architecture
Languages : en
Pages : 390
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Book Description
Sacred Thresholds. The Door to the Sanctuary in Late Antiquity offers a far-reaching account of boundaries within pagan and Christian sanctuaries: gateways in a precinct, outer doors of a temple or church, inner doors of a cella. The study of these liminal spaces within Late Antiquity – itself a key period of transition during the spread of Christianity, when cultural paradigms were redefined – demands an approach that is both interdisciplinary and diachronic. Emilie van Opstall brings together both upcoming and noted scholars of Greek and Latin literature and epigraphy, archaeology, art history, philosophy, and religion to discuss the experience of those who crossed from the worldly to the divine, both physically and symbolically. What did this passage from the profane to the sacred mean to them, on a sensory, emotive and intellectual level? Who was excluded, and who was admitted? The articles each offer a unique perspective on pagan and Christian sanctuary doors in the Late Antique Mediterranean.
Author: Robin Cormack
Publisher: Oxford University Press
ISBN: 0191084476
Category : Art
Languages : en
Pages : 496
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Book Description
The opulence of Byzantine art, with its extravagant use of gold and silver, is well known. Highly skilled artists created powerful representations reflecting and promoting this society and its values in icons, illuminated manuscripts, and mosaics and wallpaintings placed in domed churches and public buildings. This complete introduction to the whole period and range of Byzantine art combines immense breadth with interesting historical detail. Robin Cormack overturns the myth that Byzantine art remained constant from the inauguration of Constantinople, its artistic centre, in the year 330 until the fall of the city to the Ottomans in 1453. He shows how the many political and religious upheavals of this period produced a wide range of styles and developments in art. This updated, colour edition includes new discoveries, a revised bibliography, and, in a new epilogue, a rethinking of Byzantine Art for the present day.
Author: Amalia G. Kakissis
Publisher: Taylor & Francis
ISBN: 135111980X
Category : History
Languages : en
Pages : 348
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Book Description
Byzantium was a very influential part of the development of the Arts and Crafts Movement (1880–1910) in Britain, and although the influence of the Gothic Revival (1830–80) is well known, that of the Byzantine Revival (1840–1910) is not. This volume is about the people and the movements that created the Byzantine Revival and shows how they influenced British heritage from architecture to the decorative arts during the late nineteenth and early twentieth centuries. The central pillars of the volume are the architects and scholars who created the Byzantine Research Fund (BRF) Archive, a unique collection of architectural drawings and photographs of numerous monuments across the Byzantine world, and the social and professional networks in which they circulated. The BRF members, an eclectic and little-known group, who based themselves at the newly founded British School at Athens, established the research of Byzantium in Britain and Greece. They were trained in the traditions of the Arts and Crafts Movement, which sought authenticity in design and decoration in reaction to the styles that had developed through industrialisation. Their work, uniting a distinctively British design tradition with Byzantine arts and crafts, represents a highly significant and under-researched link between Britain and the Hellenic world. This volume is the first contribution to try to fill this knowledge gap. Byzantium and British Heritage will appeal to all those interested in the relation between Byzantine and British culture and Byzantine art.
Author: Christopher S. Wood
Publisher: Princeton University Press
ISBN: 0691204764
Category : Art
Languages : en
Pages : 472
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Book Description
"In this authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. The book shows that the pioneering chroniclers of the Italian Renaissance--Lorenzo Ghiberti and Giorgio Vasari--measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however--Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich--struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline. Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history."--from book jacket
![The Byzantine Empire [2 volumes] PDF](https://books.google.com/books/content/images/frontcover/36jOEAAAQBAJ?fife=w80-h100)
Author: James Francis LePree Ph.D.
Publisher: Bloomsbury Publishing USA
ISBN:
Category : History
Languages : en
Pages : 613
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Book Description
An indispensable resource for investigating the history of the Byzantine Empire, this book provides a comprehensive summary of its overall development as well as its legacy in the modern world. The existence and development of Byzantium covers more than a millennium and coincides with one of the darkest periods of European history. Unfortunately, the Empire's achievements and brightest moments remain largely unknown except to Byzantine scholars. Through reference entries and primary source documents, this encyclopedia provides essential information about the Byzantine Empire from the reign of Diocletian to the Fall of Constantinople. The reference entries are grouped in eight topical sections on the most significant aspects of the history of the Byzantine Empire. These sections include individuals, key events, key places, the military, objects and artifacts, administration and organization, government and politics, and groups and organizations. Each section begins with an overview essay and contains approximately thirty entries on carefully selected topics. The entries conclude with suggestions for further reading along with cross-references., A selection of primary source documents gives readers first-hand accounts of the Byzantine world.
